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A User's Guide to 21st Century Economics - Umair Haque - HarvardBusiness.org
Umair Haque's Jan.7/09 piece, self-explanatory title. Lots of great ideas - and something about the reference to "symmetrical competition" made me think of Greg Lynn's rejection of symmetry in architecture (to maximize resources) and also of how waste is a major 21st c. trope.
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Where do new rules come from? Here are five questions every decision maker should kick off 2009 by asking - and five results summarizing some of the new rules we've learned over the last year at the Lab.
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20th century business isn't fit for 21st century economics. Yesterday's businesses were built for a world of overconsumption, artificially cheap production, symmetrical competition, and macroeconomic stability. That was yesterday. Today, the herd of industrial-era dinosaurs is going to be mercilessly culled - unless they can evolve to fit a radically altered economic environment.
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Where do new rules come from? Here are five questions every decision maker should kick off 2009 by asking - and five results summarizing some of the new rules we've learned over the last year at the Lab.
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Greg Lynn | Profile on TED.com
Portal page to Greg Lynn's TED talk.
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Who says great architecture must be proportional and symmetrical? Not Greg Lynn. He and his firm, Greg Lynn FORM, have been pushing the edges of building design, by stripping away the traditional dictates of line and proportion and looking into the heart of what a building needs to be.
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Who says great architecture must be proportional and symmetrical? Not Greg Lynn. He and his firm, Greg Lynn FORM, have been pushing the edges of building design, by stripping away the traditional dictates of line and proportion and looking into the heart of what a building needs to be.
Exchange Morning Post: "Greg Lynn: How calculus is changing architecture"
Questioning symmetry:
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Greg Lynn talks about the mathematical roots of architecture -- and how calculus and digital tools allow modern designers to move beyond the traditional building forms. A glorious church in Queens (and a titanium tea set) illustrate his theory.
Greg Lynn is the head of Greg Lynn FORM, an architecture firm known for its boundary-breaking, biomorphic shapes and its embrace of digital tools for design and fabrication.
Who says great architecture must be proportional and symmetrical? Not Greg Lynn. He and his firm, Greg Lynn FORM, have been pushing the edges of building design, by stripping away the traditional dictates of line and proportion and looking into the heart of what a building needs to be.
UNQUOTE
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Greg Lynn talks about the mathematical roots of architecture -- and how calculus and digital tools allow modern designers to move beyond the traditional building forms. A glorious church in Queens (and a titanium tea set) illustrate his theory.
Greg Lynn is the head of Greg Lynn FORM, an architecture firm known for its boundary-breaking, biomorphic shapes and its embrace of digital tools for design and fabrication.
Who says great architecture must be proportional and symmetrical? Not Greg Lynn. He and his firm, Greg Lynn FORM, have been pushing the edges of building design, by stripping away the traditional dictates of line and proportion and looking into the heart of what a building needs to be.
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Who says great architecture must be proportional and symmetrical? Not Greg Lynn. He and his firm, Greg Lynn FORM, have been pushing the edges of building design, by stripping away the traditional dictates of line and proportion and looking into the heart of what a building needs to be.
A series of revelations about building practice -- "Vertical structure is overrated"; "Symmetry is bankrupt" -- helped Lynn and his studio conceptualize a new approach, which uses calculus, sophisticated modeling tools, and an embrace of new manufacturing techniques to make buildings that, at their core, enclose space in the best possible way.
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