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Axel Vogelsang

Axel Vogelsang's Public Library

16 Apr 14

ocial-Media-Ranking aller auf gelisteten Theater, Museen, Ballette, Orchester, Opern und Festivals, die mindestens über ein Social-Media-Profil verfügen.

11 Apr 14

In a single click, Tout enables leading news, sports and entertainment brands to create, distribute and monetize mobile video updates in real-time

10 Apr 14

In „Le Musée sentimental“ verwendete Daniel Spoerri gefundene Objekte, um die Geschichte einer Stadt zu erkunden. Aus Anlass des 30. Jubiläums von „Le Musée sentimental de Prusse“ in Berlin, fragt frieze d/e vier Künstler – Aleksandra Mir, Manfred Pernice, Gitte Schäfer und Danh Vo – nach ihrem Umgang mit gefundenen Gegenständen

21 Mar 14

"Museum Analytics is an online platform for sharing and discussing information about museums and their audiences. For each museum there is a daily updated report with information about online and offline audiences. These reports are an essential tool for communication departments to evaluate and understand their progress."

17 Mar 14

rainstorm, organize, prioritize and act on the best ideas, in the same room or around the world, on a realtime sticky note whiteboard.

17 Mar 14

INSTITUTE is an artist management company, which serves media, editorial, advertising, entertainment, record industry, fine art, book publishing, online/mobile media, public engagements and corporate clients.

13 Jan 14

If you’re a visual learner like myself, then you know maps, charts and info graphics can really help bring data and information to life. Maps can make a point resonate with readers and this collection aims to do just that.

09 Jan 14

Education is a priority of Aperture Foundation. In 2014, we are expanding our visual-literacy curriculum for children and teens, and launching new educational initiatives to inspire new audiences to take their interest in photography to the next level.

05 Jan 14

This past October, just before the leaves changed, I went on a six-day hike through the mountains of Wakayama, in central Japan, tracing the path of an ancient imperial pilgrimage called the Kumano Kodo. I took along a powerful camera, believing, as I always have, that it would be an indispensable creative tool. But I returned with the unshakeable feeling that I’m done with cameras, and that most of us are, if we weren’t already.

20 Dec 13

While we are all so different individually, it seems easy to define people in groups according to tired stereotypes. Things get interesting, however, when different stereotyped groups collide – which is exactly what Yang Liu’s “Ost trifft West,” or “East Meets West,” is all about. Liu, a young artist from Beijing currently living in Germany, illustrates the social and cultural differences between her Eastern and Western worlds.

17 Dec 13

What Goderberger is missing is that Silicon Valley as we know it today is a product of a virtual world, not the creator of it. Virtual in the sense that suburbs are meant to be interchangeable, universal substrates upon which we graft our hopes, dreams, and preferred geographic genres.

10 Dec 13

To say that digital cameras have profoundly changed photography is both true and cliché. But few of the regurgitaters of the idea can tell you exactly how. Stephen Mayes, director of VII Photo Agency, is one of those few.

06 Dec 13

to many people meanwhile see artwork in a museum rather as a prop for portraits than as an important part of cultural heritage

06 Dec 13

A documentary game about oil exploration in Canada

06 Dec 13

Created as part of Swiss digital studio ApeLab‘s prototype for spatial storytelling and designed by Sylvain Joly, IDNA can be explored simply by moving the iPad. As the device moves, so does the view within the animation and the story unfolds wherever the viewer’s interest lies, taking different paths depending on the user’s focus on certain angles or characters. The audio is also 3D and sensitive to a person’s orientation to give a deep feeling of immersion. Hand drawn before being digitally transferred, the prototype shows the possibility for interactive storytelling.

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