Ognjen Strpić's Library tagged → View Popular
Tribeca at The New School: New Forms of Storytelling
Kenneth Hung, Jay Smooth, Nina Paley, Thomas Allen Harris
Pop Music | WNYC - Radiolab
the phenomenon of American country music's popularity in places like Zimbabwe, Thailand, and South Africa is something we find quite surprising
Strange Fruits. Rethinking the gay twenties | Transition Magazine
I woke up this morning with my business in my hand.
If you can’t bring me a woman, bring me a sissy man.
—Kokomo Arnold, “Sissy Man Blues,” circa 1927
Hidden Markov model - Wikipedia, the free encyclopedia
A hidden Markov model (HMM) is a statistical model in which the system being modeled is assumed to be a Markov process with unknown parameters, and the challenge is to determine the hidden parameters from the observable parameters. The extracted model par
Ian Helliwell_tone generation
a continuing radio series exploring electronic music looking at different themes or composers in the era of analogue tape and early synthesizer technology. [mp3 downloadable at http://www.simonsound.co.uk/sound]
Zagreb Guitar Quartet
listen for free, or buy flac/ipod lossless/whatever for $10 + tip for the album (all revenue actually goes to the band)
Zamzar - Free online file conversion
including MS Office 2007 document format to... well ... something more useful
Tord Gustavsen: The Dialectical Eroticism of Improvisation
I approach dilemmas like closeness vs. distance, moment vs. duration and gratification vs. frustration, and I try to explore them combining empirical jazz research (interviews and analysis) with contemporary "scenic" music theory, psychodynamic theory and
Laibach - LAIBACHKUNSTDERFUGE
Album is the laibachian interpretation of Johann Sebastian Bach's work The Art of Fugue (Die Kunst der Fuge). Laibach decided to use computer and computer program as the key »instrument«, providing a very special electronic interpretation and showing that
The Shanty Book, Part I, Sailor Shanties, by Richard Runciman Terry.
Shanties were labour songs sung by sailors of the merchant service only while at work, and never by way of recreation. Moreover—at least, in the nineteenth century—they were never used aboard men-o'-war, where all orders were carried out in silence to the
The power of music | Economist.com
Music at the Limits
By Edward W. Said
Columbia University Press; 344 pages; $29.95. + Everything is Connected: The Power of Music
By Daniel Barenboim
Weidenfeld & Nicolson; 216 pages; £16.99.
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