2.2.1.3.3
Does sense perception perform fundamentally distinct functions in the arts and the sciences? To what extent does the artist make an advantage out of the subjective nature of sense perception, while the scientist regards it as an obstacle to be overcome?
2.2.4.2.3
Is emotion an essential ingredient of the pursuit or validation of scientific or artistic knowledge? Can there be creativity without emotion?
2.3.1.2.2
Some major advances in physics, for example, discoveries of elementary particles, have come about through arguments involving the beauty, elegance or symmetry of the underlying mathematics. What does this tell us about the relationship between the natural sciences, mathematics and the natural world?
2.3.2.2.7
What is the role of imagination and creativity in the sciences? To what extent might the formulation of a hypothesis or the invention of a research method be comparable to imagining and creating a work of art?
2.3.5.3.4
What do artists do to exercise “critical control” over the imagination, in Popper’s phrase?
Far from being engaged in opposing or incompatible activities, scientists and artists are both trying to extend our understanding of experience by the use of creative imagination subjected to critical control, and so both are using irrational as well as rational faculties. Both are explaining the unknown and trying to articulate the search and its findings. Both are seekers after who make indispensable use of intuition
- Karl Popper
What exactly is science, what does it aspire to do, and why should we the people care? It seems like a simple question, but it's an infinitely complex one, the answer to which is ever elusive and contentious. Gathered here are several eloquent definitions that focus on science as process rather than product, whose conduit is curiosity rather than certainty.
Art looks at the world through the psyche, emotions, intuition and aesthetics. Science looks at the world through the rational and the quantitative - things that can be measured and described. Photographer James Balog aims to merge art and science to better understand nature and humanity's relationship to it in the Extreme Ice Survey, a network of time-lapse cameras recording glaciers receding at an alarming rate, some of the most vivid evidence yet of climate change.