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Pjesma - Razmjenavjestina-wiki
"I see the light
of a new Dawn
when PowerAmiga
will be born
Years passed by
whith promises & lie
teasing good people
under the sky
I hope some Prophet or Messiah
will resurect our female friend
& lead Us who believe
in new Millenium of winTel end"
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I see the light
of a new Dawn
when PowerAmiga
will be born
Years passed bywhith promises & lie
teasing good people
under the sky
I hope some Prophet or Messiahwill resurect our female friend
& lead Us who believe
in new Millenium of winTel end
Bulat Okudzhava - Wikipedia, the free encyclopedia
"Initially Okudzhava was taught three basic chords, and towards the end of his life he claimed to know a total seven."
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Initially Okudzhava was taught three basic chords, and towards the end of his life he claimed to know a total seven.
A history of Telematic Art : Australian Perspective
"Artist's use of communication networks between the mid 1970's to mid 80's represents a remarkable pioneering effort that acted as a precursor to the internet. This site is by no means intended to provide a comprehensive history of art telecommunications but overviews some of the major developments and Australia's role in this history."
THRU YOU | Kutiman mixes YouTube
"mix of unrelated YouTube videos/clips edited together to create ThruYou"
Grci su ološ kao i svi drugi
"Grčka je jedna od najlepših zemalja koju sam video, ali, na žalost, okupirana Grcima. Još imaju taj glupi kompleks superiornosti, sa svojim moćnim antičkim precima i svojom 2000 godina starom civilizacijom. Kad se sve to pomeša sa realnim nedostatkom edukacije dobijamo nepodnošljiv i umarajuć narod."
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Grčka je jedna od najlepših zemalja koju sam video, ali, na žalost, okupirana Grcima. Još imaju taj glupi kompleks superiornosti, sa svojim moćnim antičkim precima i svojom 2000 godina starom civilizacijom. Kad se sve to pomeša sa realnim nedostatkom edukacije dobijamo nepodnošljiv i umarajuć narod
U D’Annunzijevoj državi zajedno su živjeli fašisti i homoseksualci
"Carta del Carnaro je, primjerice, predviđala ravnopravnost spolova, toleranciju religije i ateizma, temeljit sistem socijalne i zdravstvene zaštite, staračku skrb, te udruživanje građana u deset interesnih staleža - uz koje je u budućem parlamentu trebao biti zastupljen i jedanaesti, mistični, okupljen oko “nepoznatog genija”, za kojeg je na tadašnjem Danteovu trgu (danas Trg Republike Hrvatske) gorjela vječna vatra."
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Carta je, primjerice, predviđala ravnopravnost spolova, toleranciju religije i ateizma, temeljit sistem socijalne i zdravstvene zaštite, staračku skrb, te udruživanje građana u deset interesnih staleža - uz koje je u budućem parlamentu trebao biti zastupljen i jedanaesti, mistični, okupljen oko “nepoznatog genija”, za kojeg je na tadašnjem Danteovu trgu (danas Trg Republike Hrvatske) gorjela vječna vatra.
The Nietzsche Family Circus
"The Nietzsche Family Circus pairs a randomized Family Circus cartoon with a randomized Friedrich Nietzsche quote."
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The Nietzsche Family Circus pairs a randomized Family Circus cartoon with a randomized Friedrich Nietzsche quote.
PEP Web - Salieri's Dilemma: A counterpoint between envy and appreciation
"Klein described the conflict between envy and gratitude as inherent in the human being; she suggested an interesting link between envy and admiration, but never developed this idea in her theory. The hypothesis that we put forward in this paper is the existence of a particular intolerance—related to envy—of one's own capacity to recognise the valuable aspects of the object. This situation leads to the paradox that the same faculty that allows the patient to appreciate the good qualities of the object is at the same time the source of unbearable pain. The capacity to recognise the good aspects of the object—whether they are perceived or attributed by projective identification—cannot be accepted as a valuable aspect of the self and is taken as a proof of the self's unworthiness. We think that the description of this intolerance towards admirative appreciation introduces a change in the understanding of idealisation simply as a defence against envy and enriches the conflict expressed in the immediacy of the transference–countertransference."
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Klein described the conflict between envy and gratitude as inherent in the human being; she suggested an interesting link between envy and admiration, but never developed this idea in her theory. The hypothesis that we put forward in this paper is the existence of a particular intolerance—related to envy—of one's own capacity to recognise the valuable aspects of the object. This situation leads to the paradox that the same faculty that allows the patient to appreciate the good qualities of the object is at the same time the source of unbearable pain. The capacity to recognise the good aspects of the object—whether they are perceived or attributed by projective identification—cannot be accepted as a valuable aspect of the self and is taken as a proof of the self's unworthiness. We think that the description of this intolerance towards admirative appreciation introduces a change in the understanding of idealisation simply as a defence against envy and enriches the conflict expressed in the immediacy of the transference–countertransference.
PEP Web - The Search for the Father in Amadeus*
"What is the source of creativity? Why are some artists favored with prodigious inborn talent while other artists, no less deserving, remain mediocre? What is the relationship between art and madness? These are age-old questions, and they vexed even Freud (1928), who concluded that “Before the problem of the creative artist analysis must, alas, lay down its arms” (p. 177). Wisely or not, psychoanalysts have refused to lay down their arms: Peter Shaffer's plays, in particular, have aroused intense analytic scrutiny (Berman, 1979; Glenn, 1974a, 1974b, 1974c, 1976, 1983; Hamilton, 1979; Slutzky, 1976; Stamm, 1976). Amadeus focuses on the creativity of two quite different artists, Wolfgang Amadeus Mozart and Antonio Salieri."
