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Very interesting: Urban planning as not-planning, informed by social media...?
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The rise of social enterprise prioritises human relationships and transactions of social, not just commercial value, says Barrie. ‘It shifts the narrative of renewal from the provision of space to services, with sites acting as places that enable change, rather than dictate them via a masterplan.’ Social productivity, he concludes, presses for a new narrative in urban development. Historically, it has been social networks that have made places.
In online social networks, people have multiple independent groups of friends, often linked to family, shared experience and hobbies. Temporary ties are common-place. People rely upon the recommendation of friends to make decisions. Historically, these are drivers of human association with public space and it has been the physical public realm that has made a market in these relations.’
‘Increasingly, says Barrie, ‘minds copy the workings of the internet and flit sharply from one idea to another, addicted to the breadth of everything, rather than the depth of something This is at odds with one of the traditional functions of places and placemaking: to create fixed opportunities for human interactions and narrative. In this context, physical places start to look like either passing scenery or locations that host uses that enable people to fulfil a task.’
There is nothing new, he continues, about designing places that embrace the sociability and social value of business or human relations. ‘However, places that explicitly integrate the unfolding development of social ventures, or could be described as living rooms for a networked society, have been thin on the ground. 'no doubt because of the risks associated with social enterprise paying rent, the failure to find a profitable operating model for municipal wi-fi, the perception of social business as a means of addressing market failure, rather than creating wealth'.
Approaches to urban development that seek to trigger or build networks
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Unlocking creativity in placemaking doesn't need to depend on huge budgets or complex megaplans. Successful places inspire, engage and surprise. Urban environments that make the most of existing place assets and 'energise' or activate our places and spaces is what most of us are looking for.
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Info page for an upcoming June 2009 UK conference I would love to attend: "a place for creativity? unlocking the original in urban design and development"
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Add Sticky Notehow projects can and should be funded and ways of involving the people that live and work in the places to be re-designed.
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Yule Heibel on 2009-05-18patronage - who pays?
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"Urban designer and artist collaborations: what value do they bring?"
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The event did not focus on ‘how to do’ public art, but rather aimed to stimulate debate and throw up challenges to what some are coming to regard as a too-often standardised way of creating public spaces.
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throw up challenges to what some are coming to regard as a too-often standardised way of creating public spaces
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Add Sticky Notefailed to evolve
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Yule Heibel on 2009-05-08- then why should it be a solution to turn B. into a fantasy land instead? ...Not sure I understand why this should work.
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Description of $3m billboard in Times Square/ NYC, to be powered by wind & solar energy, at a savings of $12-15K per month. This is one of those big, wrap-the-building electronic billboards that resembles a giant TV screen.
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Fitted with 16 wind turbines and 64 solar panels, the sign will be a first for Times Square.
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By generating its own electricity — enough to light six homes for a year — the sign could save as much as $12,000 to $15,000 per month, according to Ricoh, which estimated that the sign would prevent 18 tons of carbon from being spewed into the air yearly.
The 'passive' sign is not studded with light-emitting diodes like so many others in Times Square, but will be lighted by 16 300-watt floodlights. It will feature custom-printed opaque vinyl sheeting bearing the red-and-white Ricoh logo. The sign will be green, nevertheless, a message 'to customers, other companies and the world that resources and energy can be used creatively,' Mr. Potesky said. 'The point is that there are ways of being environmentally friendly to the planet, even on a billboard.'
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