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Presentation Zen: Making presentations in the TED style
TED has earned a lot of attention over the years for many reasons, including the nature and quality of its short-form conference presentations. All presenters lucky enough to be asked to speak at TED are given 18-minute slots maximum (some are for even less time such as 3- and 6-minute slots). Some who present at TED are not used to speaking on a large stage, or are at least not used to speaking on their topic with strict time restraints. TED does not make a big deal publicly out of the TED Commandments, but many TED presenters have referenced the speaking guidelines in their talks and in their blogs over the years (e.g., Ben Saunders).
The Next Great Discontinuity: The Data Deluge
Through the topology of the network we have begun to perceive what Michel Serres calls ‘The World Object’, an ecology of interconnections and interactions that transcends and subsumes the causal links propounded by grapholectic culture. At the limits of s
Luis Camnitzer: Art and Literacy | Journal / e-flux
[T]his theory—that if one wants to be able to write something, one should know how it is written—has some logic to it. It forces one first to read, then to copy what one reads—to understand somebody else’s presentation in order to then re-present it. In a
The Next Great Discontinuity: Grapholectic Thought and the Fallacy of Misplaced Concreteness
Of course my mini-history of scientific revolution should not be taken itself as a “truth”. I draw it as a parable of progress, as one silken thread leading back through time’s circular labyrinth to my very own Ariadne. What I do maintain though, is that
Liam Gillick: The Discursive | Journal / e-flux
A discursive model of praxis has developed within the critical art context over the last twenty years. It is the offspring of critical theory and improvised, self-organized structures. It is the basis of art that involves the dissemination of information.
Lewis Carroll in Numberland
Charles Lutwidge Dodgson, better known as Lewis Carroll, was a mathematician at Oxford University for most of his life. His fanciful “Alice’s Adventures in Wonderland” and “Through the Looking Glass” are quite familiar to us, as, to a lesser extent, are h
Is Google Making Us Stupid? | The Atlantic
I can feel it, too. Over the past few years I’ve had an uncomfortable sense that someone, or something, has been tinkering with my brain, remapping the neural circuitry, reprogramming the memory. My mind isn’t going—so far as I can tell—but it’s changing.
Obama's Address to the State of Non-belief
As a British citizen I watched the inauguration speech of America's 44th President with a warm but distanced interest. But as someone who was brought up in a non-religious family, and has thrived without any belief in a deity, I listened to Barack Obama's
What Makes the Human Mind?
During the past few decades, a mounting body of evidence has shown that animals possess a number of cognitive traits once thought to be uniquely human. Bees “talk” through complex dances and sounds; birds act as “social tutors,” teaching song repertoires
In Another city another me is writing
Take this article, for example. It is an unwinding spring of phonic sounds, encoded into a series of arbitrary symbols, stretching from left to right within an imaginary frame projected onto the surface of your computer screen. Here lies the perfect examp
The Archaeology of The Book
Before the printed book there was the book as relic, the book as idol to knowledge. Those who could read dictated to the masses who could not. Books were material conduits to hidden, immaterial territories, placed out of reach of the proletariat – atop th
Palimpsests Palimpsests Palimpsests
Modern technology has allowed art historians to 'look' at paintings with new, multidimensional, eyes. Shine certain wavelengths of light onto a Picasso painting and it becomes possible to read marks under the surface of the paint. What's more, apply sever
How Things Become: The Infinity of Definition
The perceiver's position in an architectural, or merely physical space, determines the dimensional imperatives of that person's mental qualia. It is interesting to note that each viewer of a rainbow stands at the centre of their very own optical illusion
LRB · Peter Campbell: At the British Museum
Held in the hand, a typical cuneiform tablet is about the same weight and shape as an early mobile phone. Hold it as though you were going to text someone and you hold it the way the scribe did; a proverb had it that ‘a good scribe follows the mouth.’ Mot
Cybertext: Perspectives on Ergodic Literature - Chapter 1: Ergodic Literature
A few words on the two neoteric terms, cybertext and ergodic, are in order. Cybertext is a neologism derived from Norbert Wiener's book (and discipline) called Cybernetics, and subtitled Control and Communication in the Animal and the Machine (1948). Wien
Textual criticism - Wikipedia
Textual criticism (or lower criticism) is a branch of literary criticism that is concerned with the identification and removal of transcription errors in the texts of manuscripts. Ancient scribes often made errors or alterations, while copying manuscripts
Move Your Head and the Picture Changes
There’s a way, it seems to me, that reality’s fractured right now, at least the reality that I live in. And the difficulty about . . . writing about that reality is that text is very linear and it’s very unified, and . . . I, anyway, am constantly on the
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