CG Jung Page - The Birth of the Bomb: Leo Szilard
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Shortly before his intuition about an atomic bomb, Leo Szilard had been reading The World Set Free by H. G. Wells--a novel about a German invasion of France and the use of atomic bombs in a global war, a novel written in 1913 but set in the 21st century. Wells called his radioactive element Carolinum: "once its degenerative process had been induced, [Carolinum] continued a furious radiation of energy, and nothing could arrest it." In 1913, Wells was already writing about radioactive decay, half-lives, burning cities, even about deforestation, diminishing supplies of coal and oil, and the rush toward bankruptcy. And he inspired Szilard. Wells wrote--and Szilard read--of the final achievement of a world government and the abolition of atomic weapons--the "world set free." "The catastrophe of atomic bombs shook men...," Wells wrote, "out of their old-established habits of thought." And it was H.G. Wells who gave us the phrase, "a war to end all war."
The War of the Worlds - Wikipedia, the free encyclopedia
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Wells depicts the Martians firing spacecraft to Earth from a giant space gun, a common representation of space travel in the late 19th and early 20th centuries, bearing similarity to the modern spacecraft propulsion concept of mass drivers.
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Military theorists of that era had many speculations of building a "fighting-machine" or "land dreadnought" (as the Royal Navy called this hypothetical machine on which some experiments were made just before the First World War). Wells's concept of the Martian tripods, fast-moving and equipped with Heat-Rays and black smoke, represents an ultimate end to these speculations, although Wells also presents a less fantastical depiction of the armoured fighting vehicle in his short story "The Land Ironclads". [1] [2]
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On a different field, the book explicitly suggests that the Martians' anatomy may reflect the far future development of mankind itself — i.e. that with the increasing development of machines, the body is largely discarded and what remains is essentially a brain that "wears" a different (mechanical) body for every need, just as humans wear the clothes appropriate to a particular weather or work.
Childhood's End - Wikipedia, the free encyclopedia
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The idea of humanity reaching an end point through transformation to a higher form of existence is the main idea behind the concept of the Omega Point and of the technological singularity.
2001: A Space Odyssey (novel) - Wikipedia, the free encyclopedia
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- Space Exploration
- When 2001: A Space Odyssey was written, mankind had not yet set foot on the moon. The space exploration programs in the United States and the Soviet Union were only in the early stages. Much room was left to imagine the future of the space program. Space Odyssey offers one such vision, offering a glimpse at what space exploration might one day become. Lengthy journeys, such as manned flights to Saturn, and advanced technologies, such as suspended animation, are shaped and shown all through the novel.
Dune (novel) - Wikipedia, the free encyclopedia
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He took a plane to Florence, Oregon, where the USDA was sponsoring a lengthy series of experiments in using poverty grasses to stabilize and slow down the damaging sand dunes, which could "swallow whole cities, lakes, rivers, highways."[5] Herbert's article on the dunes, "They Stopped the Moving Sands," was never completed (and only published decades later in an incomplete form in The Road to Dune), but it sparked Herbert's interest in the general subject of ecology and related matters.
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The CHOAM corporation is the major underpinning of the Imperial economy, with shares and directorships determining each House's income and financial leverage.
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Melange is crucial as it enables space travel, which in turn is monopolized by the Spacing Guild; its Navigators use the spice to safely plot a course for the Guild's Heighliner ships via prescience using "foldspace" technology, which allows instantaneous travel to anywhere in the galaxy.
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Dune responded in 1965 with its complex descriptions of Arrakis life, from giant sandworms (for whom water is deadly) to smaller, mouse-like life forms adapted to live with limited water. The inhabitants of the planet, the Fremen, must compromise with the ecosystem they live in—sacrificing some of their desire for a water-laden planet in order to preserve the sandworms which are so important to their culture. In this way, Dune foreshadowed the struggle the world would have following Carson's book in balancing human and animal life.
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Environmentalists have pointed out that Dune's popularity as a novel depicting a planet as a complex—almost living—thing, in combination with the first images of earth from space during the same time period being published, was instrumental in environmental movements such as the creation of Earth Day in many nations worldwide.[11]
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The Fremen also are more capable of self-sacrifice, putting the community before themselves in every instance, while the world outside wallows in personal comfort at the expense of others. In all these characteristics, Dune is not alone in drawing from Gibbon's work, as Isaac Asimov creates a similarly declining empire in his Foundation series, as does Arthur C. Clarke in his The City and the Stars.[12]
Blade Runner - Wikipedia, the free encyclopedia
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The screenplay, written by Hampton Fancher and David Peoples, was based on the novel Do Androids Dream of Electric Sheep? by Philip K. Dick.
