Nadine Mondestin's Library tagged cultural →  View Popular

A. B. Dartmouth College (Government/Philosophy); MFA Columbia University (Fiction Writing); Ph.D. University of California, Berkeley (Rhetoric/Film Studies). His work explores cinema’s formal and narrative “awareness” of political ontology by bringing two disparate modes of representation into conversation with one another: (1) the cinema of Red, White, and Black directors and (2) three traditions of epistemological reflection: Humanism (feminism, Marxism, psychoanalysis); Indigenism (meditations on sovereignty and genocide); and Social Death (meditations on the accumulation and fungibility of Black bodies).

He has worked as an institutional dramaturge for Lincoln Center Theater’s productions of Zora Neale Hurston and Langston Hughes’s Mule Bone and Mbongeni Ngema’s Township Fever; and as a creative dramaturge for the Market Theater in Johannesburg’s production of George C. Wolfe’s The Colored Museum.

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Frank Wilderson Incognegro cinema marxism black political theory film politics dramaturgy drama cultural studies

New technologies provide communities with fresh opportunities to document and digitize expressions of their traditional cultures, meeting the strong desire of communities to preserve, promote and pass on their cultural heritage to succeeding generations. Yet, these new forms of documentation and digitization can leave this cultural heritage vulnerable to unwanted exploitation.

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Community Cultural Documentation intellectual property IP cultural heritage culture documentation archive

The Cultural Development Trust (Cuhede) was established in 2001 mainly to help both emerging and established artists be it as individuals artist or as a group with finding information and assistance and training in all aspects of Management, Financial and other administrative processes in the Arts & Cultural Sector.

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Cultural Development Trust Cuhede South Africa performing arts funding

ICACD Secretariat was established in 2005 as an advocacy body committed to pushing forward cultural considerations into the policy development framework of Africa.

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International Conference on African Culture and Development ICACD Secretariat cultural policy industry creative economy culture development Africa

The Ghana Cultural Fund (GCF) is governed by a framework between the Royal Danish Embassy in Ghana and the Danish Centre for Culture and Development (DCCD) in Denmark.

The GCF has a total budget of 5.65 million GH Cedis and it is scheduled to run for three years 2007 – 2009.

The objective of the fund is to strengthen inter cultural relations, mutual understanding and promotion of democratic values among the people of Ghana through inter-cultural expressions and interactions.

It is also to foster Ghanaian/Danish collaborations through the contemporary Arts and the preservation of our shared cultural heritage.

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Ghana Cultural Fund