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emerging aesthetics and computer-based cultural forms specific to information
society
systematic comparison of our own period with the beginning
of the 20th century when modernist artists created new aesthetics, new forms,
new representational techniques, and new symbols of industrial society
4 more annotations...
- if the shift from modernism to informationalism
- has been accompanied by a shift from form to information,
  can we reduce information to forms, meaningful to a human?
- Avant-garde as Software.” I first show that the 1920s
  avant-garde techniques became transformed into the conventions of modern human-computer
  interface and software, thus functioning as a foundation of post-industrial
  labor
- challenge before us is to figure out how to employ these tools to create
  new art; in short, how to interface them not to quantified data but to human
  experience, subjectivity and memory

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