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RouteNote is an online music distribution service providing artists instant access to a large proportion of the online market. Designed and built to take advantage of the shift towards independent and self-publication through online and mobile music outlets, and the consumer switch to online purchasing as outlined by the success of iTunes, Myspace and Pump Audio, RouteNote is partnered with some of the biggest retailers on the web to give artists massive and immediate availability for their tracks.
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The anxious rhetoric around new technology is really quite shocking in its vehemence, from claims that the player piano will destroy musical taste and the "national throat" to concerns that the VCR is like the "Boston strangler" to claims that only Hollywood's premier content could make the DTV transition a success. Most of it turned out to be absurd hyperbole, but it's interesting to see just how consistent the words and the fears remain across more than a century of innovation and a host of very different devices.
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Download-Links zu allen(!) BBC Radio1 Essential Mixen aus den den Jahren 1993 bis 2007
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Welcome to the Free Music Archive, a social music website built around a curated library of free, legal audio. It's a work in progress, and your participation will help us continue to grow.
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It's impossible to be a legal innovator in online music these days. No matter what you do, you will run afoul of some kind of music licensing issue. That's because of the way that copyright law is designed. Basically, each time some new technology comes along that doesn't fit with the way copyright law used to work, the copyright holders run to Congress and demand yet another new "right" to be included in copyright -- and anyone who wants to do anything has to now pay for yet another license to cover that right. The end result is a comical house of cards that no one can actually figure out
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We've built a copyright system by having politicians incorrectly accept the screaming complaints of legacy industries every time some new technology comes along. So they add another layer of complexity to that house of cards, and we've now reached the point where it's impossible to innovate legally -- and even doing basic creativity puts you at significant risk. Yet, there's ample evidence that none of this is actually needed for musicians to make a living making music. It's time to recognize this and look to just wipe out all of these unnecessary legacy artifacts of a dead system, and clear the decks to let real innovation thrive.
Aus Accounts auf last.fm, hypemachine und co. einen Pipes-Feed erstellen, den man dann wiederrum zb in Streampad einfüttern kann.
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