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Allons Gai: Be-Boy magazine in French « A Face Made for Radio: Helen McCarthy's Blog
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The Anime Encyclopedia points out that porn usually leads mainstream genres in the adoption of new delivery technologies. Japan usually leads Europe and America in just the same way.
A nightmare of capitalist Japan: Spirited Away
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"Our old enemy 'poverty' somehow disappeared, and we can no longer find an enemy to fight against" (Miyazaki, 1988).
In other words, after Japan's industrial success since the Meiji restoration in 1890s and recovery from WWII cast out poverty from the nation, people still remain possessed by an illusion of gaining a wealthy everyday life and continue living with a gap between their ideal and real life. As a result, an endless and unsatisfying cycle of production and consumption has begun destroying harmony among family and community (Harootunian, 2000).
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Zizek (1989) points out that people of late capitalism are well aware that money is not magical. To obtain it, it has to be replaced through labor, and after you use it, it will just disappear, as will as any other material. Allison (1996) adds to this point:
"They know money is no more than an image and yet engage in its economy where use-value has been increasingly replaced and displaced by images (one of the primary definitions of post-modernism) all the same” (p. xvi).
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Summer Camp for Digital Humanists
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Essentially, the digital humanities seem to be a collective effort to use information technology to improve our understanding of the human experience. The field can do that using traditional methods — now made considerably easier and more accessible — such as the bibliography, the concordance, and the authoritative edition aimed at the production of essays and monographs by individual scholars.
But, more significantly, the digital humanities is also about the merger of scholarship from multiple disciplines with new tools for computation, visualization, and communications, often to create interactive projects that can appeal to people at varied levels of interest and expertise. The digital humanities have already begun to redefine what constitutes scholarship, authority, teaching, and merit in academe.
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Of course, Liu's presentation raises more questions than it answers: There are, after all, so many complications about the means by which credibility can be rated. We all know the peer-review system is not perfect.
But Liu's vision of a more public, collaborative, and service-oriented role for professors has considerable appeal to me, and it charts some of the steps that must now be taken into this new world of online knowledge production.
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Asian Studies: Sharalyn Orbaugh
Why an Artist Paints an Apple: Feminists Read the Fantastic
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