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May
17
2012

Fascinating interview with William Gibson. At one point he says, "I think we invent ideologies to cope with technologies."
And:
QUOTE
Gibson also bemoans cities that no longer enable young, artistic, and often not rich people from being able to move in and spur change. He cites both London and New York as places that used to allow this but which have gotten too expensive to be approachable by young creatives and are on their way to being "cooked."

"Once a city is completely cooked, it's more like Paris, where the city's business is not to change," says Gibson. "But it's not a place that actually welcomes innovation."
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atlantic_cities william_gibson interview

Apr
13
2012

Great interview. (I had no idea urbanists were supposed to 'hate' Joel Kotkin.)
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Meet Joel Kotkin, a guy who is reviled by smart growth advocates and new urbanists everywhere. Kotkin, an author and trend-watcher, is fond of dashing urban dreams with cold, hard numbers. Talk about the “triumph of the city,” and he’ll parade out a long line of Census figures that show that, sorry, the suburbs are still kicking demographic ass in this country.
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joel_kotkin grist urbanism cities interview

Feb
9
2012

John Maeda on Twitter.
QUOTE
Q: You’re very active on Twitter. In fact, you’ve said that your new book, Redesigning Leadership, is based on some of the “micro-posts” you’ve Tweeted about leadership and innovation. Why did you decide to start using Twitter?

A: First and foremost, I think of myself as an artist and designer, and I’m also the president of a college. Being the president of a college, your role is to be the authoritative leader. I own that and I embrace that fully, but at the same time, as an artist, I want to express my creativity in some shape or form. I can have a show once a year somewhere in the world and that’s okay, but every day I have to make art somehow, and making art is about taking emotion and making it into something. I found that using Twitter gives me the chance to have a gallery online where I can share different thoughts that I’m forming and thinking and struggling with. Also, I have very little time, so I use little micro-minutes to just summarize something and put it out there.
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john_maeda risd creativity smartplanet interview

Oct
4
2011

Fantastic analysis and riff on the internet and our present prospects, by Jaron Lanier.
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To expect liberty from democracy without a middle class is hopeless because without a middle class you can't have democracy. The whole thing falls a part.
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edge jaron_lanier internet futurismo technology interview video socialtheory

Jul
12
2011

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We find ourselves at a point in the world where the main tool to measure economic success and progress — Gross Domestic Product, or GDP – is outdated. Do we need a new set of rules for our economy to effectively begin to measure real, productive growth? Umair Haque, author of “The New Capitalist Manifesto” and director of the Havas Media Lab, believes it’s critical to the future of our country and our global economy.
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Includes audio/ interview.

audiocasts interview umair_haque capitalism economy socialcritique dylan_ratigan

Jan
19
2011

Nice profile:
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Paula Scher is one of our favorite designers and arguably the most daring typographer in design history, whose work never ceases to surprise, delight and provoke, thriving on reinvention yet oozing Scher’s unmistakable style. In this excellent microdocumentary, part of Hillman Curtis’ artist series, Scher recounts her creative process on some of her best-known projects, including her famous Citi identity work the iconic New York Public Theater campaign, which evolved into a whole new style that eventually permeated the New York design aesthetic across multiple facets.
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paula_scher design graphics video interview

Aug
12
2009

Ben Atlas poses interview questions to Dan Ariely, author of Predictably Irrational: The Hidden Forces That Shape Our Decisions. Dan responds to the questions in this video. Atlas's questions focus on rationality/ irrationality, crime, reward, etc. Fascinating stuff about behavioral economics, great insights from Dan Ariely.

ben_atlas dan_ariely behavioral_economics psychology video interview

Nov
13
2008

Interview with Malcolm Gladwell about his new book, Outliers. Rather depressing stuff in some ways. I gather that not only do I NOT work hard enough, but I was born at the wrong time of year, not to mention with the wrong background/ role models/ etc. On the other hand, while 10K hours (or 10 years) of practice seem dauting at my age, there must be something in my bag of talents/ tricks that I can leverage. Maybe. But the example of Chris Langan remains depressing, regardless.

globeandmail malcolm_gladwell outliers interview book_review careerism talent

Apr
8
2008

Worldchanging interview with Clay Shirky by Jon Lebkowsky.

worldchanging interview clay_shirky jon_lebkowsky

  • There's a big difference between having some people online and having most people onine. That's a difference that appeals mainly to businesses, now the audience is larger. But there's another difference between having most people online and having everybody online. The advantage of having everybody online is that in your social group, if everybody is online, then you can take it for granted that you can use online tools to coordinate the life of that group.

      

    Small social groups have very high density. In a group of five or six people, pretty much everybody has an interface to everybody else. That's a lot of interface. If even a couple of those interfaces can't be bridged by email or instant messaging, then people will default to the most inclusive possible technology, which prior to the Internet was the phone.

      

    If you were under 35 in the year 2000, and you made more than $35,000 a year, you were almost certainly online and so were your friends, and you could start to take it for granted that you could use the Internet to coordinate your business life and your social life. You could use it to coordinate visits to church, group buying pools, anything that involved a group. Suddenly it became possible, and not because the technology was in place; the technology had been in place for years. It was because the social density had finally caught up with the technology.