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What is the source of creativity? Why are some artists favored with prodigious inborn talent while other artists, no less deserving, remain mediocre? What is the relationship between art and madness? These are age-old questions, and they vexed even Freud (1928), who concluded that “Before the problem of the creative artist analysis must, alas, lay down its arms” (p. 177). Wisely or not, psychoanalysts have refused to lay down their arms: Peter Shaffer's plays, in particular, have aroused intense analytic scrutiny (Berman, 1979; Glenn, 1974a, 1974b, 1974c, 1976, 1983; Hamilton, 1979; Slutzky, 1976; Stamm, 1976).
Amadeus focuses on the creativity of two quite different artists, Wolfgang Amadeus Mozart and Antonio Salieri.
Wikipedia:Articles for deletion/Wikipedia Art - Wikipedia, the free encyclopedia
"The above is a wonderful commentary, but Wikipedia is not your web page to wax eloquently about what you think ought to exist. Bus stop (talk) 00:34, 15 February 2009 (UTC) "
Dead Swap
deadSwap is a social experiment exploring the possibilities of creating an entirely off-line fire-sharing and communications platform where people pass a USB memory stick from one to another.
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deadSwap is a social experiment exploring the possibilities of creating an entirely off-line fire-sharing and communications platform where people pass a USB memory stick from one to another.
Rickrolling - Wikipedia, the free encyclopedia
Rickrolling is an Internet meme involving the music video for the 1987 Rick Astley song "Never Gonna Give You Up". The meme is a bait and switch: a person provides a Web link they claim is relevant to the topic at hand, but the link actually takes the user to the Astley video. The URL can be masked or obfuscated in some manner so that the user cannot determine the true source of the link without clicking (and thus satisfying their curiosity). When a person clicks on the link given and is led to the web page he/she is said to have been "Rickrolled". By extension, it can also mean playing the song loudly in public in order to be disruptive.
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Rickrolling is an Internet meme involving the music video for the 1987 Rick Astley song "Never Gonna Give You Up". The meme is a bait and switch: a person provides a Web link they claim is relevant to the topic at hand, but the link actually takes the user to the Astley video. The URL can be masked or obfuscated in some manner so that the user cannot determine the true source of the link without clicking (and thus satisfying their curiosity). When a person clicks on the link given and is led to the web page he/she is said to have been "Rickrolled". By extension, it can also mean playing the song loudly in public in order to be disruptive.
Golan Levin on software (as) art | Video on TED.com
Engineer and artist Golan Levin pushes the boundaries of what’s possible with audiovisuals and technology. In an amazing TED display, he shows two programs he wrote to perform his original compositions.
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Engineer and artist Golan Levin pushes the boundaries of what’s possible with audiovisuals and technology. In an amazing TED display, he shows two programs he wrote to perform his original compositions.
Radical Left :: Sending Up Celebrity Culture [Great Photos!]
The likenesses are uncanny, but of course, her subjects are look-alikes. Her photos demonstrate that while seeing is believing, the truth is another story entirely.
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The likenesses are uncanny, but of course, her subjects are look-alikes. Her photos demonstrate that while seeing is believing, the truth is another story entirely.
infinite thØught: the artworld is not the world
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To ‘mediate’ ‘frameworks’ as ‘relationships’...one could switch the terms around with similar effect: to ‘framework mediations as relationship’, or perhaps to ‘relate mediations as frameworks’. The art historian quoted above is quite right to state that ‘such work’ likes to think of itself as a process rather than an object – if it stood still for more than five minutes someone might just notice that it makes absolutely no sense at all. The peculiar power of Nu-language, as a kind of pure formal currency, has precisely lead to a vapid never-ending abstraction that uses words like ‘consolidate’, ‘reconstellate’, ‘reconfigure’, ‘enhance’, ‘articulate’, as descriptors of some mythical ‘process’, like Hegel’s absolute spirit in a particularly insomniac phase. Nouns, like material products, appear to be out of fashion.
Banned From YouTube: Parody Guitar Videos | The Underwire from Wired.com
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Earlier this week, YouTube pulled the plug on funnyman and media artist Santeri Ojala, whose hilarious and popular "shredding" videos poke fun at the world's great guitar players.
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Ojala, who overdubs rock concert footage with his own bad guitar playing, says he has no plans to fight YouTube's decision, which would likely require him to hire a lawyer and file suit against the company.
:: View topic - Pure Py
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The psychodelic generative sound output from PD is based on the speed of IM conversation between two skype users. If you are chatting very quick, the sound gets faster and more brutal, making you even quicker. If the time between the IM messages is getting longer, the sound transforms into 60Hz (ohhhhm) sinus fields, evoking warm feelings and slower typing among participating chatters. The sound output of PD should be redirected directly into the Skype call which is initiated by the python script.
Video of people from 1 to 100 hitting a drum - Boing Boing
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"People in Order" is a 3-minute film that shows 100 people, from the age of one to 100, hitting a drum. It was made by Lenka Clayton and James Price.
Prince (musician) - Wikipedia, the free encyclopedia
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The first step I have taken towards the ultimate goal of emancipation from the chains that bind me to Warner Bros. was to change my name from Prince to
. Prince is the name that my Mother gave me at birth. Warner Bros. took the name, trademarked it, and used it as the main marketing tool to promote all of the music that I wrote. The company owns the name Prince and all related music marketed under Prince. I became merely a pawn used to produce more money for Warner Bros.… I was born Prince and did not want to adopt another conventional name. The only acceptable replacement for my name, and my identity, was , a symbol with no pronunciation, that is a representation of me and what my music is about. This symbol is present in my work over the years; it is a concept that has evolved from my frustration; it is who I am. It is my name.
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