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Yule Heibel's Library tagged street_photography   View Popular, Search in Google

Apr
22
2012

Some amazing captures by Brandon Stanton (see the video). So much diversity, yet the people seem somehow rooted in and belonging to NYC: they're unified as New Yorkers, even though they're often so different. It struck me how often the sitters blended into the background the were posing in front of, as though ingested by the place, literally incorporated, and belonging to it entirely.
QUOTE
Stanton, who has no formal training in photography, told me that the real barrier to taking street portraits is the very normal human fear of rejection. “Especially when you start, a lot of people are going to say no,” he says. At first, the rejections sting. But he says that after all the thousands of interactions he’s had, he doesn’t really register them any more.
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street_photography nyc brandon_stanton photography cities diversity

Jul
19
2011

Lovely series of photos of New York City, mostly from the 1940s, some from the 60s.
QUOTE
Amateur photographer Charles W. Cushman traveled extensively in the U.S. and abroad capturing daily life from 1938 to 1969.

His works have been donated to and maintained by Cushman's alma mater Indiana University, which has kindly given us permission to publish his gallery of New York City photos taken in 1941, 1942 and 1960.
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nyc charles_w_cushman photography street_photography manhattan

Mar
4
2010

Flavorwire's interview with Michael Sean Edwards, who moved to the East Village from Toronto in 1977 and has been documenting it ever since. A set of his images from 1978 to 1985 is now available on Flickr. Flavorwire also includes a slide-show with commentary by Edwards.

michael_sean_edwards photography cities nyc east_village street_photography art flavorwire

Mar
26
2008

Here's a sobering article on the general hysteria over "terrorism," which has resulted in getting street photographers arrested or detained or questioned. Anyone seen taking photographs, especially covertly or seemingly so, is likely to get in trouble these days. But how can you be a good street photographer if you don't conceal just a little bit the fact that you're taking photos in the first place? You want that candid moment, right?

freedom paranoia photography public_space street_photography terrorism

  •  Matt Stuart photographs the unscripted drama of the London streets. Entirely spontaneous, his pictures are made possible by a combination of instinct, cunning and happy coincidence, revealing the beauty and significance of the everyday - what the rest of us see but don't notice, moments that vanish faster than the blink of an eye. 

     For his efforts, Stuart has picked up a little collection of pink stop-and-search slips, souvenirs of practising a century-old art form in a city increasingly paranoid and authoritarian.

  • After 11 years, Stuart is something of an old hand. Using the street photographer's traditional tool of choice - the discreet and near silent Leica camera - he knows how to make himself invisible, make an image and move on. He rarely runs into trouble; when he does, he knows his rights.
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