Read "education" here.
This link has been bookmarked by 19 people . It was first bookmarked on 25 Mar 2008, by MaryAnn Fitzgerald.
-
16 Mar 11
-
"The central principle behind the success of the giants born in the Web 1.0 era who have survived to lead the Web 2.0 era appears to be this, that they have embraced the power of the web to harness collective intelligence
-
you make all the content. they keep all the revenue
-
By the early 21st century, fans have been redefined as the drivers of wealth production within the new digital economy:
-
putting the We in the Web
-
FanLib began by hosting officially sponsored fan fiction competitions
-
hey refused to share the generated revenues with the fan authors).
-
emphasizing the power of media companies and the impact of the decisions they make upon the culture
-
emphasizing audience interpretation and cultural production read in cultural rather than economic terms.
-
one emphasizing media concentration and the narrowing of options; the other emphasizing the expansion of grassroots participation.
-
-
14 Sep 08
-
02 Sep 08
-
15 Apr 08
-
01 Apr 08
-
28 Mar 08
-
27 Mar 08
Steve DickieThe Moral Economy of Web 2.0:
Audience Research and Convergence Culture
Joshua Green and Henry Jenkins
"The central principle behind the success of the giants born in the Web 1.0 era who have survived to lead the Web 2.0 era appears to be this, that they have embraced the power of the web to harness collective intelligence....The lesson: Network effects from user contributions are the key to market dominance in the Web 2.0 era." -
-
-
Add Sticky Note
Mass media are increasingly operating in a context of participatory culture, but there is considerable anxiety about the terms of participation. Some media producers adopt what we are calling a collaborative approach, embracing audience participation, mobilizing fans as grassroots advocates, and capitalizing on user-generated content. Others adopt a prohibitionist posture. Frightened by a loss of control over the channels of media production and distribution and threatened by increasingly visible and vocal audience behavior, some companies tighten control over intellectual property, trying to reign in the disruptive and destabilizing impact of technological and cultural change. Most companies are torn between the two extremes, seeking a new relationship with their audiences which gives only as much ground as needed to maintain consumer loyalty.
This essay focuses on the resulting reworking of the "moral economy" that shapes the relations between producers and consumers. "Moral economy" refers to the social expectations, emotional investments, and cultural transactions which create a shared understanding between all participants within an economic exchange. The moral economy which governed old media companies has broken down and there are conflicting expectations about what new relationships should look like. The risks for companies are high, since alienated consumers have other options for accessing media content. The risks for consumers are equally high, since legal sanctions can stifle the emerging participatory culture.
-
-
-
25 Mar 08
-
"
please describe web 2.0 to me in 2 sentences or less.
you make all the content. they keep all the revenue." -- Bash.org
-
I wrote the following essay on the cultural politics around web 2.0 with Joshua Green, a post-doc in the CMS program, who is speerheading the Convergence Culture Consortium and who is my partner in crime in organizing the Futures of Entertainment conferences. Green came to us from the Creative I
-
anuscript about Youtube with Jean Burgess, who was interviewed here at my blog earlier this year.
-
The lesson: Network effects from user contributions are the key to market dominance in the Web 2.0 era." -- Tim O'Reilly (2005)
-
The result has been two conflicting claims about the current state of our culture: one emphasizing media concentration and the narrowing of options; the other emphasizing the expansion of grassroots participation.
-
Our contention is that this research increasingly needs to adopt a comparative or transmedia approach because of the increased flow of media content and audiences across every available platform and the speed with which developments in one media sector impact thinking in every other corner of the entertainment industry.
-
-
Michel Bauwensstart of a multi-part essay on the tension between co-creation and hyper-exploitation
P2P-Fandom Ethical-Economy Crowdsourcing User-Generated-Content P2P-Political-Theory P2P-Theory P2P
-
21 Mar 08
-
20 Mar 08
Doug AdamsThis essay focuses on the resulting reworking of the "moral economy" that shapes the relations between producers and consumers. "Moral economy" refers to the social expectations, emotional investments, and cultural transactions which create
economy culture web2.0 economics jenkins crowdsourcing web internet community
-
18 Mar 08
Public Stiky Notes
Would you like to comment?
Join Diigo for a free account, or sign in if you are already a member.