TAF 2013 In ORF TELETEXT Page 471
Participating artists: LIA, Manuel Knapp, UBERMORGEN, Daniel Egg, Marc Lee, Raquel Meyers, Kathrin Günter, Max Capacity, Dragan Espenschied, Jarkko Räsänen, Seppo Renvall, Juha van Ingen, Cordula Ditz, John Lawrence and Goto80.
15.8.-15.9.2013
ARD Text ab Seite 850
ORF TELETEXT ab Seite 470
Schweizer TELETEXT Seite 750-764 auf den Sendern SRF 1, RTS 1 und RSI 1
"Glitch is a style of electronic music that emerged in the mid to late 1990s. It has been described as a genre that adheres to an "aesthetic of failure," where the deliberate use of glitch based audio media, and other sonic artifacts, is a central concern.[1]
Sources of glitch sound material are usually malfunctioning or abused audio recording devices or digital technology, such as CD skipping, electric hum, digital or analog distortion, bit rate reduction, hardware noise, computer bugs, crashes, vinyl record hiss or scratches and system errors.[2] In a Computer Music Journal article published in 2000, composer and writer Kim Cascone classifies glitch as a sub-genre of electronica, and used the term post-digital to describe the glitch aesthetic."
A glitch is a short-lived fault in a system. It is often used to describe a transient fault that corrects itself, and is therefore difficult to troubleshoot. The term is particularly common in the computing and electronics industries, and in circuit bending, as well as among players of video games, although it is applied to all types of systems including human organizations and nature.
The term derives from the German glitschig, meaning 'slippery', possibly entering English through the Yiddish term glitsh.
A glitch is a short-lived fault in a system. It is often used to describe a transient fault that corrects itself, and is therefore difficult to troubleshoot. The term is particularly common in the computing and electronics industries, and in circuit bending, as well as among players of video games, although it is applied to all types of systems including human organizations and nature.
The term derives from the German glitschig, meaning 'slippery', possibly entering English through the Yiddish term glitsh.
"Glitch art is the aestheticization of digital or analog errors, such as artifacts and other "bugs", by either corrupting digital code/data or by physically manipulating electronic devices (for example by circuit bending)."