Heirs to Fortuyn? by Bruce Bawer, City Journal Spring 2009
Article by Bruce Bawer, on why stalwarts of the Left in Europe, gays in particular, are abandoning social-democratic multicultural politics. ...But, while things may be all right in Denmark, there are other countries where the backlash is creepy:
QUOTE
The situation in Spain is a reminder that not all “right turns” are created equal. If the Danes have affirmed individual liberty, human rights, sexual equality, the rule of law, and freedom of speech and religion, some Western Europeans have reacted to the mindless multiculturalism of their socialist leaders by embracing alternatives that seem uncomfortably close to fascism. Consider Austria’s recently deceased Jörg Haider, who belittled the Holocaust, honored Waffen-SS veterans, and found things to praise about Nazism. In 2000, his Freedom Party became part of a coalition government, leading the rest of the EU to isolate Austria diplomatically for a time, and last September, his new party, the Alliance for the Future of Austria, won 11 percent of the vote in parliamentary elections. Or take Jean-Marie Le Pen, who has called the Holocaust “a detail in the history of World War II” and advocated the forced quarantining of people who test HIV-positive—and whose far-right National Front came out on top in the first round of voting for the French presidency in 2002. The British National Party (BNP), which has a whites-only membership policy and has flatly denied the Holocaust, won more than 5 percent of the vote in London’s last mayoral election. Then there’s Vlaams Belang (Flemish Interest), formerly Vlaams Bloc, whose leaders have a regrettable tendency to be caught on film singing Nazi songs and buying Nazi books. In 2007, it won five out of 40 seats in the Belgian Senate.
UNQUOTE
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David Byrne Journal: 03.07.09: Good Investments and Bad Investments
Scroll down for the part I bookmarked this article for ("We Live in a Virtual World"). Amazing image comparison, great commentary by David Byrne. The Redbook cover (with its perfected, photoshopped woman), compared to the original photo of the "plainer" model is amazing because it shows how it's the accretion of *detail* that makes for the overall effect - which cuts both ways, insofar as it makes the model more "perfect" and beautiful, and insofar as it's more pernicious. There's no One Big Thing you can point to that's wrong with the "improved" version. It's in the aggregate, which takes on an insupportable weight.
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CityStates: Commentary on an Urban World: Kalokairi Calling: Mama Mia! and 'Redesigning the American Dream'
Michael Dudley, who only the other day came out with a brilliant analysis of The Dark Knight, now looks at Mama Mia! across a range of feminist texts as well as some urbanist readings. Fascinating stuff, a must-read...
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