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The end of suburban sprawl
Well, well ...an opinion piece in the Ottawa Citizen (republished across the CanWest newspaper empire, therefore also in Victoria's Times-Colonist), unsigned, that lays out the tenets of anti-sprawl and pro-urbanist thinking succinctly and favorably. (Except that while the title calls it "suburban sprawl," the author calls it "urban sprawl" in the first paragraph. Odd.)
Of interest for a Canadian perspective is that the article hints at the realities of infrastructure funding in Canada.
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Some years ago it started to become clear the post-Second World War race to suburbia was damaging North American cities. The result was long anti-social commutes (anti-social because we live in our cars) and outrageously expensive infrastructure -- funded by taxpayers -- to extend services to these outlying neighbourhoods.
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Ottawa residents know well the negative effects of sprawl. It's hard to create a sense of civic identity when a city is made up of disparate communities separated by vast tracts of land. And yes, the economic inefficiencies of this kind of arrangement are legendary.
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City, developer race to approve Portrait Gallery project
This is an example of what should have happened in Victoria in regard to the Art Gallery of Greater Victoria's plans to move into a purpose-built gallery (designed by James Cheng), which would have been part of a single-tower residential redevelopment called Crystal Court, planned by Westbank Corp. The project was supposed to get built on Belleville Street in the heart of the Tourist District, in downtown Victoria. But it was essentially nixed from the start by the James Bay Neighbourhood Association (JBNA), which claims that block as part of its precinct. Consequently, city planners declined to support the developer's application for rezoning, and the project was still-born.
In Ottawa, meanwhile, forward-thinking city politicians are supporting a two 26-story residential tower development that will include a free-standing 2-story national portrait gallery.
Too bad the Federal government can't put any pressure to bear on the JBNA -- their idea to auction off the national portrait gallery certainly put the fires under Ottawa's seats, but hey-ho, here in Victoria we can resist all change. Boy oh boy, the city of Victoria really dropped the ball on the Crystal Court Development.
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Claridge Homes has filed an application with the city for two 26-storey residential towers and a gallery designed by a leading architect to be built in a current parking lot between Lisgar, Nepean and Metcalfe streets in the heart of the downtown core.
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The application and rezoning process usually take up to a year, but with the federal government's April 16 deadline for bids to host the gallery looming, the process is being crunched into to a matter of weeks.
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TheStar.com | Business | Digitization strategy stuck in a time warp
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In today's technological world, most content is "born digital," yet there remains a rich history of books, music, film, photos and other works in analog form. Since people increasingly have access solely to digital content, policy makers must confront the challenge of how to bring all of our culture and historical knowledge into the digital realm.
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Digitization of books and historical records is important, but groups like the CBC and the National Film Board, who should be working to digitize thousands of hours of Canadian film, television shows and radio programs, are largely absent. By comparison, the Dutch government launched the Images for the Future digitization project in July, which plans to preserve, digitize and provide access to 137,200 hours of video, 22,510 hours of film, 123,900 hours of audio and 2.9 million photos.
Digitization is not rooted solely in history. The Man Booker Prize, one of the world's most prestigious literary awards, recently announced that it is working with publishers to offer free, digital versions of all six nominated books next year. Organizers hope that the initiative will capture new audiences – particularly in Asia and Africa – who may be unable to access the actual books.
The major Canadian literary prizes, including the Governor-General Award and the Giller Prize, could do the same thing. Rather than racing to print a few thousand additional copies, the publishers could work with the award organizers to increase the size of the prize in return for free, global access to digital versions of Canada's best writing.
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