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public image ltd. - Boris Groys questions how art is presented to its audience | bookforum.com
What would happen if all art created within market structures were to be judged as morally suspect in the same way as the art produced in totalitarian societies? What would the history of twentieth-century art look like under such altered conditions?
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Boris Groys: Smrt joj dobro pristaje | Marcell's shared notebook
(Logik der Sammlung, Hanser, München - Beč, 1997.) preveo Tomislav Medak
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