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Great idea:
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Have you ever wondered what happens behind closed doors in an executive boardroom? How about that dark street corner after 2:00am?
Using these questions as starting points, theater director Melanie St. Ours – who is also an actress and a teacher – is cooking up a long-term theater project to be housed in one of the empty storefronts of the Storefronts Seattle project.
“One Forbidden Thing,” as Melanie’s project is titled, will use community dialogues, story circles, and theater workshops to name places in Pioneer Square that feel unsafe, restricted, or forbidden. Through the process of creating original theater, participants will explore the ways that those forbidden places are tied to the community’s health, identity and future.
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Great piece by 4culture about storefrontseattle.com putting artists and art into (currently empty) storefronts downtown. Times are tough and the retail landscape looks sh*tty, but that's no reason to give in to looking crappy all around. Also, a strong argument here for keeping arts funding where it belongs (with the arts) versus giving everything over to social problems:
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...given the current levels of state, city and county spending on the arts, even if every culture dollar was reallocated for housing, we would not end homelessness. One should not be pitted against the other. A civil society is characterized by its ability to adopt policies and make investments that alleviate suffering, while at the same time encouraging activity that breeds increased creativity and economic growth.
The arts have long claimed to be an economic engine. There is ample evidence that the arts, heritage and culture spur increased economic activity. Economic impact studies conducted in our region over the past fifteen years quantify the jobs created and spending that results from attendance at festivals and theater, music and dance events, not to mention the inherent personal benefits to be gained by gathering with your friends and neighbors for a shared cultural experience.
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