train battle
He cites as evidence 900-foot-deep cracks radiating out from the Great Lakes, and stretching for many miles away. He admits it has been proposed that ice-sheets caused these cracks, but suggests that this explanation is improbable, likening them instead to 'cracks in a window which has been struck with a stone.' If ice sheets could produce such cracks, he asks, why haven't similar cracks been found anywhere else on the globe? He adds to this a discussion of surface rocks in New York City, which seem to have undergone a radical chemical change—the feldspar has been converted into slate and the mica has separated out from the iron, as if they had undergone tremendous heat and pressure, as they likely would in the event that a comet struck the earth. He rules out other theories that could have caused this, such as nitric acid and warm rains, by pointing out that this is an isolated incident, whereas warm rains can occur at any time and place and there's no archaeological evidence for the nitric acid's origins.
He points out many legends and myths from various cultures, such as Zoroastrian, Pictish, Hindu, and Ancient Greece, that are all suggestive of a comet striking the earth, the earth catching fire, poisonous gases choking people, and floods and tidal waves swamping large areas. He also points out early culture's tendency to heliotheism, which evolved from an insane gratitude to the Sun, after so many horrific days without it.
The Lost Continent: The Story of Atlantis is a fantasy novel by C. J. Cutcliffe Hyne. It is considered one of the classic fictional retellings of the story of the drowning of Atlantis, combining elements of the myth told by Plato with the earlier Greek myth concerning the survival of a universal flood and restoration of the human race by Deucalion.
The novel was published first in serial form in Pearson's Magazine in the issues for July–December 1899, and in hardcover book form by Hutchinson (London) and Harpers (New York) in 1900.
The novel uses the common nineteenth-century device of a "framing story" to set its narrative in context and augment its believability. The story proper was written supposedly by Deucalion, a warrior-priest of ancient Atlantis; the text having been partly destroyed inadvertently by one of its discoverers at the time of its finding, it is not entirely complete. Deucalion's account describes his heroic but ultimately doomed battle to save Atlantis from destruction by its avaricious and selfish queen, Phorenice.
The Timaeus begins with an introduction, followed by an account of the creations and structure of the universe and ancient civilizations. In the introduction, Socrates muses about the perfect society, described in Plato's Republic (c. 380 BC), and wonders if he and his guests might recollect a story which exemplifies such a society. Critias mentions an allegedly historical tale that would make the perfect example, and follows by describing Atlantis as is recorded in the Critias. In his account, ancient Athens seems to represent the "perfect society" and Atlantis its opponent, representing the very antithesis of the "perfect" traits described in the Republic.
The Sea Peoples, or Peoples of the Sea, are thought to have been a confederacy of seafaring raiders who could have possibly originated from either western Anatolia or southern Europe, specifically a region of the Aegean Sea,[1] who sailed around the eastern Mediterranean and invaded Anatolia, Syria, Canaan, Cyprus, and Egypt toward the end of the Bronze Age.[2] However, the actual identity of the Sea Peoples has remained enigmatic and modern scholars have only the scattered records of ancient civilizations and archaeological analysis to inform them.
According to James Churchward, the Naacal were the people and civilization of the lost continent of Mu, as well as the name of their language.
Sima is the name for the lower layer of the Earth's crust. This layer is made of rocks rich in magnesium silicate minerals. Typically when the sima comes to the surface it is basalt, so sometimes this layer is called the 'basalt layer' of the crust. The sima layer is also called the 'basal crust' or 'basal layer' because it is the lowest layer of the crust. Because the ocean floors are mainly sima, it is also sometimes called the 'oceanic crust'.
The name 'sima' was taken from the first two letters of silica and of magnesium. Comparable is the name 'sial' which is the name for the upper layer of the Earth's continental crust.
"The akashic record is like an immense photographic film, registering all the desires and earth experiences of our planet. Those who perceive it will see pictured thereon: The life experiences of every human being since time began, the reactions to experience of the entire animal kingdom, the aggregation of the thought-forms of a karmic nature (based on desire) of every human unit throughout time. Herein lies the great deception of the records. Only a trained occultist can distinguish between actual experience and those astral pictures created by imagination and keen desire."
According to some versions of the legend, Ys was built below sea level by Gradlon (Gralon in Breton), King of Cornouaille (Kerne in Breton), upon the request of his daughter Dahut (also called Ahes), who loved the sea.
In others, Ys was founded more than 2000 years before Gradlon's reign in a then-dry location off the current coast of the Bay of Douarnenez, but the Breton coast had slowly given way to the sea so that Ys was under it at each high tide when Gradlon's reign began.
To protect Ys from inundation, a dike was built with a gate that was opened for ships during low tide. The one key that opened the gate was held by the king.
Ys was the most beautiful and impressive city in Europe, but quickly became a city of sin under the influence of Dahut. She organized orgies and had the habit of killing her lovers when morning broke. Saint Winwaloe decried the corruption of Ys and warned of God's wrath and punishment, but was ignored by Dahut and the populace.
One day, a knight dressed in red came to Ys. Dahut asked him to come with her, and one night, he agreed. A storm broke out in the middle of the night and the waves could be heard smashing against the gate and the bronze walls. Dahut said to the knight: "Let the storm rage. The gates of the city are strong, and it is King Gradlon, my father, who owns the only key, attached to his neck." The knight replied: "Your father the king sleeps. You can now easily take his key." Dahut stole the key from her father and gave it to the knight, who was none other than the devil. The devil, or, in another version of the story, a wine-besotted Dahut herself, then opened the gate.