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Interesting Jan.2012 op-ed by Jeff Jahn in the Portland Tribune. Jahn is an independent curator and critic.
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Since the mid-’90s, artists and designers have emigrated to or stayed in Portland for very specific and often moral reasons. In a nutshell, it is because Portland is the first U.S. city to grow out of the adolescent attitudes of America in the second half of the 20th century. The laundry list: non-car-reliant transportation, green thinking, proximity to nature, a very non-1 percent-centric civic attitude, high-tech savvy and a permissive attitude that was essentially humanistic rather than purely capitalistic.

In other words, the original Occupy Portland started around the mid-’90s by artists and has only gathered steam since. Think of artists as canaries in the coal mine of civilization — it is a tough job, but it’s very important to watch what they do. Artists bring immense cultural cache, even jobs. Ultimately, they redirect our attention, giving us a new aesthetic and conceptual compass. Then they export those ideas in distilled, compact creative endeavors.

No city owns its artists, but a city can choose to (either) support or take its artists for granted.

To be overly simplistic, Portland became a 21st-century leader because it rejected both of the 20th century’s main models: Manhattan’s top-down corporate verticality and LA’s car-driven suburban sprawl. Instead, as a more 19th century-style city of shopkeepers and artists (defined by our citizens more than institutions), we should own the title and take care to not become complacent.
UNQUOTE

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