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The Five Question Interview – Dan Ariely — Ben Atlas
Ben Atlas poses interview questions to Dan Ariely, author of Predictably Irrational: The Hidden Forces That Shape Our Decisions. Dan responds to the questions in this video. Atlas's questions focus on rationality/ irrationality, crime, reward, etc. Fascinating stuff about behavioral economics, great insights from Dan Ariely.
"The secret of success* *It's not what you'd expect" (globeandmail.com)
Interview with Malcolm Gladwell about his new book, Outliers. Rather depressing stuff in some ways. I gather that not only do I NOT work hard enough, but I was born at the wrong time of year, not to mention with the wrong background/ role models/ etc. On the other hand, while 10K hours (or 10 years) of practice seem dauting at my age, there must be something in my bag of talents/ tricks that I can leverage. Maybe. But the example of Chris Langan remains depressing, regardless.
WorldChanging: The Worldchanging Interview: Clay Shirky
Worldchanging interview with Clay Shirky by Jon Lebkowsky.
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There's a big difference between having some people online and having most people onine. That's a difference that appeals mainly to businesses, now the audience is larger. But there's another difference between having most people online and having everybody online. The advantage of having everybody online is that in your social group, if everybody is online, then you can take it for granted that you can use online tools to coordinate the life of that group.
Small social groups have very high density. In a group of five or six people, pretty much everybody has an interface to everybody else. That's a lot of interface. If even a couple of those interfaces can't be bridged by email or instant messaging, then people will default to the most inclusive possible technology, which prior to the Internet was the phone.
If you were under 35 in the year 2000, and you made more than $35,000 a year, you were almost certainly online and so were your friends, and you could start to take it for granted that you could use the Internet to coordinate your business life and your social life. You could use it to coordinate visits to church, group buying pools, anything that involved a group. Suddenly it became possible, and not because the technology was in place; the technology had been in place for years. It was because the social density had finally caught up with the technology.
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people don't want to adopt technologies that cut out some members of the group. Why would you use something that excludes some members of the group? But once social density kicks in, social applications actually overperform Metcalfe's Law, as predicted by Reed's Law
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Excusado Printsystem: Street Art in Colombia - PingMag - The Tokyo-based magazine about “Design and Making Things”
Feast your eyes...! Ping Mag does it again: the street art featured here is Manet for today, is Courbet for contemporaries, is Beckmann for boys (and girls), is Frans Hals and Velasquez for very heavy kids of all persuasions, is just fantastic.
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Add Sticky Note

- Is it a car (an American car?), or is it a barracuda ready to eat you alive? - on 2008-03-04
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U.S. News and World Report on Who's Your City? (Richard Florida and The Creative Class Exchange)
"Choosing a Place to Live - Why it's as important as picking a spouse" (interview by Bret Schulte with Richard Florida, published in U.S. News and World Report); excerpts: "You have to understand that economic activity isn't spread out. So there's a trade-off we have to make between furthering our career and finding a lifestyle that fits us. (...) If you find a place that fits you, it gives you more energy. People have always been attracted to aesthetics. The other thing is infrastructure. Maybe you like to go outside, or ride your bike. Those things are critically important. What people are saying is they are not going to be fulfilled in a place that just has a good pipe system. They want to live in a place that gives them excitement and energy."
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The world is not flat, says Richard Florida, contrary to the bestselling book by New York Times writer Thomas Friedman. Florida, author of his own bestselling book, The Rise of the Creative Class,
and a professor of business and creativity at the University of
Toronto, argues that while Friedman is correct in saying that
technology has reshaped the world, it has not created a level playing
field. With newly accumulated data to back him up, Florida argues in
his upcoming book Who's Your City? that the world is, in many
ways, spiky—with population, opportunity, innovation, and money
increasingly coalescing in metropolitan areas worldwide. That means
pursuing a career and staying close to family and friends are often at
odds. Deciding what makes you happy, he argues, must go hand in hand
with deciding where you want to live. -
So, in a sense, as you go up the ladder, the world
got more and more concentrated. Then this idea came to me that the
world is not flat. It's spiky. - 4 more annotations...
Willem-Jan Neutelings: "how to Design an Icon" (Archinect : Features)
I found this via http://www.ceosforcities.org/conversations/blog/, and have had it open in a tab for DAYS now, wondering how to annotate/ sum it up, and I can't seem to do it justice. Here's Archinect's introduction: A conversation with Willem-Jan Neutelings about the tradition of architecture and the way iconography should be applied in architecture." Just that bit: how "iconography should be applied in architecture" is amazing. Who speaks of such things cogently these days? Dares to? At the same time, I find myself in agreement with commentator Ivo, at the end of this blog entry, who writes: "I don't know about Neutelings-Riedijk. It's too simple for me, almost cartoonish. A harbour college that looks like stacked shipping containers, an earth-sciences building that looks like covered in dirt, a TV and media centre is clad in blurred tv images. No offence they make nice sculptures, but I expect my architects to come up with something more than the first (obvious) idea that springs to mind while being faced with a client/project."
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“The axis Columbia – AA – Berlage Institute is the axis of evil,” Willem-Jan Neutelings laughs. Then serious again: “For ten years the American architecture schools, in combination with a couple West-European schools, have promoted the idea that new means give birth to a new architecture. I find it evil that this is being explained to the youth, because the youth doesn’t understand how architecture works anymore, and that keeps on getting worse. There is no writer that would say, that because books are now typed on computers, he makes a different literature. But that is what architects say.”
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because the French philosophers have thought it that way
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Boogie: Bleak Street Lifes (PingMag - The Tokyo-based magazine about “Design and Making Things”)
Interview with "Serbian photographer Boogie [who] grew up in the war-torn region of former Yugoslavia, documenting protests and the disturbing portraits of skinheads. After moving from Belgrade to Brooklyn in 1998, he started observing New York’s bleak street side of life with monochrome shots. Distinctively, his work isn’t emphatic. He doesn’t judge. He is more reporting on a not so distant universe with a fine eye for detail - and a lot of guts. He showed PingMag his depiction of Brooklyn gang life and junkies." Boogie notes: "'This whole life is a bunch of choices you make and they just made a couple of wrong ones,' says photographer Boogie about his series on junkies in Brooklyn."
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Add Sticky NoteThey liked me and I never judged them. Because who am I to judge anyone? That junkie, or a gangster, it could’ve been me and you. This whole life is a bunch of choices you make and they just made a couple of wrong ones.
It came to the point where I would just go to their houses, hang out, and they were doing whatever they would do, had I not been there. It’s the moment every photographer lives for - when you become a fly on the wall…- I guess one question might be whether society is "allowed" to make choices for them by demanding they go into rehab, or whether their right to choose (which inevitably includes stealing and degradation of others to support their habit) is paramount. It's alright for an artist like Boogie not to judge, but that's not an option for people who are victims of the junkie's crimes. Maybe we won't have an acceptable answer until the proposed vaccine against drug addiction is on the market...? - on 2008-01-28
The ArchRecord Interview: Sir Peter Cook, Page 1 | Features | Architectural Record
Ex-Archigram group member Peter Cook interview.
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