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Updated on May 27, 09
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But conventional views took little account of the circumstances in which the book was written and certainly did not embrace modern critical theory, such as the work of the French social critic, Pierre Bordieu, who emphasised the idea of social reproduction: the background a child brings with him or her to school affects their relationship with the printed page.
At a practical level, there was the question of the availability of children's books. "There was a tradition in the children's literature world that talked about this stuff as though it was universally available, universally read – the great classics such as Treasure Island. They weren't," Rosen says with feeling.
But when you write, Rosen argues, you internalise an audience. A time-worn phrase such as "once upon a time" actually belongs to an intertext – criticism-speak for the sea of texts in which a particular text lives. That raises very tricky questions about who controls the text and sets limits on it – who is the arbiter of taste? Rosen is adamant that it should not be left to the Daily Mail. He cites the case last year of Jacqueline Wilson, the well-known children's writer and former Childrens' Laureate, who was forced to change "twat" to "twit" in her book My Sister Jodie.
Ted Dewan argues for recognising children's own violent drawings
But he says children themselves make a clear distinction between such imaginary violence and real conflict and adults exaggerate the susceptibility of the young to be influenced.
"When children watch Peter Pan we don't expect them to jump out of the window. We underestimate their ability to filter," he said
links to websites of awarders. Updated 2009
5 items | 4 visits
To support study of Open University course EA300
Updated on May 27, 09
Created on May 27, 09
Category: Schools & Education
URL: