"Ma logique est celle de la créolisation, du métissage, le monde est une collision d'images. J'ai dans l'idée de casser la pureté".
Another thread of the diverse practice of Bruno Peinado can be identified in his irreverent use of damage or destruction as a metaphor for both society and the art world. In his series (Untitled) California Custom Game Over, 2006 a series of aluminum blocks make unavoidable reference to the pristine and expensive works of John McCracken, except that Peinado’s versions have been crushed and their rarefied beauty blemished