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This is fantastically interesting, especially in light of the recent fiascos around Mike Daisey and Malcolm Gladwell, both of whom seem to think that disrespecting journalism and factuality is somehow ok.
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The book is a reprint of an essay about a suicide in Las Vegas that D'Agata submitted to the Believer along with text from the wildly extended and heated argument that then ensued between him and Fingal, his fact checker at the magazine. Things started off poorly. The now-infamous first sentence alone was riddled with errors. Here's just one of them: D'Agata writes that there were "34 licensed strip clubs" in Vegas at the time of the suicide. Fingal's research suggests there were only 31, and he asks D'Agata how he got 34. "Because the rhythm of '34' works better in that sentence than the rhythm of '31,'" D'Agata replies, as if this were a fiction workshop. Things degenerate from there.
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Super interesting. Must-read article.
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What works best on the Web, short or long-form journalism? The monthly audience statistics for two accomplished FORBES reporters prove that online news consumers crave both. They devour brief and timely information and seek out the in-depth coverage that news stalwarts feared would disappear in the digital age.
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Matt’s also able to rely on outside experts to cover breaking medical news for us. He’s brought on 10 or so knowledgeable writers who are part of our 850-strong contributor base (Eric, with his Technology team, has added even more than that). With Matt’s “orbit” of talent, he has more freedom to focus on longer stories. As he says, “I don’t need to worry about what might have been missed.”
Intriguing:
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Cowbird is a simple tool for telling stories
and a public library of human experience.
We are a small community of storytellers, interested in telling deeper, longer-lasting, more nourishing stories than you're likely to find anywhere else on the Web.
Cowbird allows you to keep a beautiful audio-visual diary of your life, and to collaborate in documenting the overarching "sagas" that shape our world today. Sagas are things like the Japanese earthquake, the war in Iraq, and the Occupy Wall Street movement — things that touch millions of lives and define the human story.
Our short-term goal is to pioneer a new form of participatory journalism, grounded in the simple human stories behind major news events and universal themes. Our long-term goal is to build a public library of human experience, so the knowledge and wisdom we accumulate as individuals may live on as part of the commons, available for this and future generations to look to for guidance.
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Admittedly, I ignored this post when it first came out because, given my current interests, I didn't think I'd find anything worth reading from a Canadian journalist. Wow, was I wrong. This essay is brilliant and a must-read. Nagata is not your average 24-year-old or average anything.
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Consider Fox News. What the Murdoch model demonstrated was that facts and truth could be replaced by ideology, with viewership and revenue going up. Simply put, you can tell less truth and make more money. When you have to balance the interests of your shareholders against the interests of the viewers you supposedly serve, the firewall between the boardroom and the newsroom becomes a very important bulwark indeed. CTV, in my experience, maintains high standards in factual accuracy. Its editorial staff is composed of fair-minded critical thinkers. But there is an underlying tension between “what the people want to see” and “the important stories we should be bringing to people”.
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This is really fascinating: Washington Post journalists acting as online teachers. Interesting melding of online/distributed learning, claims to expertise-ism, and attempts by old media to find new business / profit models. Fascinating.
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Prestigious. Washington Post MasterClasses are written by Washington Post experts renowned in their fields, many of them Pulitzer Prize and major award-winning journalists.
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Being naturally an Eeyore type of personality, I'm not sure that I can deal with the findings in this article... But I guess they're bang-on, and the conclusions are thought-provoking
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Emotion = distribution
I can tell you, anecdotally, that for our Twitter feed, @niemanlab, one of the best predictors of how much a tweet will get retweeted is the degree to which it expresses positive emotion. If we tweet with wonderment and excitement (“Wow, this new WordPress levitation plugin is amazing!”), it’ll get more clicks and more retweets than if we play it straight (“New WordPress plugin allows user levitation”).
