There’s something so uncannily timely about The Hunger Games: Catching Fire that it’s almost disturbing. In the UK over the past few weeks, there’s been a palpable sense that the dominant reality system is juddering, that things are starting to give. There’s an awakening from hedonic depressive slumber, and The Hunger Games: Catching Fire is not merely in tune with that, it’s amplifying it. Explosion in the heart of the commodity? Yes, and fire causes more fire …
Say what you want about the results, but at least Verbinski tries to bring intelligent, politically-savvy revisionist westerns back into style.
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