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It is one of the most literate science fiction films, both thematically enfolding the philosophy of religion and moral implications of the increasing human mastery of genetic engineering, within the context of classical Greek drama and its notions of hubris,[39] and draws on Biblical images, such as Noah's flood,[40] and literary sources, such as Frankenstein.[41]
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Blade Runner delves into the future implications of technology on the environment and society by reaching into the past using literature, religious symbolism, classical dramatic themes and film noir. This tension between past, present and future is apparent in the retrofitted future of Blade Runner, which is high-tech and gleaming in places but elsewhere decayed and old.
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A high level of paranoia is present throughout the film with the visual manifestation of corporate power, omnipresent police, probing lights, and in the power over the individual represented particularly by genetic programming of the replicants. Control over the environment is seen on a large scale, hand in hand with the seeming absence of any natural life, with artificial animals being created as a substitute for the extinct originals.
Star Trek - Wikipedia, the free encyclopedia
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The protagonists are essentially altruists whose ideals are sometimes only imperfectly applied to the dilemmas presented in the series. The conflicts and political dimensions of Star Trek form allegories for contemporary cultural realities; Star Trek: The Original Series addressed issues of the 1960s,[2] just as later spin-offs have reflected issues of their respective eras. Issues depicted in the various series include war and peace, authoritarianism, imperialism, class warfare, economics, racism, human rights, sexism and feminism, and the role of technology.[3]
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The Star Trek franchise is believed to have motivated the design of many current technologies, including the Tablet PC, the PDA, mobile phones and the MRI (based on Dr. McCoy's diagnostic table).[37] It has also brought to popular attention the concept of teleportation with its depiction of "matter-energy transport."
Jules Verne - Wikipedia, the free encyclopedia
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Verne wrote about space, air, and underwater travel before air travel and practical submarines were invented, and before practical means of space travel had been devised.
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Verne, along with H. G. Wells, is often popularly referred to as the "Father of Science Fiction".[1]
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Mercier and subsequent British translators also had trouble with the metric system that Verne used, sometimes dropping significant figures, at other times keeping the nominal value and only changing the unit to an Imperial measure. Thus Verne's calculations, which in general were remarkably exact, were converted into mathematical gibberish. Also, artistic passages and whole chapters were cut because of the need to fit the work in a constrained space for publication.
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Jules Verne's novels have been noted for being startlingly accurate anticipations of modern times. Paris in the 20th Century is an often cited example of this as it arguably describes air conditioning, automobiles, the internet, television, and other modern conveniences very similar to their real world counterparts.
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In other works, Verne predicted the inventions of helicopters, submarines, projectors, jukeboxes, and other later devices.
Fahrenheit 451 - Wikipedia, the free encyclopedia
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It is a critique of what Bradbury saw as an increasingly dysfunctional American society, written in the early years of the Cold War.
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Bradbury has stated that the novel is not about censorship; he states that Fahrenheit 451 is a story about how television destroys interest in reading literature, which ultimately leads to ignorance of total facts.[3]
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Anyone caught reading books is, at the minimum, confined in a mental hospital, while the books are taken away and burned; at the maximum, the penalty is a sentence to immediate death. The main books that are not allowed are those, of great and famous works of literature, by many famous writers, such as Dickenson, Poe, Twain, and others.
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Captain Beatty claims that society, in its search for happiness, brought about the suppression of literature through an act of self-censorship and that the totalitarian government merely took advantage of the situation.
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Mechanical Hound The mechanical hound exists in the original book but not in the 1966 film. It is an emotionless, 8-legged killing machine that can be programmed to seek out and destroy free thinkers, hunting them down by scent. It can remember as many as 10,000 scents of others it is tracking down. The hound is blind to anything but the destruction for which it is programmed. It has a proboscis in a sheath on its snout, which injects lethal amounts of morphine or procaine.
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In writing the short novel Fahrenheit 451 I thought I was describing a world that might evolve in four or five decades. But only a few weeks ago, in Beverly Hills one night, a husband and wife passed me, walking their dog. I stood staring after them, absolutely stunned. The woman held in one hand a small cigarette-package-sized radio, its antenna quivering. From this sprang tiny copper wires which ended in a dainty cone plugged into her right ear. There she was, oblivious to man and dog, listening to far winds and whispers and soap-opera cries, sleep-walking, helped up and down curbs by a husband who might just as well not have been there. This was not fiction.[6]
The Illustrated Man - Wikipedia, the free encyclopedia
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- To be perused more completely later; a few of the stories point to current trends in child care's and foreign relations' respective relationships to technology.posted by nagareochiru on 2008-03-31
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"The Veldt" — Two parents use an artificial "nursery" to keep their children happy. The children use the high-tech simulation nursery to create the predatorial environment of an African veldt. When the parents threaten to take it away, the children lock their parents inside where they are mauled and killed by the "harmless" machine-generated lions of the nursery.
