Yule Heibel's Library tagged museums →  View Popular

There are so many other very reasonable access options the ROM has effectively decided against: Free access to the permanent collection. Free access for a day or an evening. Keeping all admission fees at $10 or under. Having concession fees for the underemployed. Admission by donation. The list goes on. Almost every museum in Canada has some combination of these strategies–and has to, in order to keep their funding and their reputation.

By throwing more money at the ROM without keeping them to a truly equitable public mandate, McGuinty is basically encouraging bad behavior in their museum management. Maybe he can abide by that. But I certainly can’t.

Shame there was no mention of museum access in other cities. Correct me if I’m wrong, but isn’t Toronto the single most expensive city on the planet Earth for visiting the centrepiece museum? Isn’t there something wrong with that? Something that letting a few students in for free will not exactly address? Just as Pearson is the world’s most expensive airport (landing fees), but no one seems to care, there is a surprising tolerance for this gouging.

Cities, TTC, museums, airports - exactly how poor a country is Canada when it comes to government funding of anything other than health care? Think about that while you pay the world’s highest prices (plus GST!) for transit fares, airline tickets, ROM admission….

I agree that TO is not the most expensive city in the world. But the ROM fees are still far from reasonable and fair. This is particularly so for their permanent collection, which are the objects the public in effect owns. That’s why in MTL at the fine arts museum it’s free to see the permanent collection, extra for special exhibitions. Same at the Tate in London.

Also, the Louvre (9 euro daytime admission) has a variety of access strategies that the ROM does not: Discounts every day after 6pm. Free for all the first Sunday of every month. Free for those under 18 all the time. Free for those under 26 on Friday evenings. Free for those with disabilities, and their companions. Free for the unemployed. Free for those on social benefits. And these are obtained right at the gate, no need to get in line for rationed passes.

And the American Museum of Natural History permanent collection access is always by donation. They suggest certain donations, but ultimately all visitors regardless of income, can, yes, see the dinosaurs. Temporary exhibits require payment, as with the Tate and other museums.

A London monthly card for zone 1-2 is 93 pounds but that is also good for rail. A Twin Pass for GO/TTC is no longer available but for a comparable region it would cost far more than $185.

Based on purchasing power (relative to salaries, etc.) I still stand by my statement. Toronto is a bargain when it comes to skating rinks or housing or cost of living in general, but anything civic or infrastructure-related tends to be very, very expensive. To add to my list of “most expensive” — per-km toll highway, commuter train fares, observation decks…(ok, that last one is private and not civic but I still find it annoying.)

Leah is quite correct — all museums in New York that receive any city funding must use pay-what-you-wish admission or lose city funds. A noble principle that should apply to the ROM. MoMA is private and costs $20, but even that museum is free on Friday nights (4-8 pm).

Admission to the ROM, what with all the public funding it receives, should be based on suggested donation, along with possibly an admission ticket required for special exhibitions and the such. This way, let the clueless tourists shell out the suggested admission and everyone else get in for whatever they want to pay.

I am a New Yorker, and one of my favorite things about growing up there was how I could go to the Museum of Natural History and the Metropolitan Museum of Art on the same day for, well, 5 cents each, with a stroll through Central Park thrown in. My high school was a short walk away from the Met, and we would go there to hang out after-school (dorky? yes. awesome? yes)

And as a UofT student, I would love to go to ROM on a regular basis - and now I will be able to. But it would be ultimately better for everyone if that were the case for all of us. Toronto would do well to create a stronger sense of civic pride and belonging, and cultural institutions of course play a huge part in that.

But the ROM does not at all feel like it is a public institution. I remember being annoyed when I heard about how they were having a ’special’ opening for the rich (or whoever) before the ‘official’ opening of the crystal last year - and really, wtf was that? Sure, throw a ball for those that contributed money - but to have it before the public opening just told me that they did not want to have them in there after us common folk contaminated the place.

But really, everything, and I mean everything, in Toronto seems to be more expensive than what I experienced in NYC - and the quality is worse - and there is no reason why it should be that way.

Do working poor people really have time to spend at any museum or gallery? I recall freebie nights at the AGO attracting mostly middle class but cheap Torontonians and some students–most of whom come from middleclass backgrounds.

But yeah, make the ROM free from midnight to six AM!:)

Yet some fear the advocacy and actions of museums in embracing the Internet are not consistent, particularly in their policies on works for which copyright has expired.

Many museums receive regular requests for copies of works in collections to be reproduced in school texts, magazines or other publications. The fees vary widely. Some museums levy handling and/or reproduction fees and permission fees, despite the expiry of copyright.

The Access to Information Act records covered requests to the National Gallery for copies of public-domain artworks between February 2006 and January 2007. The gallery received approximately 250 such requests, and imposed contractual restrictions on use of the images and levied an average fee of $379.

Internal documents reveal the gallery often added hundreds of dollars to the total cost of fulfilling a request, despite the fact that the images were in the public domain. In fact, the permission costs for such works were actually higher than those for works still subject to copyright. The gallery reasoned that the copyright holder would apply additional charges.

Further north, the city's love affair with the condo tower reached new heights; a tower at Yonge and Bloor will stand 80 storeys tall and a second, at Yonge and Gerrard, 75 storeys.

Though neither tower could be described as architecturally exciting, both are presentable. At the same time, however, most development happened in the vacuum that passes for planning in Toronto.