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Great (short) article by Leah Sandals on Spacing Toronto re. Royal Ontario Museum (ROM) and its admissions pricing/ policies. Best of all is the comments thread, where several people really let T.O. have it in terms of pointing out how dreadfully expensive it is, especially compared to places like New York City, where even private museums have policies that allow the less-well-off to have free (or pay what you can) admission to museums/ institutions on a regular basis.
Canada has a democracy deficit, and this article (plus comments) shows how and where it plays out.
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you’ll still have to fork over the usual $20 on Tuesdays. Oh, and on Sunday, Monday, Thursday, Saturday and most of Wednesdays and Fridays too. If you can plan your week around getting a look at the stuff your own taxes pay for, you might want to save up for $10 Friday evenings or try the one hour of completely gratis access on Wednesdays from 4:30 to 5:30.
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While I think the United Way and so many other hardworking Toronto organizations rock, this still in no way addresses the bulk of the ROM’s mandate, which is to provide equitable access to all Ontarians to their own heritage.
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Available as a 15-page printable PDF, too, this is the website version. From the intro:
"FREE LOVE: the ongoing rise of free, valuable stuff that's available to consumers online and offline. From AirAsia tickets to Wikipedia, and from diapers to music.
FREE LOVE thrives on an all-out war for consumers' ever-scarcer attention and the resulting new business models and marketing techniques, but also benefits from the ever-decreasing costs of producing physical goods, the post-scarcity dynamics of the online world (and the related avalanche of free content created by attention-hungry members of GENERATION C), the many C2C marketplaces enabling consumers to swap instead of spend, and an emerging recycling culture.
Expect FREE LOVE to become an integral if not essential part of doing business."
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- An all-out war for consumers' attention (make that saturated consumers), including various handout and sampling techniques.
- The online world, with its amazing capacity to create, copy and distribute anything that's digital, with costs that are close to zero, forcing producers to come up with new business models/services, which are often purely ad-driven.
- The ever-decreasing cost of physical production makes it easier to offer more (nearly) free goods in the offline world too. In fact, many goods have actually become insanely cheap. Just one example: the price of televisions has fallen, on average, by 9 percent each year since 1998, according to U.S. Dept. of Labor data.
- The avalanche of free content created by attention-hungry members of GENERATION C.
- C2C marketplaces enabling consumers to swap instead of spend, making transactions cash-neutral.
- An emerging recycling culture.
- And all of the above fueling consumers' expectations to get online and offline stuff for free.
As indicated in the definition above, the rise of FREE LOVE* can be attributed to:
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So let's look at five manifestations of FREE LOVE: 'Any excuse to advertise', 'Courting saturated consumers', 'C2C', 'Swapping, not spending', and 'Less is more', which all incorporate one or more of the above drivers.
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