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Breaking Habits for Fun and Profit | No Map. No Guide. No Limits.
They go on to cite the work of Ben Fletcher, a British psychologist and business consultant. In his work helping managers become more flexible and tolerant, Fletcher found that while the managers could understand and accept the need to change the way they interacted with subordinates, they could rarely actually do so. Fletcher’s theory? That people are so conditioned to act the same way every day, that much of our behavior—even what we know is bad behavior—is habitual.
The Last Psychiatrist: The Best Way To Improve Your Creativity
Distance and it's connection to creativity.
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Here's my trick: imagine you are someone else answering the question.
Who that someone else is depends a lot on what you're trying to do. Sometimes I pick a person related to question (e.g. The Crocodile Hunter guy); sometimes I pick a guy unrelated but clever person (e.g. Stewie from Family Guy). It can't be a generalization of a person ("how would a biologist answer?") it has to be a real person that I know enough about to model their thinking, but different enough from me that alternative answers are possible. But I don't linger, I don't force the guy to answer if he can't; I cycle through multiple identities to get quick looks at the problem.
apriceformusic.com - home
The Price for Music Model strives to provide artists and music rights holders with a monetary return for music content consumed via the internet, addressing the revenue gap arising from digital content being downloaded via non-legitimate channels.
Creativity, Innovation, Collaboration - Group Genius by Keith Sawyer
In this authoritative and fascinating book, Keith Sawyer, a psychologist at Washington University, tears down some of the most popular myths about creativity and erects new principles in their place. The empowering message is that all of us have the potential to be more creative; we just need to learn the secrets of group genius.
Authorship Collaborative - Home Page
This individualistic construction of authorship is a relatively recent invention, the result of a radical reconceptualization of the creative process that culminated less than two centuries ago in the heroic self-presentation of Romantic poets.
Ruling Imagination: Law and Creativity » Blog Archive » Robert Johnson made no deal with the devil; he listened to and learned from his colleagues.
Conceptions of Robert Johnson’s work highlight the context dependent nature of notions of originality. Originality is yet another characteristic of copyrightability that is not always easy to delineate in actual contexts of creation.
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explains that the prevailing view of an author as the originator of new works is a relatively recent phenomenon arising out of the Romantic Movement and its view of an artist as someone uniquely inspired. This view of authorship stands in stark contrast to an older view becoming new again in today’s remix cutlure — a view that creative endeavors are derivative and collaborative, that originality is not the product of isolated genius but of, well, remixing:
The Myth Of Original Creators | Techdirt
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Law professor Peter Friedman recently had a few interesting blog posts that helped highlight this. First, he noted that the very notion of an author as the originator of a new work is a relatively recent phenomenon, and part of the Romantic Movement. However, prior to that, the view was much more akin to what we're actually seeing today with online tools of creation: "creative endeavors are derivative and collaborative, that originality is not the product of isolated genius but of, well, remixing."
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