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The impact of the crisis on Western popular culture is represented by a selection of the era’s  board games, whose themes and titles capture the anxiety of a new lifestyle and reflect the profits of oil suppliers, as well as promotional materials such  as advertising campaigns and brochures.

Occupying the CCA’s main galleries, 1973: Sorry, Out of Gas is curated by Mirko Zardini, CCA Director and Chief Curator, with Giovanna Borasi, CCA  Curator of Contemporary Architecture. The exhibition is organised along interrelated themes, including Austerity, which reflects the impact of the  oil crisis on habits and lifestyle. Passive Solar surveys efforts to adjust building design to take advantage of solar heat, while Active Solar  addresses the evolution and application of technologies to capture and convert the sun’s energy. Geopolitical Consequences examines the reactions and  initiatives in the political, commercial, and cultural realms. Insulation and Underground Buildings presents attempts to conserve energy and integrate  buildings within their natural surroundings; and Wind maps the evolution from earlier wind turbine designs for rural areas to new applications. Finally,  Integrated Systems outlines projects that operate on scales of greater complexity involving food production and larger societal groups. Rather than  providing a complete historical overview of the period’s research, the materials on view have been selected based on their relevance to contemporary  architectural concerns.

Among the exhibition highlights are individual projects by such architects as Steve Baer, Michael Jantzen, Douglas Kelbaugh, Michael Reynolds, and Malcolm  Wells, who designed and built innovative homes to gain independence from existing energy distribution networks. Their little-known work broke new ground by  allowing alternative concepts of energy use to guide the formal and functional design of their structures. Also featured are the contributions of key engineers  George Löf, Maria Telkes, and others, whose development of active solar power technology facilitated major architectural advances.

many parallel explorations addressed the question of energy independence in urban environments. Among the most influential is a 1979 design by  Oswald Mathias Ungers created in response to a government-sponsored competition for a 400-home community in West Germany. Another, more independent urban  project is the 519 East 11th Street cooperative in New York City whose tenant-owners installed solar panels and a wind turbine on the rooftop to provide  energy for public spaces in the building. This successful effort to gain independence from the urban power grid led to a legal battle with the local  supplier and prompted a lively public debate still relevant today.

A new typology of architectural publication evolved during this era: Do-It-Yourself books and guides described not only how to construct a home,  but how to integrate the necessary energy supply. Among those featured in the exhibition are the instructive Practical Guide to Solar Homes, The  Self-Sufficient House, Michael Reynolds’ influential series Earthship, and Jay Swayze’s unusual Underground Gardens and Homes.

The ideas and innovations brought together in 1973: Sorry, Out of Gas culminate with the projects of several maverick groups including The New  Alchemists, Montréal-based Ecol Operation, Farallones Institute, and Integrated Life Support Systems Laboratories. Their efforts focused on expanding  the scale from individual housing to long-term sustainable communities. Described as “integrated systems,” their work incorporates food production,  housing, and waste-management. These projects offer the most complex architectural responses to the energy crisis due to their focus on developing  sustainability on an urban scale, and form a vital foundation for contemporary planning of future ecological viability.

Created by Montréal-based architect Gilles Saucier of Saucier + Perrotte Architectes, the exhibition design employs an imposing, dark structure  that links the different galleries and establishes a continuous flow among the content. Visitors can choose different paths through the space, where  thematic ideas are centered in certain areas but the presentation of material reflects the mixing of concepts and research of the period. The graphic  design is by Zab Design & Typography of Winnipeg, Canada.

The accompanying catalogue, Sorry, Out of Gas, is a unique publishing project combining the diverse materials assembled for the exhibition with a  specifically commissioned children’s component by illustrator Harriet Russell. In her 32-page story entitled “An Endangered Species,” Ms. Russell  introduces the exhibition’s subject to a broader audience of young readers. With her distinctive drawings and hand-lettered text, Ms. Russell uses  humour to describe the role of oil in daily life and to suggest alternatives to this rapidly diminishing resource.

  

An essay by curator Mirko Zardini follows the introductory children’s component, while specific themes and projects are highlighted throughout the  book in short texts written by co-curator Giovanna Borasi along with Adam Bobbette, Daria Der Kaloustian, and Pierre-Edouard Latouche.

  

Many of the architectural projects in the exhibition are represented through the photographs of Jon Naar, who traveled extensively across North  America to document buildings and their architects and engineers in remote as well as urban contexts. His work disseminated their ideas through  publications of the time, and forms an essential contribution to the CCA catalogue and exhibition.

  

Co-published by the CCA and Corraini Edizioni, Mantua, and designed by Massimo Pitis with Bianca Baldacci, Sorry, Out of Gas reproduces over  200 colour and black-and-white images on 232 pages. The volume is available at the CCA Bookstore for $49.95 CAD.

1973: Sorry, Out of Gas is the first exhibition curated by Mirko Zardini in his role as CCA Director and Chief Curator, which he assumed in November  2005. As Visiting Curator, Mr. Zardini previously curated the CCA exhibitions Sense of the City (2005) and Out of the Box: Price, Rossi, Stirling +  Matta-Clark (2004). His research, writings, exhibitions, and architectural projects engage contemporary architecture, its transformations, and its  relationship with the city and landscape. A former editor of Casabella magazine and Lotus International, Mr. Zardini also served on the editorial board of  omus magazine. He has taught at prestigious architectural schools, including the Swiss Federal Polytechnic University in Zurich, Harvard University, and  Princeton University.

  

CCA Curator of Contemporary Architecture since 2005, Giovanna Borasi curated the exhibition Environment: Approaches for Tomorrow (2006) on the work  of Gilles Clément and Philippe Rahm. Before joining the CCA, she co-curated House Sweet Home, Different Ways to Live, Spazio Ventisette,  Milan (2000), and collaborated on several exhibitions including Asphalt, The Character of Cities at the Milan Triennale with Mirko Zardini (2003). Ms.  Borasi was an editor and writer for Lotus International and Navigator. She served as Assistant Editor for the book series Quaderni di Lotus; and was member of  the editorial staff of the graphic design magazine Lettera, a supplement to the architectural magazine Abitare.