For harder data, check out some work done by Anatoliy Gruzd and colleagues at Dalhousie University, presented at a conference last month. Their study looked at a sample of 46,000 tweets during the Vancouver Winter Olympics and judged them on whether they expressed a positive, negative, or neutral emotion. They found that positive tweets were retweeted an average of 6.6 times, versus 2.6 times for negative tweets and 2.2 times for neutral ones. That’s two and a half times as many acts of sharing for positive tweets.
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And from the conclusion:
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on the whole, figuring out how to make people want to share your work with their friends generates a healthier set of incentives than figuring out how to manipulate Google’s algorithm. Providing pleasure — pleasure that someone wants to share — is not an inappropriate goal. And when you broaden out beyond “positive emotions” to the idea of driving arousal or stimulation — positive or negative — the idea starts to fall a little more neatly into what news organizations consider their job to be.
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File under "resources": a collection of links for learning about journalism.
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Ambitious journalists don’t have to worry about affording extra education when free open courses are available for anyone to take online. Spend some time studying and exploring the various aspects of journalism with these classes before forging your own future as a journalist. These courses will help you learn about writing, reporting, photojournalism, multimedia, and more.
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Interesting initiative from Columbia U:
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The Columbia program, which will accept its first 15 students (tops) in the Fall of 2011, seeks to attack the barrier between journalists and the increasingly important IT professionals whose web and digital savvy are crucial to any form of news gathering, reporting and delivery. The problem: Users really don’t know what to ask developers for (or how), and developers have no real idea what their software will need to do in the hands of the users.
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Great interview with Jay Rosen (conducted by Jeffey Inaba and Talene Montgomery) that delves into (and knits together) the "pro" (professional) and "am" (amateur, blogger) divide. Rosen advocates for Pro-Am journalism. And what is "the public"?
"How do journalists decide how to tell stories? What are their responsibilities when reporting a story? And to what extent do they write in the public’s interest?"
The questions revolve around whether journalists represent or create the public.
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people involved in arts, culture, education and politics, have to figure out continually how to bring the public alive.’ It’s not just a question of information either, its also one of art. Because engaging people successfully is a social problem we have to figure out. So to me, yes, the public is there to be informed and it is something we have to bring to life. There’s no objective way of doing it; it’s an art and a commitment. I think really good journalists who care about telling the truth, who care about their stories and about having an effect are really saying, ‘I’m going to awaken the public’.
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JR: Journalists have a responsibility to tell us what’s going on and tell us the truth and that does require impartiality. We know this from our normal lives. It doesn’t require you to be a journalist. If you went to a contentious meeting – and other people who also have a stake in what you have witnessed couldn’t go and they ask you what went on – you have a responsibility to report to the other people accurately and impartially. Yet you have other responsibilities too. People want to know not just what occurred, but also how they can affect things. Their participation and their power to affect the situation has something to do with their interest in information and there’s a vital connection between those two things.
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Although over 2 years old, Jonathan Weber's "FAQ" for starting an online publication focused on local news is still useful and highly informative. Weber covers raising money, staffing, competition, revenue streams/ business models, etc.
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Did you raise money from investors? How did you go about that?
Yes, we raised a high-six-figure sum from a group of angel investors. There are some friends and family in the deal, and there are also professional investors who did it as a personal angel investment. The success of the fundraising was very much dependent on my track record and reputation as editor in chief of the Industry Standard, and required relentless networking and cajoling over a period of almost a year.
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What is the revenue model for New West? Advertising?
Online advertising is the core of the model, yes. However we also have several other revenue lines, including a small indoor advertising business, a custom-publishing business, and a conference & events business. Multiple revenue streams are a lovely thing. It remains difficult to make money on online advertising alone unless and until you have boatloads of traffic, and it is especially difficult to achieve that with a local site.
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Lee C. Bollinger's commencement address to the 2009 Columbia U. graduating class, with a special focus on globalization and freedom of the press/ media: "...the very same technology - the Internet - that is making global communication so pervasive - is simultaneously undermining the financial model of the traditional press, as we've known it."