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"The Highway" — A community of simple-minded people living by a highway in rural Mexico go on living their normal, idyllic lives as the highway fills with people fleeing a nuclear war. The story ends with some travellers they help telling them about the nuclear war, and how the world is ending. After the travelers leave, the confused resident briefly wonders what "the world" is, and then continues with his life.
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"Zero Hour" — Children across the country are deeply involved in an exciting game they call 'Invasion'. Their parents think it's cute until it turns out that the invasion is real and aliens are using the children to help them get control of Earth.
JSTOR: American Literary History: Vol. 11, No. 3, p. 555
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- Early reference to cryogenics; current status?posted by nagareochiru on 2008-03-31
JSTOR: English Journal: Vol. 79, No. 3, p. 41
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- Intended reads.posted by nagareochiru on 2008-03-31
JSTOR: English Journal: Vol. 79, No. 3, p. 39
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- Mary Shelley's FRANKENSTEIN as the earliest (non-mythological, fantastic, mystic, etc.) example of man creating life via science.posted by nagareochiru on 2008-03-31
JSTOR: Peabody Journal of Education: Vol. 62, No. 1, Toward the Advancement of Microcomputer Technology in Special Education, p. 68
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- Robots as educators today? Tomorrow?posted by nagareochiru on 2008-03-31
JSTOR: Ethics: Vol. 84, No. 3, p. 249
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- Plato's perspective on "moral agency"; if a human being could be entirely reduced to formulas of action-reaction (etc.) and contain a moral center, so could a technological reproduction (robot).posted by nagareochiru on 2008-03-31
JSTOR: Ethics: Vol. 84, No. 3, p. 248
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- Mechanical restrictions, rather than only philosophical hang-ups.posted by nagareochiru on 2008-03-31
Science Fiction Writer Robert J. Sawyer: Isaac Asimov (Toronto Star)
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Dr. Asimov, 65, is a severe critic of Star Wars. "I'm
against it, not because I'm a science-fiction writer, and
therefore have special knowledge, but because I like to think I'm
a sane human being."
He believes Star Wars is a dangerous waste of money.
"They're talking about spending $33 billion on research related
to Star Wars. We're going to withdraw money from needed aspects
of developing knowledge in order to set up something that
probably won't work and even if it does work, won't do us any
good." -
Part of the problem with Star Wars is that it will take
years to develop. "If I were the Soviet Union, I would have
spent all this time trying to work up methods to penetrate the
shield," said Asimov, who was born in Russia but grew up in New
York. "I have a strong suspicion it would be cheaper to
penetrate the shield than to set it up.
"And if we're in real danger of a nuclear war now, trying to
set up something for the middle of the 21st century isn't going
to do us any good. In fact, by filling us full of false
confidence, we're not going to make a strong enough effort to
prevent war now." -
"There are science-fiction writers, notably myself and
Arthur C. Clarke,
who were anti-Vietnam and are anti-Star Wars," said Asimov.
Clarke, the author of 2001: A Space Odyssey, was born in
England and lives in Sri Lanka. "Clarke was howled down once by
someone saying as a non-American citizen he had no right to make
comments about Star Wars. That's an extremely stupid remark.
"If you have no right to decry the policy of a country
unless you are a citizen of that country, why the hell is Reagan
always yelling about the Soviet Union? Is he a Soviet citizen?" -
"I'm convinced nuclear winter is actually
something that will happen," said Asimov. "Unless we're
completely insane, we don't dare take the chance. So what the
hell good is this whole damned thing?"
