Couple of months ago Büro Destruct got a call from ‘edding’ – famous for their permanent markers - and they wanted BD to design a font for them based on the edding 850, their boldest marker. For those that have used the marker know the limitations and also the freedom and scale that comes with using one. The team started scribbling and doodling straight away with countless sheets and letters they abandoned the idea of doing a script they’ve preferred the idea of each letter becoming a logo by itself.
The font evolved from two simple principles, the thick and the thin stroke, the basics of the marker depending on which way you draw, up/down. Ultimately these two stroke weights create a modular system which can be combined to produce most letters. Besides the font, the team also built a web app which is an endless whiteboard following the principle of edding marker – what has been written, can’t be erased.
The Type-for-type web application created in HTML5 allows you contribute something to the collaborative realtime text-editor. Once you’re done, the «edding 850» opentype font is available for download. It comes together with a PDF-magazine that features the most liked designs from the project gallery, basically the blog side of the site, where everybody can upload anything using the font.
Ghostly International commissioned Michael Cina to work on an album cover for them in 2007. As time passed, we developed a great working relationship. Ghostly International has been one of those amazing clients that continually pushes the boundaries of what a record label can be. We have helped them transcend how art and design can function, and in the end, have created objects of desire.
Iconic design writer Steven Heller has previously delighted us with a peek inside the sketchbooks of famous graphic designers and a fascinating look at the design and branding of dictatorships. Now, he and his partner of 28 years, acclaimed designer Louise Fili, are back with Scripts: Elegant Lettering from Design’s Golden Age — a treasure chest of typographic gems culled from advertising, street signage, type-specimen books, wedding invitations, restaurant menus and personal letters from the 19th to the mid-20th century.
"HandpaintedType is a project that is dedicated to preserving the typographic practice of street painters around India. These painters, with the advent of local DTP (Desktop Publishers) shops, are rapidly going out of business with many of them switching to the quicker, cheaper but uglier vinyls. Many painters have given up their practice altogether.
The project involves documenting the typefaces of road side painters across India and digitizing it so that it serves as a resource for present and future generations.
HandpaintedType is a collaborative project. If you’d like to contribute or collaborate, please get in touch."
" Textify.it visualizes images using text. Lots of text.
Drag and drop images on to the page to start,
every image produces a unique result! "
"What typography has to do with cross-cultural understanding and linguistic minimalism.I’m obsessed with language, such a crucial key to both how we understand the world and how the world understands us. In today’s political and media climate, we frequently encounter the Middle East in the course of our daily media diets, but these portrayals tend to be limited, one-note and reductionist. We know precious little about Arab culture, with all its rich and layered multiplicity, and even less about its language. On the trails of last month’s excellent Arabic Graffiti comes Cultural Connectives — a cross-cultural bridge by way of a typeface family designed by author Rana Abou Rjeily that brings the Arabic and Latin alphabets together and, in the process, fosters a new understanding of Arab culture."
Thank you all for taking the time to visit the Lost Type Co-Op. Ever since we released Muncie in February, we received an overwhelming response from the community at large. We felt it was important for everyone to have access to unique and beautiful typefaces, based on a very approachable model..."
The Matchbook Registry is a blog run by Daniel Blackman, a graphic designer in Philadelphia. The idea of the blog is to showcase matchbook design and typography. The majority of the matchbooks on the site were collected by Daniel Blackman, his grandfather and his mother.
"Jennifer Kennard
I teach an intensive book design course and a class in experimental typography to graphic design students at Seattle Central Community College. These two disciplines could not be more diverse which add to my delight. The art and science of letterology sort of encompasses both and everything else that falls between."