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European Film Gateway
"Initiated by ACE (Association des Cinémathèques Européennes) and the EDL Foundation, the EFG project will develop a portal providing direct access to about 790,000 digital objects including films, photos, posters, drawings, sound material and text documents. Content will be provided mostly by film archives and cinémathèques, which are partners in the project. The collections to be made accessible have been selected to serve as a sample representing the actual digitised content held in the film institutions."
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Initiated by ACE (Association des Cinémathèques Européennes)
and the
EDL Foundation,
the EFG project will develop
a portal providing direct access to about
790,000 digital objects including films, photos, posters, drawings, sound material and text
documents. Content will be provided mostly by film archives and cinémathèques,
which are partners in the project. The collections to be made
accessible have been selected to serve as a sample
representing the actual digitised content held in the film institutions.
filmarchives online
"filmarchives online provides easy and free access to catalogue information of film archives from all over Europe. Via the multi-lingual web portal film works can be searched for by content, filmographic data and physical characteristics. Search results provide information about existence and location of the materials as well as contact details to facilitate the access. The focus of the database is on non-fiction material; i.e. documentary and educational films, newsreels, travelogue, advertising, scientific, industrial, experimental, sports films, as well as animation films."
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filmarchives online provides easy and free access to catalogue information of film archives from all over Europe. Via the multi-lingual web portal film works can be searched for by content, filmographic data and physical characteristics. Search results provide information about existence and location of the materials as well as contact details to facilitate the access. The focus of the database is on non-fiction material; i.e. documentary and educational films, newsreels, travelogue, advertising, scientific, industrial, experimental, sports films, as well as animation films.
The Tao Dude Ching
"A book of levity and brevity which helps identify Dudeism as a modern incarnation of Taoism. Plus, to help illuminate the literal connection between the two traditions, the corresponding Taoist verse has been placed below each new Dudeist one."
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A book of levity and brevity which helps identify Dudeism as a modern incarnation of Taoism. Plus, to help illuminate the literal connection between the two traditions, the corresponding Taoist verse has been placed below each new Dudeist one.
Post-Medium Publishing
"Content is information you don't need."
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Content is information you don't need.
PEP Web - The Search for the Father in Amadeus*
"What is the source of creativity? Why are some artists favored with prodigious inborn talent while other artists, no less deserving, remain mediocre? What is the relationship between art and madness? These are age-old questions, and they vexed even Freud (1928), who concluded that “Before the problem of the creative artist analysis must, alas, lay down its arms” (p. 177). Wisely or not, psychoanalysts have refused to lay down their arms: Peter Shaffer's plays, in particular, have aroused intense analytic scrutiny (Berman, 1979; Glenn, 1974a, 1974b, 1974c, 1976, 1983; Hamilton, 1979; Slutzky, 1976; Stamm, 1976). Amadeus focuses on the creativity of two quite different artists, Wolfgang Amadeus Mozart and Antonio Salieri."
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What is the source of creativity? Why are some artists favored with prodigious inborn talent while other artists, no less deserving, remain mediocre? What is the relationship between art and madness? These are age-old questions, and they vexed even Freud (1928), who concluded that “Before the problem of the creative artist analysis must, alas, lay down its arms” (p. 177). Wisely or not, psychoanalysts have refused to lay down their arms: Peter Shaffer's plays, in particular, have aroused intense analytic scrutiny (Berman, 1979; Glenn, 1974a, 1974b, 1974c, 1976, 1983; Hamilton, 1979; Slutzky, 1976; Stamm, 1976).
Amadeus focuses on the creativity of two quite different artists, Wolfgang Amadeus Mozart and Antonio Salieri.
DeviceGuru » The BoxeeBox Cookbook
Inspired by Roku’s awesome Netflix video download box and impressed with Boxee’s free A/V media center platform, it was merely a matter of time before I’d create the BoxeeBox, an Ubuntu-powered HTPC that I call my “one box to rule them all.” Here’s how it’s done.
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Inspired by Roku’s awesome Netflix video download box and impressed with Boxee’s free A/V media center platform, it was merely a matter of time before I’d create the BoxeeBox, an Ubuntu-powered HTPC that I call my “one box to rule them all.” Here’s how it’s done.
Asciify - Actionscript 3 (as3) Ascii Art class - Oaxoa Blog
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actionscript class to render ascii art from pictures and now with as3 this is going to be possible at decent speed.
Linux Powers The Spiderwick Chronicles
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Hollywood has been the realm of Linux since 1997, when the movie
Titanic proved that Linux can do big computer graphics jobs like rendering
a sinking ocean liner. With an industry tradition of using UNIX-based
operating systems for high-computation jobs, and due to the better, faster,
cheaper nature of Linux, every major effects or animation movie today is
produced using Linux. Visual effects facilities ILM and Tippett Studio each
created visual effects for Spiderwick. Having multiple effects houses work
on the same movie became common after 2003 when The Matrix
Reloaded used a
dozen effects houses.
Haxploitation: the complete Reg guide to hackers in film [printer-friendly] | The Register
Gizmo! (1977)
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The message is clear - i.e. don't knock the guy who comes up
with some crazy invention.... his next attempt at the same gadget could
sell a million !
Mockumentaries
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Some smug satisfaction can be found in telling another person's story, finding laughs, whether cheap or subtle, at the expense of someone else's efforts and failure. This is what has made modern mockumentaries - faked documentaries - into arguments against art, and against the hubris needed to make works of art.
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