Many great insights. Some excerpts:
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...you have been here at a pivotal moment in history. You came in texting and you're going out with a twitter. And regardless of whether you're a fan of digital downloads or old fashioned ink on paper, while you've been here you've seen the value of dialogue, and of access to timely, credible, independently generated information and ideas. In August, 2005, just as many of you were settling into your first semester here, Hurricane Katrina was ravaging the city of New Orleans, amid accusations of gross government mismanagement and misinformation. Your Columbia years have coincided with two brutal and still unfinished wars - in Iraq and Afghanistan - shaped by our own government's far too extensive control over information. You will tell your children about the unprecedented economic crisis that erupted during your time here - a global event fueled by inadequate disclosures and regulation. From the standpoint of our ability to acquire a full understanding of things that matter, we clearly have a long way to go before we can rest.
Meanwhile, you have been witness to and strengthened by participating in the process of vigorous open debate - on issues such as gay marriage, the conflict in the Middle East, and climate change. And you have played a role in one of the most exciting political campaigns in American history - a campaign waged like never before through online media and social networking.
Through it all, you have lived in the most privileged intellectual environment on the planet, perhaps of all time. Nothing compares to this - to the freedom you have felt - and possibly taken for granted - to consider every idea and t
Christian Science Monitor opinion piece making the case that journalists aren't pulling their weight in creating value for readers/ consumers.
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Wages are compensation for value creation. And journalists simply aren't creating much value these days.
Until they come to grips with that issue, no amount of blogging, twittering, or micropayments is going to solve their failing business models.
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Picard then divides his piece into three parts:"Where does value come from?" and "What are journalists worth?" with "Adapt or Die" as conclusion.
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Robert G. Picard is a professor of media economics at Sweden's Jonkoping University, a visiting fellow at the Reuters Institute at Oxford University, and the author and editor of 23 books, including "The Economics and Financing of Media Companies." This essay is adapted from a lecture Professor Picard gave at Oxford. He blogs at http://themediabusiness.blogspot.com/
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Excellent must-read article.
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The total value is the value of content plus the value of advertising. However, advertisers don't care about journalism – only the audience that it produces. Thus the real measure of journalistic value is value created by serving readers.
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Moral philosophers differentiate intrinsic and instrumental value. Intrinsic value involves things that are good in and of themselves, such as beauty, truth, and harmony. Instrumental value comes from things that facilitate action and achievement, including awareness, belonging, and understanding. Journalism produces only instrumental value. It is important not in itself, but because it enlightens the public, supports social interaction, and facilitates democracy.
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Great article by Clay Shirky on the changed status of media production, who owns it, who controls it, with an astute take on abundance. ("That era, when media were shaped by the scarcity of production and by the judgment of professionals, has ended.")
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Prior to the internet, the costs of reproduction and distribution created an asymmetry of access: every time someone bought a radio or a television, the number of media consumers increased by one, but the number of producers didn't budge. The internet, on the other hand, moves the basic mechanism of reproduction and distribution into a lattice of shared infrastructure, paid for by all and accessible to all.
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Add Sticky NoteThe computers connected to the edges of this network are not imbalanced as in the old model, where it cost a great deal to own a TV station but little to own a TV. Instead, they are balanced like the telephone - if you can listen, you can talk; if you can read, you can publish; if you can watch, you can record. This does not mean the average user can write a compelling novel or create a good film, but being able to produce anything at all is a huge change, relative to the consumer's previous silence.
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Yule Heibel on 2009-05-19- bingo.
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Terrific article by Neil Henry, professor and dean of the Graduate School of Journalism at UC Berkeley, about the J-School's initiatives around local news reporting. Focusing on Linjun Fan's success with Albany Today (albanytoday.org), Henry explains how the students cover local news and use cutting edge multimedia tools.
