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Yule Heibel's Library tagged art_reception   View Popular, Search in Google

May
24
2011

Great review. Where Perl writes "strumming," I misread "streaming" :-) That works, too.
QUOTE
The modern masterwork, according to Duncan, is a new kind of symposium, richer than the Platonic dialogues because it involves gathering together so many more elements.
(...)
“Our partisan feelings and resolutions,” Duncan writes to Levertov in 1971, “act as censors of the imagination that must go deep into the well we would call ours—not into a redundancy of how we would like to think of ourselves, but into some imagination of what that depth would be if it weren’t ‘ours.’” Later in the same long letter he explains that “I am and remain a pluralist. Within the plurality of forces the Heraclitean opposites have the drama and pathos of a heightened figure upon a ground in which a multitude of figures appear.”
(...)
Everything begins with the shuffling of a deck of cards or the strumming of some popular tune on an old guitar.
UNQUOTE

jed_perl robert_duncan art_reception arttheory arthistory arts tnr

Jul
20
2008

Simon Jenkins ponders the seeming paradox that while music cd/ record sales plummet and prices for individual recordings drop as well, live concerts sell out at premium prices. He ponders other, related phenomena, too -- readings by writers, lectures, live performances of any kind: all seem to get more attention (and MONEY) than the products themselves.

He concludes and argues that people are willing to pay for what they want, and what they want is the real, authentic thing (i.e., person), not another technologically mediated simulacrum.

Two things: one, if he's right, this has dire consequences for visual art, unless the visual arts want to devolved strictly into performance art; and two, for those of us who are terrified of public speaking/ public performances, this isn't comforting news. Some of us like the internet because it preserves our sanguinity (if that's a word).

socialcomputing socialtheory reality face_time business art_reception arts

  • Futurology seminars have long been obsessed with one question: what next after the internet? The answer is always the same, a new electronic gizmo. There will be a novel way of downloading into the ear or eye, a new web phenomenon or interactive device. Since the invention of the telegraph and gramophone, innovation is interested only in kit that yields profit. What is becoming plain, even under the strains of recession, is that the futurologist’s answer should lie in the realm not of electronics but of reality. It is in reality television, reality politics, reality entertainment and sport, the immediate, the active, the present, the live.
  • Recorded music became overnight what it had not been since the invention of recording: publicity for live rather than live being publicity for recording.
  • 11 more annotation(s)...
Feb
12
2008

"Are the arts elitist? This report shows that cultural experiences are more important than demographic factors in four cultural activities:

* Reading a book;
* Attending live performances;
* Visiting art galleries; and
* Movie theatre attendance."

Includes links to PDFs of relevant research and findings.

art_reception arts_development canada reference research

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