  • people don't want to adopt technologies that cut out some members of the group. Why would you use something that excludes some members of the group? But once social density kicks in, social applications actually overperform Metcalfe's Law, as predicted by Reed's Law
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Mar
4
2008

Feast your eyes...! Ping Mag does it again: the street art featured here is Manet for today, is Courbet for contemporaries, is Beckmann for boys (and girls), is Frans Hals and Velasquez for very heavy kids of all persuasions, is just fantastic.

bogota colombia excusado_printsystem grafitti interview ping_mag street_art

  • Excusado Printsystem: Street Art in Colombia
    • Yule Heibel
      Yule Heibel on 2008-03-04

      Is it a car (an American car?), or is it a barracuda ready to eat you alive?

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Feb
15
2008

"Choosing a Place to Live - Why it's as important as picking a spouse" (interview by Bret Schulte with Richard Florida, published in U.S. News and World Report); excerpts: "You have to understand that economic activity isn't spread out. So there's a trade-off we have to make between furthering our career and finding a lifestyle that fits us. (...) If you find a place that fits you, it gives you more energy. People have always been attracted to aesthetics. The other thing is infrastructure. Maybe you like to go outside, or ride your bike. Those things are critically important. What people are saying is they are not going to be fulfilled in a place that just has a good pipe system. They want to live in a place that gives them excitement and energy."

creative_cities flatness interview richard_florida spikiness

  • The world is not flat, says Richard Florida, contrary to the bestselling book by New York Times writer Thomas Friedman. Florida, author of his own bestselling book, The Rise of the Creative Class, and a professor of business and creativity at the University of Toronto, argues that while Friedman is correct in saying that technology has reshaped the world, it has not created a level playing field. With newly accumulated data to back him up, Florida argues in his upcoming book Who's Your City? that the world is, in many ways, spiky—with population, opportunity, innovation, and money increasingly coalescing in metropolitan areas worldwide. That means pursuing a career and staying close to family and friends are often at odds. Deciding what makes you happy, he argues, must go hand in hand with deciding where you want to live.
  • So, in a sense, as you go up the ladder, the world got more and more concentrated. Then this idea came to me that the world is not flat. It's spiky.
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Feb
8
2008

I found this via http://www.ceosforcities.org/conversations/blog/, and have had it open in a tab for DAYS now, wondering how to annotate/ sum it up, and I can't seem to do it justice. Here's Archinect's introduction: A conversation with Willem-Jan Neutelings about the tradition of architecture and the way iconography should be applied in architecture." Just that bit: how "iconography should be applied in architecture" is amazing. Who speaks of such things cogently these days? Dares to? At the same time, I find myself in agreement with commentator Ivo, at the end of this blog entry, who writes: "I don't know about Neutelings-Riedijk. It's too simple for me, almost cartoonish. A harbour college that looks like stacked shipping containers, an earth-sciences building that looks like covered in dirt, a TV and media centre is clad in blurred tv images. No offence they make nice sculptures, but I expect my architects to come up with something more than the first (obvious) idea that springs to mind while being faced with a client/project."

archinect architecture icon interview theory willem_jan_neutelings

  • “The axis Columbia – AA – Berlage Institute is the axis of evil,” Willem-Jan Neutelings laughs. Then serious again: “For ten years the American architecture schools, in combination with a couple West-European schools, have promoted the idea that new means give birth to a new architecture. I find it evil that this is being explained to the youth, because the youth doesn’t understand how architecture works anymore, and that keeps on getting worse. There is no writer that would say, that because books are now typed on computers, he makes a different literature. But that is what architects say.”
  • because the French philosophers have thought it that way
  • 15 more annotation(s)...
Jan
28
2008

Interview with "Serbian photographer Boogie [who] grew up in the war-torn region of former Yugoslavia, documenting protests and the disturbing portraits of skinheads. After moving from Belgrade to Brooklyn in 1998, he started observing New York’s bleak street side of life with monochrome shots. Distinctively, his work isn’t emphatic. He doesn’t judge. He is more reporting on a not so distant universe with a fine eye for detail - and a lot of guts. He showed PingMag his depiction of Brooklyn gang life and junkies." Boogie notes: "'This whole life is a bunch of choices you make and they just made a couple of wrong ones,' says photographer Boogie about his series on junkies in Brooklyn."

boogie brooklyn drug_addiction gangs interview nyc photography ping_mag street_life

  • They liked me and I never judged them. Because who am I to judge anyone? That junkie, or a gangster, it could’ve been me and you. This whole life is a bunch of choices you make and they just made a couple of wrong ones.
     It came to the point where I would just go to their houses, hang out, and they were doing whatever they would do, had I not been there. It’s the moment every photographer lives for - when you become a fly on the wall…
    • Yule Heibel
      Yule Heibel on 2008-01-28

      I guess one question might be whether society is "allowed" to make choices for them by demanding they go into rehab, or whether their right to choose (which inevitably includes stealing and degradation of others to support their habit) is paramount. It's alright for an artist like Boogie not to judge, but that's not an option for people who are victims of the junkie's crimes. Maybe we won't have an acceptable answer until the proposed vaccine against drug addiction is on the market...?

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