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10 Mar 08

Hook your Reader’s from the Start | iSpy-Books - Live Search News: BOOK REVIEWS

  • Let’s face it: when you send your writing off in the hopes it will be

    published, every word is important. You wouldn’t give yourself permission to get

    sloppy after page 37, assuming the editor can handle choppy prose or “inventive”

    spelling if she made it that far. But what you may not realize is that the

    beginning of your manuscript is by far the most important part because it

    will encourage an editor to read on or to toss the whole thing aside.

    After all, you may have crafted an admirable middle or a breathtaking ending,

    but no one will get there if your beginning is mediocre.
    Despite the fact

    that more books are being published than ever before, the publishing world is

    more competitive than ever before. Agents and editors are inundated with

    staggering heaps of unsolicited manuscripts, and it is physically impossible for

    them to plow through — in their entirety — every one. The beginning is the

    only chance you have to make the right impression.
    Face it, unless you have

    to, how often do you push through a book when you’re under-whelmed by the

    beginning?
    Which brings us to some rules for great beginnings. There are

    exceptions to every rule, of course, but often those exceptions are only

    successful in the hands of experienced writers or those with multi-book deals.

    For the writers who make up the majority, it pays to heed what the current

    market demands.
    Make your beginning shine:
    ~Start with

    action.

    “Action” doesn’t necessarily mean a fist fight or an explosion or

    a sky-dive gone awry. Action means starting your book or story at a compelling

    place, with a scene, with something at stake for your characters. Look closely

    and you may find that you have pages of material that shouldn’t be in the

    beginning. They fill in some important blanks for readers, but that back story

    can safely be moved to somewhere after your opening.
    Don’t start your story

    with history — start it with a riveting now that grabs the reader by the

    collar and doesn’t let him/her turn away.
    ~Never put dialogue or straight

    description in your opening lines.
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