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Heirs to Fortuyn? by Bruce Bawer, City Journal Spring 2009
Article by Bruce Bawer, on why stalwarts of the Left in Europe, gays in particular, are abandoning social-democratic multicultural politics. ...But, while things may be all right in Denmark, there are other countries where the backlash is creepy:
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The situation in Spain is a reminder that not all “right turns” are created equal. If the Danes have affirmed individual liberty, human rights, sexual equality, the rule of law, and freedom of speech and religion, some Western Europeans have reacted to the mindless multiculturalism of their socialist leaders by embracing alternatives that seem uncomfortably close to fascism. Consider Austria’s recently deceased Jörg Haider, who belittled the Holocaust, honored Waffen-SS veterans, and found things to praise about Nazism. In 2000, his Freedom Party became part of a coalition government, leading the rest of the EU to isolate Austria diplomatically for a time, and last September, his new party, the Alliance for the Future of Austria, won 11 percent of the vote in parliamentary elections. Or take Jean-Marie Le Pen, who has called the Holocaust “a detail in the history of World War II” and advocated the forced quarantining of people who test HIV-positive—and whose far-right National Front came out on top in the first round of voting for the French presidency in 2002. The British National Party (BNP), which has a whites-only membership policy and has flatly denied the Holocaust, won more than 5 percent of the vote in London’s last mayoral election. Then there’s Vlaams Belang (Flemish Interest), formerly Vlaams Bloc, whose leaders have a regrettable tendency to be caught on film singing Nazi songs and buying Nazi books. In 2007, it won five out of 40 seats in the Belgian Senate.
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Yet instead of encouraging these immigrants to integrate and become part of their new societies, Western Europe’s governments have allowed them to form self-segregating parallel societies run more or less according to sharia. Many of the residents of these patriarchal enclaves subsist on government benefits, speak the language of their adopted country poorly or not at all, despise pluralistic democracy, look forward to Europe’s incorporation into the House of Islam, and support—at least in spirit—terrorism against the West. A 2006 Sunday Telegraph poll, for example, showed that 40 percent of British Muslims wanted sharia in Britain, 14 percent approved of attacks on Danish embassies in retribution for the famous Mohammed cartoons, 13 percent supported violence against those who insulted Islam, and 20 percent sympathized with the July 2005 London bombers.
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Ubiquitous youth gangs, contemptuous of infidels, have made European cities increasingly dangerous for non-Muslims—especially women, Jews, and gays. In 2001, 65 percent of rapes in Norway were committed by what the country’s police call “non-Western” men—a category consisting overwhelmingly of Muslims, who make up just 2 percent of that country’s population.
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David Byrne Journal: 03.07.09: Good Investments and Bad Investments
Scroll down for the part I bookmarked this article for ("We Live in a Virtual World"). Amazing image comparison, great commentary by David Byrne. The Redbook cover (with its perfected, photoshopped woman), compared to the original photo of the "plainer" model is amazing because it shows how it's the accretion of *detail* that makes for the overall effect - which cuts both ways, insofar as it makes the model more "perfect" and beautiful, and insofar as it's more pernicious. There's no One Big Thing you can point to that's wrong with the "improved" version. It's in the aggregate, which takes on an insupportable weight.
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- note: curve of shoulders/ back eliminated; arm made more slender; subcutaneous fat on back above waist removed; waistline slimmed and back stretched; collarbone tendons' shadowing removed - these details have the effect of giving the model an *effortless* lightness and a lift that's nearly impossible to attain (you can see it's not easily possible because of the strains, such as curved shoulder/back and flexed tendons around collarbone showing in the original).
In the face, the photoshopped version achieves a similar effect of effortlessness - which is pernicious, insofar as no one can really achieve it effortlessly, yet you (if you're female) might think there's something wrong with you (or men might think you're haggard or a shrew) if you don't have that aura of floating on air. To whit: all indications of physically straining to hold the pose are erased, the face is turned into a smooth mask; the lines/pouches under the eyes indicate the effort involved in smiling so brightly, so they're erased; the lines running from nose to mouth corners, which indicate similar strain, are also erased; the face is lightened, which suggests there's no added blood pumping through the system to keep all this going - it's just easy/ effortless - and so the woman is literally drained of vital signifiers, imbued instead by an ethereal, angelic perfection ...that is anything but effortless or easy to achieve, much less maintain. - on 2009-04-10
- note: curve of shoulders/ back eliminated; arm made more slender; subcutaneous fat on back above waist removed; waistline slimmed and back stretched; collarbone tendons' shadowing removed - these details have the effect of giving the model an *effortless* lightness and a lift that's nearly impossible to attain (you can see it's not easily possible because of the strains, such as curved shoulder/back and flexed tendons around collarbone showing in the original).
CityStates: Commentary on an Urban World: Kalokairi Calling: Mama Mia! and 'Redesigning the American Dream'
Michael Dudley, who only the other day came out with a brilliant analysis of The Dark Knight, now looks at Mama Mia! across a range of feminist texts as well as some urbanist readings. Fascinating stuff, a must-read...
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Nowhere does Tip O'Neill's famous aphorism that "all politics are personal" apply more potently than to America's so-called "culture wars", where anything seen to be remotely touching on conceptions of the family becomes not just the stuff of political campaigns, but the difference between personal fulfillment and a lifetime of frustration and unhappiness.
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we're not concerned strictly speaking with the family as such, but with all those structures on which men, women and their families must depend, be they based in public policy or how we design our cities.
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