- 28dance,
- 20arts,
- 17music,
- 17performing arts,
- 16theatre,
- 14culture,
- 13Africa,
- 13Caribbean,
- 11theater,
- 9development
LA CONFEDERATION a été créée en Octobre 1992 et continue à multiplier ses actions au bénéfice des jeunes danseurs guyanais. Avec plus de 150 Adhérents (danseurs ou sympathisants) dont les objectifs sont de promouvoir la danse, la Confédération de Guyane permet à tous les jeunes qui ont
un potentiel de progresser en se confrontant aux regards de professionnels français et étrangers. En outre dans notre département, les lauréats ont l'opportunité de se rendre en France afin de défendre les couleurs de la Guyane au Concours National de Danse, possibilité qu'ils n'avaient jamais eu
avant la création de la Confédération.
"The mission of Kuumba is to express the creativity and spirituality of Black people in a way that leaves a space better than it was found. "
"From 1999-2007, New York/Trinidad dance artist Makeda Thomas performed internationally with Ronald K. Brown/EVIDENCE, Urban Bush Women and Rennie Harris/Puremovement. In 2003, she founded Roots & Wings Movement! (incorporated as MGMT Arts, Inc. in 2005) and has since expressed a wide-ranging creativity. A commitment to creating dances through cross-disciplinary and cross-cultural collaboration around the world has led to artistic homes in New York, Port of Spain, and Moçambique. Makeda Thomas | Roots & Wings Movement! applies this revolutionary cross-regional process to a radical company dynamic that has been witnessed by audiences throughout the United States, in South Africa, Mozambique, Zimbabwe, the Netherlands, Mexico and Trinidad & Tobago."
The Black Theatre Association (BTA) is an organization composed of scholars, graduate students, and theatre artists of differing ages, races, colors, genders, sexual orientations, national origins, religious beliefs, shapes, and sizes. Our unified interest in the critical study of Black theatre from a global perspective informs our collective desire to inform and promote the experiences of Black people as expressed in various forms of drama and performance.
The mission of this organization is to celebrate, display and produce the works of Queer Artist from the African Diaspora.
Dedicated to the support of women dramatists around the world
"In an exclusive interview with MediaGlobal’s Adelia Saunders, Edna dos Santos-Duisenberg, Chief of the Creative Economy and Industries Programme of the United Nations Conference on Trade and Development (UNCTAD), discusses the development potential of creative economies and the findings in the Creative Economy Report 2008, launched in April 2008 at UNCTAD XII in Accra, Ghana."
"Welcome to Audio-Drama.com, a collaborative wiki with the goal of offering the most comprehensive listing of websites for audio drama enthusiasts. Anyone can contribute to this site, making it an ever-expanding, up-to-date directory for all things related to audio drama.
The articles listed here contain links to websites that feature:
*
Audio drama that is free to listen to
*
Audio drama that is available for purchase
*
Resources for creating audio drama 1)
*
Information on the history or cultural significance of audio drama"
"Art Work is a newspaper and accompanying website that consists of writings and images from artists, activists, writers, critics, and others on the topic of working within depressed economies and how that impacts artistic process, compensation and artistic property. The newspaper is distributed for free at sites and from people throughout the United States and Puerto Rico. It is also available by mail order from Half Letter Press for the cost of postage.
"
"Welcome to the Mississippi Blues Trail, your unforgettable journey into the land that spawned the single most important root source of modern popular music. Whether you're a die-hard blues fan or a casual traveler in search of an interesting trip, you'll find facts you didn't know, places you've never seen, and you'll gain a new appreciation for the area that gave birth to the blues."
"A travers des actions concrètes :
* Organisations d’expositions,
* Organisation de rencontres, tables rondes
* Organisation de projections de films
* Edition et distribution de films
Il s’agit de faire connaître et de partager une culture riche et pourtant méconnue.
Amener les créateurs qui en sont les acteurs, vers le devant de la scène.
Contribuer peu à peu à restaurer une image positive
d’un pays et d’un peuple au destin singulier. "
“Sound Reasoning” is a web-based, introductory music appreciation course. It offers a new approach to music appreciation for adults, focusing on style-independent concepts. While the course concentrates primarily on Western classical and modern music, the concepts that are introduced apply to music of any style or era. The goal of “Sound Reasoning” is to equip you with questions that you may ask of any piece of music, thereby creating a richer and more comprehensive understanding of music both familiar and unfamiliar. Here are some additional features of the course. 1) ”Sound Reasoning” is completely listening based. No ability to read music is required. 2) The course assumes little or no musical background. A minimum of terminology is invoked. 3) Musical examples are interpolated directly into the text. 4) The course is interactive. A “listening gallery” with exercises follows each module, so that you may practice and refine your listening skills. 5) The modules may be studied in sequence or individually. 6)You may easily print a .pdf of any module..
“Sound Reasoning” is designed as both a stand-alone, self-paced course as well as a supplement to existing university classes. Thanks to Connexions, “Sound Reasoning” is available free of charge twenty-four hours a day in a cross-platform format. “Sound Reasoning” was created thanks to an Access to Artistic Excellence Grant from the National Endowment for the Arts and an Innovation Grant from Rice’s Computer and Information Technology Institute. The author wishes to thank Richard Baraniuk, the founder of Connexions; Geneva Henry, Joey King, Katie Cervenka and Elvena Mayo of the Connexions staff; and Jan Odegard and Moshe Vardi of CITI. He wishes to extend his great gratitude to the Connexions technical team with whom he collaborated: Brent Hendricks, Scott di Pasquale, Charlet Reedstrom and Max Starkenburg. He would especially like to thank Elizabeth Gregory and Brian Nelson, who were his primary technical assistants and provided inva
Leveraging Investments in Creativity (LINC) is a ten-year national initiative to improve the conditions for artists working in all disciplines.
As a vital and immeasurable component of our cultural and collective identity, artists help us interpret our past, define our present and imagine our future. Working artists make resonant contributions to the daily lives of our communities, not only as creators, but also as entrepreneurs, educators and involved citizens. Representing more than 2 million working adults in 2001 (up from 730,000 in 1970), artists are a vibrant and ever-growing sector of the American workforce. However, artists are typically underpaid in relation to their peers with similar education and skill sets.
Since 1969, VLA has been the leading provider of pro bono legal services, mediation, educational programs and publications, and advocacy to the arts community in New York and beyond. Through public advocacy, VLA frequently acts on issues vitally important to the arts community-freedom of expression and the protections to artists under the First Amendment being an area of special expertise and concern. The first arts-related legal aid organization, VLA is the model for similar organizations around the world.
VLA is a nonprofit legal service organization supported in part with public funds from the National Endowment for the Arts, the New York State Council on the Arts, a State Agency, and the New York City Department of Cultural Affairs and through generous gifts from law firms, corporations, foundations and individuals.
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