Nina Katchadourian
Short stories told using the titles on the spines of books.
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A Look At a Beautiful Impasse -- Printout -- TIME
Thus emerged the chief form of American museum art in the early '60s: The Watercolor That Ate the Art World. Of course, one could hardly come right out with it and say the works of Helen Frankenthaler, Kenneth Noland and Morris Louis (quite apart from the thousands of yards of lyric acrylic on unprimed duck done by their many forgotten imitators) were basically huge watercolors. But there was little in the soak-stain methods of color-field painting that did not seek and repeat watercolor effects. The big difference lay in the size, the curtness and (sometimes) the grandeur of the image, and in the scrutiny it received from Greenberg's disciples, rocking and muttering over the last grain of pigment in the weave of these canvases, like students of the Talmud disputing a text, before issuing their communiques about the Inevitable Course of Art History to the readers of Artforum.
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Morris Louis - Wikipedia, the free encyclopedia
Morris Louis (Morris Louis Bernstein) (November 28, 1912 - September 7, 1962) is a United States abstract expressionist painter, one of the many such painters to emerge in the 1950s
in list: Modern Art
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Art: This Material Does Not Conform to the Laws of Gravity
Employing electromagnets and magnetically-charged microfine particles suspended in oil set in motion through a computer controller, Kodama, who is associate professor at Tokyo’s University of Electro-Communications, explores an entirely new territory where the seductive glossy black liquid seems to turn into rows of solid spikes impeccably organized around a spiraling cone, only to dissolve abruptly into obvious liquidity once again
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kino fist: What Happened to the Future?
In today's post-political society in which the public are systematically discouraged from taking an interest in politics, and political decisions are always presented as ideology-free, technical, administrative choices, we seem to have lost our grip on the future. Without a broad-based popular opposition to the status quo, we are left with the rather grim sense that there is no alternative. The future, as J. G. Ballard put it, is boring.
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OnTheCommons.org » Caught in a Money Trap
Connecting art funding to Theater de la Jeune Lune.
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buckman's magnatune blog: Short film about Creative Commons Business Models
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The N.E.A. Offers a 21st-Century Profile - Ars Gratia Artis and for the U.S. Economy, Too - NYTimes.com
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The N.E.A. Offers a 21st-Century Profile - Ars Gratia Artis and for the U.S. Economy, Too - NYTimes.com
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Urban Prankster
Urban Prankster covers pranks, hacks, participatory art, flash mobs, and other creative endeavors that take place in public places in cities across the world. It is edited by Charlie Todd.
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ISAMA Homepage
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Dave Gray ‽ dot info
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Ponoko
submit designs for objects and have them made custom for you
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Supervert
Just get off on what Supervert offers you, a unique combination of intellect and deviance. Perversity for your brain. Vanguard aesthetics, novel pathologies.
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Seedmagazine.com | Revolutionary Minds | Design & Architecture
The drawings, structures, renderings, and sculptures of these designers and architects expand and clarify our knowledge of the world around us, demonstrating that design is an integral step in the scientific method.
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Don Davis Space Art
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Notation: * = Private bookmark and comment|… = Clipping [?] | … = Public highlight [?]
