Lisa Spiro's Library tagged digital_culture →  View Popular

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Structures of Participation in Digital Culture
Karaganis, Joe, ed. New York: Social Science Research Council, 2007.

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Structures of Participation in Digital Culture, edited by SSRC Program Director Joe Karaganis, explores digital technologies that are engines of cultural innovation, from the virtualization of group networks and social identities to the digital convergence of textural and audio-visual media. User-centered content production, from Wikipedia to YouTube to Open Source, has become the emblem of this transformation, but the changes run deeper and wider than these novel organizational forms. Digital culture is also about the transformation of what it means to be a creator within a vast and growing reservoir of media, data, computational power, and communicative possibilities. We have few tools and models for understanding the power of databases, network representations, filtering techniques, digital rights management, and the other new architectures of agency and control. We have fewer accounts of how these new capacities transform our shared cultures, our understanding of them, and our capacities to act within them. Advancing that account is the goal of this volume.

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Rhizome is dedicated to the creation, presentation, preservation, and critique of emerging artistic practices that engage technology. Through open platforms for exchange and collaboration, our website serves to encourage and expand the communities around these practices. Our programs, many of which happen online, include commissions, exhibitions, events, discussion, archives and portfolios. We support artists working at the furthest reaches of technological experimentation as well as those responding to the broader aesthetic and political implications of new tools and media. Our organizational voice draws attention to artists, their work, their perspectives and the complex interrelationships between technology, art and culture.

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