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For nearly every story over the next two years, Linjun was first on the scene, using the most highly advanced digital tools to file her work to her site from all over town.
Most of the time she was the only reporter at any of the events she covered, a stark reality shared by most of her classmates in their own coverage of places as varied as El Cerrito, Emeryville, and West Oakland.
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Today, as they learn multimedia and community-based journalism, so do all of our students practice it, providing fresh content throughout the year to our other thriving digital news sites, Oakland North (oaklandnorth.net) and Mission Loc@l (missionlocal.org), which won a national award for Internet excellence recently for its coverage of San Francisco's Mission District.
And we continue to grow. In August we will launch a new digital news site devoted to the people of Richmond.
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We want to partner with other local sites run by people similarly committed to covering Bay Area communities. We envision legions of small businesses and other potential advertisers in the Bay Area finding tremendous new audiences through these ties. We are filled with excitement and purpose, fueled by the idealism and dedication of young students who increasingly are showing the way.
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Excellent summary of a lecture by Emily Bell (head of digital content at Guardian News and Media). Bell gave the lecture at University College Falmouth, where she was just appointed visiting professor in the media degrees program. Her topic: "Journalism Ten Years From Now" - excellent insights. Bell also discusses the business model for journalism of the future: where will the money come from to support it? And there are some very surprising insights here, starting with "News has never been profitable."
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Unlike net-culture visionary Clay Shirky, though, Emily doesn't think that print journalism has no future. Print will remain an important part of reaching the audience - but it will not be the primary conduit for journalism in ten years' time. Instead, going by the 'clues' we can pick up from the way journalism is changing today, journalism in ten years will have some or all of the following characteristics:
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1. It will go where the audience is.
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Transcript of Kenneth Lerer's speech at the Columbia Journalism School Annual New Media Lecture Series, April 23, 2009.
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A lot of what we're seeing online today is actually a return, full circle, to the way things were when American newspapers began; a mixture of advocacy and investigative in-your-face journalism. There is a long and distinguished history of such newspapers -- from the papers that were fiercely loyal to Jefferson or Hamilton, to the abolitionist broadsheets, to the activist newspapers at the turn of the century. As my partner Arianna Huffington says, the mission of journalism has always been "truth-seeking, not striking some fictitious balance between two sides."
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Article about attempts by some alternative news organizations to recreate themselves as non-profits. Lots of interesting angles, from the demise (or at least being under siege) of traditional newspapers to the rise of alternative business models (embodied by the "watchdog" sites referenced by the article's title) for paying journalists/ newsrooms to stay in business.
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As America’s newspapers shrink and shed staff, and broadcast news outlets sink in the ratings, a new kind of Web-based news operation has arisen in several cities, forcing the papers to follow the stories they uncover.
Here it is VoiceofSanDiego.org, offering a brand of serious, original reporting by professional journalists — the province of the traditional media, but at a much lower cost of doing business. Since it began in 2005, similar operations have cropped up in New Haven, the Twin Cities, Seattle, St. Louis and Chicago. More are on the way.
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The fledgling movement has reached a sufficient critical mass, its founders think, so they plan to form an association, angling for national advertising and foundation grants that they could not compete for singly. And hardly a week goes by without a call from journalists around the country seeking advice about starting their own online news outlets.
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Roy Greenslade reporting from a "future of journalism" conference in Australia, asking after 'the business model' for newspapers / journalism of the future. He mentions Jay Rosen, who joined the conference via satellite hook-up, and this in turn sparks some interesting conversation on the comments board (particularly by Rosen himself).
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The key question that cropped up throughout was about whether journalism can be funded if newspapers - or broadcasters - collapse due to the loss of advertising revenue.
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"I can't see a funding model for serious journalism in future, not one that will pay for large staffs with specialists, and foreign correspondents and stringers, everywhere. I can't see ads paying for big operations that costs tens of millions of dollars. Websites can attract millions but not the necessary tens of millions."
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