Science Fiction Writer Robert J. Sawyer: Y3K: Artificial Intelligence
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Within a century, it will be possible to scan a human mind
and reproduce it inside a machine. Regardless of whether our
minds are just very sophisticated analog computers, or whether
they have a quantum-mechanical element (as Roger Penrose
proposes), we will nonetheless be able to duplicate them
artificially. -
Already, at the close of the second millennium, a
transhumanist movement has begun; Christopher Dewdney is the
principal Canadian spokesperson for it. This movement holds that
uploading our consciousness into machines is desirable, since
that will free us from biological aging and death. On the other
hand (a decidedly biological metaphor), there is more to being
human than just the networks of synapses in our brains; clearly,
much of what we are is tied in intimately with our bodies. We
may find that uploaded humans are not happy — indeed, are
incapable of happiness or any emotion. -
Just as laws today are moving toward recognizing a woman's
right to control her body and any separate sentience that may be
contained within it, so too will the laws of the future recognize
the right of humans to upload their consciousness and then
dispose of the original biological versions of themselves; such
eliminations will not be seen as suicides or murders, but rather
as a natural, perfectly legal step, eliminating a
no-longer-needed biological container and preserving the
uniqueness of the individual. -
It may, in fact, be dangerous to build conscious
machines that are more intelligent than we are; just as
intelligence may be an emergent property of sufficiently complex
systems, so too may ambition and desire be emergent properties of
sufficiently intelligent systems. -
Although we used to consider the mastery of
chess to be the pinnacle of human intellectual achievement, we've
had to concede that it is simply a mathematical problem, and even
today's primitive computers can do it better than the most
skilled human. But there are other realms — including art,
philosophy, and scientific theorizing — that, because of their
intuitive, nonlinear nature, we may always be better at than any
machine. Our AI servants may free humanity at the dawn of the
fourth millennium to concentrate on these areas.
Science Fiction Writer Robert J. Sawyer: On Asimov's Three Laws of Robotics
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We have lots of computers
and robots today and not one of them has even the rudiments of
the Three Laws built-in. It's extraordinarily easy for
"equipment failure" to result in human death, after all, in
direct violation of the First Law.
Asimov's Laws assume that we will create intelligent machines
full-blown out of nothing, and thus be able to impose across the
board a series of constraints. Well, that's not how it's happening.
Instead, we are getting closer to artificial intelligence by small
degrees and, as such, nobody is really implementing fundamental
safeguards.
Take Eliza, the first computer psychiatric program. There is
nothing in its logic to make sure that it doesn't harm the user
in an Asimovian sense, by, for instance, re-opening old mental
wounds with its probing. Now, we can argue that Eliza is way too
primitive to do any real harm, but then that means someone has to
say arbitrarily, okay, that attempt at AI requires no
safeguards but this attempt does. Who would that someone be? -
We already live in a world in which Asimov's Three Laws of Robotics
have no validity, a world in which every single computer user is
exposed to radiation that is considered at least potentially
harmful, a world in which machines replace people in the
workplace all the time. (Asimov's First Law would prevent that:
taking away someone's job absolutely is harm in the Asimovian
sense, and therefore a "Three Laws" robot could never do
that, but, of course, real robots do it all the time.)
The Future of Humanity: a Lecture by Isaac Asimov
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What you read here, though timeless, was a product of the time. 1973 saw the end of a lot of optimism carried over from the sixties, and the oil embargo was the first real inconvenience experienced by the baby-boomers of the USA on a nationwide scale. Many middle class families were now requiring two wage-earners, and the cost of living was on the rise.
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I once, when I was not quite nineteen, wrote a story called "Trends". It was the first story I ever sold to John Campbell of the old "Astounding Science Fiction". It appeared in the July 1939 issue.
And in it I dealt with the first flight around the Moon and back. I had it placed in the 1970's. The first attempt, which was a failure, was in 1973. And the second attempt, which was a success, was in 1978. The actual flight took place in 1968, so I was ten years conservative. In addition, my flight was all there was, whereas in real life the flight around the Moon was preceded by all kinds of orbital and sub-orbital flights, and dockings, and mid-course-corrections, and communication satellites, and navigation satellites...everything under the sun.
So you can see how wrong I was. In fact I was even wronger than that because when I wrote my story back in 1939...38, it was printed in 39...When I wrote that story, I had definite ideas on how the space flight was to take place. -
The story was not printed because of any of the engineering details...you should excuse the expression. It was published because I had something in it that the editor had never seen before. I had postulated resistance to space flight. There was a whole
organization of people on earth who were sore as anything at the people who were trying to get out into space. They thought people should stay on earth and mind their own business. And this had never been postulated before. Never! -
Well, when I read all of these references I discovered, to my amazement, that all through history there had been resistance...and bitter, exaggerated, last-stitch resistance...to every significant technological change that had taken place on earth. Usually the resistance came from those groups who stood to lose influence, status, money...as a result of the change. Although they never advanced this as their reason for resisting it. It was always the good of humanity that rested upon their hearts.
For instance, when the stagecoaches came into England, the canal owners objected. Not that they would lose money, although they would, but they feared for humanity. Because as the stagecoaches tore along at fifteen miles an hour, the air whipping past the nostrils of the people on board, would by Bernoulli's Principle, suck all the air out of the lungs.
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