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16 Oct 09

Seth's Blog: Creating sustainable competitive advantage

One of the better definitions of "brand" that I've read in a while:
QUOTE
"You can build a brand (shorthand for relationships, beliefs, trust, permission and word of mouth)."
UNQUOTE

Love the last sentence, too:
QUOTE
The reason the internet is such a home to wow business models is that it's easier to create a network here than any other time in history.
UNQUOTE
So true.

sethgodin.typepad.com/...ble-competitive-advantage.html - Preview

seth_godin branding competitiveness marketing

12 Jun 09

YouTube - Seth Godin: Sliced bread and other marketing delights

Still one of the best talks on ...well, sliced bread and all it has spawned.

www.youtube.com/watch - Preview

seth_godin marketing ted_conference

20 Nov 08

Tribes: We Need You to Lead Us - Tribes Q & A (PDF)

PDF companion to the book, Tribes: We Need You to Lead Us (http://tinyurl.com/6fklwd), by Seth Godin: a booklet of Q&As around growing one's tribe (eg. "Is it possible to influence a tribe without being the leader?"). The questions are at the beginning (six pages), and after each there's a clickable "answer" button - very convenient.

sethgodin.typepad.com/...TribesQA2.pdf - Preview

seth_godin tribes marketing

26 Feb 08

FREE LOVE

Available as a 15-page printable PDF, too, this is the website version. From the intro:
"FREE LOVE: the ongoing rise of free, valuable stuff that's available to consumers online and offline. From AirAsia tickets to Wikipedia, and from diapers to music.
FREE LOVE thrives on an all-out war for consumers' ever-scarcer attention and the resulting new business models and marketing techniques, but also benefits from the ever-decreasing costs of producing physical goods, the post-scarcity dynamics of the online world (and the related avalanche of free content created by attention-hungry members of GENERATION C), the many C2C marketplaces enabling consumers to swap instead of spend, and an emerging recycling culture.
Expect FREE LOVE to become an integral if not essential part of doing business."

trendwatching.com/briefing - Preview

free marketing trends trendwatch

    • As indicated in the definition above, the rise of FREE LOVE* can be attributed to:



      • An all-out war for consumers' attention (make that saturated consumers), including various handout and sampling techniques.
      • The online world, with its amazing capacity to create, copy and distribute anything that's digital, with costs that are close to zero, forcing producers to come up with new business models/services, which are often purely ad-driven.
      • The ever-decreasing cost of physical production makes it easier to offer more (nearly) free goods in the offline world too. In fact, many goods have actually become insanely cheap. Just one example: the price of televisions has fallen, on average, by 9 percent each year since 1998, according to U.S. Dept. of Labor data.
      • The avalanche of free content created by attention-hungry members of GENERATION C.
      • C2C marketplaces enabling consumers to swap instead of spend, making transactions cash-neutral.
      • An emerging recycling culture.
      • And all of the above fueling consumers' expectations to get online and offline stuff for free.
  • So let's look at five manifestations of FREE LOVE: 'Any excuse to advertise', 'Courting saturated consumers', 'C2C', 'Swapping, not spending', and 'Less is more', which all incorporate one or more of the above drivers.
  • 5 more annotations...

Logic+Emotion: Thinking Through The "3 U's"...

The 3 Us -- damn that apostrophe, it's all wrong as used in the article's title. But if you leave it out, it reads as "the 3 us," as in *us* or *them*... Regardless, an interesting summing up of what might make applications interesting for users. See notes.

darmano.typepad.com/...thinking-throug.html - Preview

apps economy marketing socialnetworks web2.0

  • 3us2
  • Usefulness
  • 5 more annotations...
08 Feb 08

The Artful Manager: What's ''authentic''?

Read the entry, "What's 'authentic'?," by Andrew Taylor, but then read the first comment that follows, by Bill Ivey. Taylor, writing from an arts manager perspective, observes: "Since arts organizations are often perceived (or perceive themselves) as havens of authentic expression, it might be worth a moment to define, exactly, what that means." Ivey, donning his "folklorist" hat, contrasts the "authentic" barn-raising, say, with the construction of a pre-fab barn -- or "authentic" blue jeans and their history of being workwear, with the "brand" of "authentic" designer jeans. Apples & oranges, and the oranges, it seems, are watery -- or "thin," as Ivey puts it: they offer "the illusion of purchasable membership in networks defined by exactly the history and shared values that in modern society are available to very, very few."

www.artsjournal.com/...079959.php - Preview

authenticity branding culture culture_industry folklore ideas ideology marketing

  • Since much of modern mass or popular culture is of the pre-fab barn variety, it's not difficult to identify a longing for heritage-defined, community-based products or performances as a significant element of our overarching ethos. There are many thousands of examples of the way th marketplace has exploited this idea. Blue jeans connect with the "authentic" idea of real men doing real work; a Ralph Lauren shooting jacket invokes the "authentic" world of entitled patrician ease; a faux-antique farm table links consumers with the sturdy values of an agrarian past.



    This, to me, is the sense of authenticity that pervades mass culture today. It is an idea that is particularly potent in our "thin" consumerist society, offering, as it does, the illusion of purchasable membership in networks defined by exactly the history and shared values that in modern society are available to very, very few.

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