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Doc Searls Weblog · Beyond Social Media
Thought-provoking post by Doc Searls: social media is "a crock." What's ignored in all the social media hype is the infrastructure that underwrites the private real estate of Twitter, Facebook, MySpace, etc. The other problem with social media is that "as a concept (if not as a practice) it subordinates the personal."
"Personal and social go hand-in-hand, but the latter builds on the former."
"Markets are built on the individuals we call customers. They’re where the ideas, the conversations, the intentions (to buy, to converse, to relate) and the money all start. Each of us, as individuals, are the natural points of integration of our own data — and of origination about what gets done with it. "
YouTube - Did You Know?
The "Did You Know?" video, which has been making its viral rounds through various social networks. Breathless, admittedly amazing facts, prepare to meet a firehose of information. ("What does it in-form?" is another question...)
Internet Research Conference - CFP
The Internet Research Conference in Copenhagen (October 2008) lays out its call for papers. The theme is " Rethinking Community, Rethinking Place."
Synopsis:
In the past few years, new forms of net-based communities are emerging, distributed on various websites and services, and making use of several media platforms and genres to stay connected. Now, as mobile and location-based technologies are reintroducing "place" as an important aspect in the formation of communal and social activities, it is time to consider and rethink the concept of online or virtual communities. Not forgetting the lessons we have learned from studying the early virtual communities, how do we describe, analyse, theorise and design the communities and social formations of the early 21st century? How do we address the blurring of boundaries between places and communities on- and offline.
We call for papers, panel proposals, and presentations from any discipline, methodology, and community, and from conjunctions of multiple disciplines, methodologies and academic communities that address the conference themes.
Sessions at the conference will be established that specifically address the conference themes, and we welcome innovative, exciting, and unexpected takes on those themes. We also welcome submissions on topics that address social, cultural, political, economic, and/or aesthetic aspects of the Internet beyond the conference themes. In all cases, we welcome disciplinary and interdisciplinary submissions as well as international collaborations from both AoIR and non-AoIR members.
TheStar.com | Business | Digitization strategy stuck in a time warp
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In today's technological world, most content is "born digital," yet there remains a rich history of books, music, film, photos and other works in analog form. Since people increasingly have access solely to digital content, policy makers must confront the challenge of how to bring all of our culture and historical knowledge into the digital realm.
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Digitization of books and historical records is important, but groups like the CBC and the National Film Board, who should be working to digitize thousands of hours of Canadian film, television shows and radio programs, are largely absent. By comparison, the Dutch government launched the Images for the Future digitization project in July, which plans to preserve, digitize and provide access to 137,200 hours of video, 22,510 hours of film, 123,900 hours of audio and 2.9 million photos.
Digitization is not rooted solely in history. The Man Booker Prize, one of the world's most prestigious literary awards, recently announced that it is working with publishers to offer free, digital versions of all six nominated books next year. Organizers hope that the initiative will capture new audiences – particularly in Asia and Africa – who may be unable to access the actual books.
The major Canadian literary prizes, including the Governor-General Award and the Giller Prize, could do the same thing. Rather than racing to print a few thousand additional copies, the publishers could work with the award organizers to increase the size of the prize in return for free, global access to digital versions of Canada's best writing.
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