consortium funded by the major content, technology, CE and service companies. Our goal is to understand next-gen consumers and explore new opportunities for reaching them with digital content. Find out about the
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Gadgets, And Women Who Love Them -- Courant.com
Ten sites for the unisex home-entertainment consumer:
CNET ( www.cnet.com): For quality and quantity of reviews on all things technological, no site is better. Its "HDTV Basics" is required reading for the novice.
Remote Central ( www.remotecentral.com): Now that you have an HDTV, a high-def cable box, PlayStation 3 and an audio-video receiver, how to best control them all with a single remote? Remote central has the answer.
iLounge ( www.ilounge.com): The former iPod Lounge changed its name, broadened its focus slightly — the iPhone is part of its iWorld — but remains an online iPod landmark.
Projector Central ( www.projectorcentral.com): Want a real home theater, with a real projector that flashes a monstrous picture on a screen? Start here. Also try Projector Reviews ( www.projectoreviews.com).
The Digital Bits ( www.digitalbits.com): If it's on DVD or Blu-ray, it's at Digital Bits: movie-related news, reviews, upcoming features and rumors. Hollywood's best friend.
Blu-rayStats.com: A nerd's guide to Blu-ray. Click on "Blu-ray Statistics" for the real down-and-dirty numbers: aspect ratio, bit rates, run time and box-office gross in a no-frills presentation.
The Computer Audiophile ( www.computeraudiophile.com): Everything you want to know about setting up wireless music distribution in your house is here. Click on "Computer Audiophile Academy."
Monoprice.com: The best place, with the best prices, on the Net for HDMI cables, connectors and everything else for your home-entertainment system.
Mac Rumors (www.macrumors): News, rumors, adulation and complaints, all part of the cult of Steve Jobs. (Be sure to track down the artist's rendition of the forthcoming Apple tablet computer, a jumbo iPod Touch.)
Tech Bargains ( www.techbargains.com): I gave up Woot long ago for this site that aggregates the best tech buys on the web each day. For the non-techies, try PlanetBargains.com.
Camera Systems: Genesis® Digital Camera System - Panavision: Services & Systems:
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The result of many years of close collaboration with its technology partner Sony, Genesis® combines high performance electronic imaging with world-renowned Primo® cine optics for unprecedented imaging versatility.
Genesis® was designed with an “electronic intermediate” in mind, utilizing a unique gamma and colorimetry that enables seamless intercutting with most 35mm film emulsions. The nominal ISO T400 sensitivity can readily be extended to ISO 1600 for low light situations. Shutter angles from 0.8 to 360° and frame rates from 1 to 50fps will enable further compatibility with Panavision’s family of film cameras.
Genesis (Panavision) - Wikipedia, the free encyclopedia
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The Genesis is Panavision's high-end digital movie camera, which uses a proprietary, full frame 35mm-width, 1.78:1 (16:9) aspect ratio, 12.4-megapixel RGB non-Bayer filtered CCD. It was first used by a feature crew to shoot Bryan Singer's Superman Returns and was shortly followed up thereafter by the World War I film Flyboys. However, the CGI-heavy nature of these two movies meant that ultimately the comedy Scary Movie 4 was the first theatrically released feature sourced primarily from the Genesis camera. Genesis has since been used by cinematographer Dean Semler for shooting Click and Apocalypto.
Unlike the 2/3" 3-CCD RGB imaging system used in the CineAlta HD-900F (used in Attack of the Clones), the Genesis uses a single 12.4 megapixel CCD chip with the exact same dimensions as a Super 35mm film frame. The "Panavized" CineAltas presented a number of unwelcome compromises, as the holy grail had always been to produce an electronic camera that could utilize Panavision's existing range of film-type lenses for 35mm that their customers were already familiar with, producing similar on-screen images with an equivalent depth-of-field characteristic.
HD-900F High Definition Camera System - Panavision: Services & Systems: Camera Systems
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In 1997, Panavision and Sony announced their collaboration on the development of a 24 frame, progressive capture digital high definition camera suitable for use by filmmakers to create images for the motion picture screen. We knew from 45 years of experience, that a complete imaging system approach was the only way for traditional film crews to make a seamless transition into digital production. Panavising the Sony HDW-F900 camera required a disassembly of the stock camera and replacement of the top cover, carrying handle, bottom supports and mounts with more robust and flexible mounts and handles. Also, a complete new faceplate, lens lock and iris rod support system have been installed. A newly designed Ultraview® Viewfinder with enhanced optical performance and easier to use controls replaces the standard viewfinder. These changes and more were made in order to produce a film friendly system that utilizes many of the standard Panavision accessories, such as the follow focus, matte box, heads, etc.
In addition to the mechanical modifications to the camera, a unique optical pre-filter gives you better color matching with film emulsions and enhanced resolution for blue screen effects cinematography.
Panavision Genesis: In Frame
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Genesis® Super 35 Digital Cinematography Camera System

The result of many years of close collaboration with its technology partner Sony,
Genesis®™ combines high performance electronic imaging with world-renowned Primo® cine optics for unprecedented imaging versatility.
Finally, for the cinematographer, “shooting digital” means no compromise on depth of field control, portability, sensitivity, dynamic range or color. Because
Genesis®™ was designed from the beginning to be an integral part of the Panavision system, cinematographers have at their fingertips the vast array of Panavision’s Academy Award® winning 35mm lenses and proprietary Panaflex® accessories that they have come to expect from Panavision.
Genesis®™ was designed with an “electronic intermediate” in mind, utilizing a unique gamma and colorimetry that enables seamless intercutting with most 35mm film emulsions. The nominal ISO T400 sensitivity can readily be extended to ISO 1600 for low light situations. Shutter angles from 0.8 to 360° and frame rates from 1 to 50fps will enable further compatibility with Panavision’s family of film cameras.
Genesis®™ docks directly (top or rear) to the latest Sony HDCAM-SR™ digital field recorder, ensuring a totally portable package without cables to external recording or power.
By cutting the cable, Genesis®™ allows you the freedom to shoot 35mm digital cinematography anywhere your imagination takes
you—Steadicam™, Technocrane™, hand held, underwater housings, car mounts, etc.
Don't forget, Jott it with your cell phone | ScobleShow: Videoblog about geeks, technology, and developers
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Let's say you're driving down the freeway and have a thought you'd like to write down. Maybe you want to remember something to pick up at a store later in the day. What do you do? Pull over and write it down? Nah. If you had Jott, you could just call the a phone number, leave a voice message, and then the magic begins - it translates that message to text and sends it back to you in email. Really cool service, and here John Pollard, CEO, and Shreedhard Madhavapetti, VP of engineering give us the
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