Christopher Santiago's List: Chris: Rothko; Original sources

• transcendental must involve the strange and
  unfamiliar, not everything strange or unfamiliar is transcendental.
• Freed
  from a false sense of security and community
• Both the sense of community and of security depend on the familiar. Free of them, transcendental experiences become possible.
• The picture must be for him, as for anyone experiencing it later, a revelation, an unexpected and unprecedented resolution of an eternally familiar need.
• Even the archaic artist, who had an uncanny virtuosity, found it necessary to create a group of intermediaries, monsters, hybrids, gods and demi-gods. The difference is that, since the archaic artist was living in a more practical society than ours, the urgency for transcendent experience was understood, and given an official status.As a consequence, the human figure and other elements from the familiar world could be combined with, or participate as a a whole in the enactment of the excesses which characterize this improbable hierarchy. With us the disguise must be complete. The familiar identity of things has to be pulverized in order to destroy the finite associations with which our society increasingly enshrouds every aspect of our environment.
• ending this silence and solitude

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