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Federico

Federico 's Public Library

19 May 08

RA: Model 500: Remake/remodel - Feature / Interview

intervista a Mike, dice "non puoi più vendere dischi"

www.residentadvisor.net/feature-read.aspx - Preview

music business records live



  • Mad Mike: You can't sell records hardly no more. In order to generate some cheese, you gotta start stepping up and playing live. That's the only way for people to give you love. In Brazil or China, these people want to get down too. They can't buy the records, but they can download and create a demand to see you. If you can get there and play live, they can give you a little love back. I feel like there is also an extinction worry. There's so much competition, these guys kinda know "Damn, I gotta step up or ain't nobody gonna know black people had anything to do with this shit.” I think quietly lurking behind the scenes, that element is definitely present. These guys feel like "I gotta step up and represent the inner city for this music" otherwise people are gonna forget this shit came from the inner city. In fact, I think a lot of people have already forgot. If it wasn't for a few freedom fighters out there we'd all be back to work. I think that element is heavy in peoples' hearts. It's sad – these guys go to Europe, they show these people how to do electronic music, how to deejay, what records go with what. 15-20 years later, you're in your 40's and the words "old school" start getting attached to you. At UR, we stay in Detroit and we pick up guys like Milton, Billeebob, Mark Flash, motherfuckers like this because you gotta keep training younger newer producers who want to make tracks.
14 Feb 07

Wired News: Artistic Ennui Is on the Menu

  • "When people program -- i.e. decide on which set of possible options they should make available," he reasons, "they express a philosophy about what operations are important in the world. If the philosophy they express is anything like the level of breathtaking stupidity that the games they play and the internet conversations they have are, then we are completely sunk. We are victims of their limitations."
13 Feb 07

On popular music: I. The musical material

  • This also accounts for revivals in popular music. They do not have the outworn character of standardized products manufactured after a given pattern. The breath of free competition is still alive within them.
  • The original patterns that are now standardized evolved in a more or less competitive way. Large-scale economic concentration institutionalized the standardization, and made it imperative. As a result, innovations by rugged individualists have been outlawed.
  • 4 more annotations...
19 Dec 06

Web 2.0

  • Google doesn't try to force things to happen their way. They try
    to figure out what's going to happen, and arrange to be standing
    there when it does. That's the way to approach technology-- and
    as business includes an ever larger technological component, the
    right way to do business.
  • Web 2.0 means using the web as it was meant to be used, and Google
    does. That's their secret. <!-- The web naturally has a certain grain,
    and Google is aligned with it. That's why their success seems so
    effortless.--> They're sailing with the wind, instead of sitting
    becalmed praying for a business model, like the print media, or
    trying to tack upwind by suing their customers, like Microsoft and
    the record labels.
    [7]
  • 1 more annotations...
16 Dec 06

Telegraph | News | Software that knows what you like (in your iTunes wardrobe)

  • "I think we are drowning in information and choices and you really need good filtering to help you get the stuff you really want," said.
  • "That's the sort of stuff I know I dream of and I would like that to happen in all sorts of areas," said Gabriel, 56. "I like eating at Clarke's restaurant London where Sally Clarke will just feed you rather than give you a big menu. I think there are times when you want to explore and research stuff and dig down, but there are a lot of times when you just want really good stuff to arrive."
  • 1 more annotations...
12 Dec 06

MetOnline

  • So while the birth of MP3 culture and online music trading is
    sometimes thought to be damaging the music industry as a
    whole,
    the existence and growing popularity of netlabels shows that
    a new ethic in music distribution is emerging in tandem with
    the advances in technology available.
  • The question arises,
    though: does the fact that music will be released with little
    or no chance of monetary gain drive away
    musicians who might wish to make their living on their art?


    “Not so far, though I’ve only been doing it for
    8 months or so,” said Adrian of Sydney, Australia’s
    4-4-2 Music. “But I don’t imagine the well will dry
    up too quickly when you take into consideration the fact that
    the
    globe is opened up to connect with. I have noticed that it’s
    electronic-based producers who seem more willing to release music
    for free though, probably due to low production costs while maintaining
    high production standards.”


    While it is true that the bulk
    of the music offered through netlabels is from electronic musicians,
    the bedroom producer nature of
    the genre has allowed a wide range of experimental music to
    be offered to a vast audience. The ready availability of this
    music
    to anyone with an Internet connection gives curious listeners
    the chance to explore music they may have never heard otherwise.

  • 1 more annotations...

On popular music: II. Presentation of the material

  • According to Adorno every popular song can be made into hit by plugging it: "Provided the material fulfills certain minimum requirements, any given song can be plugged and made a success, if there is adequate tie-up between publishing houses, name bands, radio and moving pictures."
07 Dec 06

Piet Zwart Institute - Copyright, Cultural Production and Open Content Licensing

  • An interesting article by Lawrence Liang. References to Rifkin access theories.
    - zoiberg on 2006-12-07
04 Dec 06

FOEM/Electronic Youth

  • FOEM/Electronic Youth is an independent A&R agency, promotion
    agency, licensing agency, talent resource and netlabel, driven by
    people from all over our small planet.
    - zoiberg on 2006-12-04
  • FOEM/Electronic Youth is an independent A&R agency, promotion agency, licensing agency, talent resource and netlabel, driven by people from all over our small planet.
20 Nov 06

Netcraft: November 2006 Web Server Survey

  • There are now more than 100 million web sites on the Internet, which gained 3.5 million sites last month to continue the dynamic growth seen throughout 2006. In the November 2006 survey we received responses from 101,435,253 sites, up from 97.9 million sites last month.


    The 100 million site milestone caps an extraordinary year in which the Internet has already added 27.4 million sites, easily topping the previous full-year growth record of 17 million from 2005. The Internet has doubled in size since May 2004, when the survey hit 50 million.


PC Pro: News: P2P activity doubles in two years

  • Big Champagne reports that in September the average number of people logged onto p2p networks worldwide was 9,284,558. In September 2003 the figure was 4,319,182. Moreover the increase in the number of users since the 2004 figure of 6,784,574 suggest that there is no slowing in the rate of growth.


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