Colourful banners to light up city (Vancouver Sun)
Wouldn't it be great to have something like this (based on a virus invading the artist's computer) be digital/ computer-generated, instead of in the same old technique of ...?screen-printed banners? C'mon, so it's a nice pattern -- but if it derived from "a virus that invaded [artist Bratsa] Bonifacho's computer," why not make it viral in form?
more fromwww.canada.com
London crime statistics sculpture - data visualization & visual design - information aesthetics
Room-sized installation -- a landscape/mountainscape terrain "generated by datasets relating to the frequency & position of urban crimes." Not sure over how long a period of time the stats were compiled, though, and how they cumulatively (literally) added up to create the "Mountain Fear" model. Interesting attempt at data visualization, at any rate.
more frominfosthetics.com
PingMag - The Tokyo-based magazine about “Design and Making Things” » Archive » Art On Tokyo’s Construction Fences
Great piece with examples of construction fences that got the artistic treatment. Fabulous stuff, as always, from PingMag & Tokyo.
more frompingmag.jp
The Many Facets Of Tomoko Sawada - PingMag
This is beautiful, and incredible. Tomoko Sawada works, I guess, at the interstices of art and acting, a whole new calibre of performance art perhaps? It's incredible stuff, at any rate. "Who is she?" asks the article. Obviously so talented that it's easy enough to want to look, but tricky enough to make you think.
more frompingmag.jp
“I am eternally optimistic; I am Chinese” - The Art Newspaper
First time I've tagged something under "gunpowder," but Cai Guo Qiang's art deserves its own tag and niche. I love this guy's work (although, admittedly, I haven't had a chance to see it in person, even though it was displayed at the Seattle Art Museum). Just to give an idea of this man's thinking: "Gunpowder is a spontaneous, unpredictable and uncontrollable medium. The more you learn to control it, the more obsessed you become with the material. It is like making love with your husband or wife. The outcome is unpredictable and the same results are never guaranteed. Furthermore, in using gunpowder I can explore all my concerns: the relation to notions of spirituality as well as an interest in spectacle and entertainment, and the transformation of certain energies—such as violent explosions—into beauty and a kind of poetry. An artist should be like an alchemist using poison against poison, which is very much a philosophy from Chinese medicine. Turning something bad into something good…countering the force. It’s the whole idea of the alchemist, using dirt, dust, and getting gold out of it. From gunpowder, from its very essence, you can see so much of the power of the universe—how we came to be. You can express these grand ideas about the cosmos." This is philosophy and art, not just tired old ideology and art. Brilliant stuff, truly. On the Olympics -- a salient topic for us, in BC, given that next-door Vancouver will host the Winter Games in 2010 -- Cai Guo Qiang notes: "The Olympics combine the entire country’s efforts, and can do a lot of previously unimaginable things. You can display your work in front of an audience of billions, but at the same time it can feel like you’re making the work for yourself. Through this event, one can contemplate and better understand what “Chinese culture” is. One needs to think about the past, present, and future of China and its relationship with the world." That makes me think it's the most significant statement yet (for the non-athlete) on the Olympics: time to step beyond petty "me me me" memes, and really think in bigger terms...
more fromwww.theartnewspaper.com
Art & Science Symposium - Edmonton Cultural Capital of Canada
more fromwww.edmontonculturalcapital.com
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