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29 Nov 09

The Imperfect Is the Enemy of the Good: Anticircumvention Versus Open Innovation

"I characterize a “DRM imperative” and explore the technical incompatibilities between regulation by code and exploration of code. We see DRM centralizing development and forcing the black-boxing of complementary media technology, in a widening zone as it mandates that protected media be played only on compliant devices, that those may output media content only to other compliant devices, etc. The home media network is thus progressively closed to open-source development.

Foreclosing open development costs us technically, economically, and socially. We lose predicted technological improvements, those of user-innovators (von Hippel) or disruptive technologies (Christensen) from outside the incumbent-authorized set, that could offer new options for content creators and audiences (such as better playback, library, mixing, and commerce options). We lose social and cultural opportunities for commons-based peer production.

In the full cost-benefit analysis of anticircumvention, the loss to open innovation would outweigh the gains from this imperfect mechanism of copyright enforcement. Treating code literally as law leaves the law with too many harmful side effects.
Suggested Citation

Wendy Seltzer. 2009. "The Imperfect Is the Enemy of the Good: Anticircumvention Versus Open Innovation" ExpressO
Available at: http://works.bepress.com/wendy_seltzer/1
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16 Oct 09

In Memoriam: Anne Friedberg, 57 - USC News

  • Friedberg is perhaps best known for her book Window Shopping: Cinema and the Postmodern (1993, University of California Press), and, more recently, The Virtual Window: From Alberti to Microsoft, published by MIT Press.



    She launched The Virtual Window Interactive, a translation/extension of the book created in collaboration with designer Erik Loyer. She was also the co-editor of Close Up 1927-1933: Cinema and Modernism, an anthology of critical and theoretical writing.



    Named as a 2008 Academy Film Scholar by the Academy of Motion Picture Arts and Sciences, her next planned project was a work of digital scholarship on Slavko Vorkapich, a special effects cinematographer, montage expert and former dean of the USC School of Cinematic Arts.



    Friedberg consistently worked to expand narrow disciplinary boundaries, an effort carried on by a legion of former graduate students.

Daily Script - Movie Scripts and Movie Screenplays

Welcome to the Daily Script, a collection of movie scripts and screenplays to serve as a resource for writers and actors and those who simply enjoy reading movie scripts. The movie scripts are presented in proper script format (for the most part) and where possible, multiple drafts are presented. A movie script will be featured daily, (hence the name Daily Script). If the daily script doesn't pique your interest, check out the SCRIPTS section for a selection of other movie scripts.

These are for Educational Purposes only. If you can't find what you are looking for, please visit the LINKS section under Downloadable Movie Scripts and I am sure that you will find what you are looking for.

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Screenplays for You - free movie scripts and screenplays

LAST SITE UPDATE - 10/2006
Welcome to sfy.ru, famous selected collection of hundreds free movie scripts and screenplays!
Fast server, clean design, exclusive updates and no dead links - enjoy it :)
This Russian site online since 12/15/00 and supported by Alex Raynor.

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The Internet Movie Script Database (IMSDb)

  • Welcome to the Internet Movie Script Database (IMSDb)

    If you enjoy movies you've come to the right place, we have the biggest collection of movie scripts available anywhere on the web. Our site lets you read or download movie scripts for free.

    Reading the scripts

    All of our scripts are in HTML format so you can read them right in your web browser. You won't need any additional software to enjoy our great selection of free movie scripts.
  • Welcome to the Internet Movie Script Database (IMSDb)



    If you enjoy movies you've come to the right place, we have the biggest
    collection of movie scripts available anywhere on the web. Our site lets
    you read or download movie scripts for free.



    Reading the scripts



    All of our scripts are in HTML format so you can read them right in your
    web browser. You won't need any additional software to enjoy our great
    selection of free movie scripts.
13 Sep 09

At the Toronto Film Festival, Directing Is Women’s Work - NYTimes.com

FROM the tattoo on Diablo Cody’s bicep to Lone Scherfig’s leopard-spot pumps, it was impossible not to notice: The 34th Toronto International Film Festival opened on Thursday with the women in charge.

While still struggling to find their place in the movie industry at large — the number of directors at American studios remains well over 90 percent male — female filmmakers have managed to occupy some of this 10-day festival’s most valuable slots: those showcase screenings and press conferences in the first couple of days, when everyone is still paying attention.

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15 Apr 09

Film - For Mike Nichols, a MoMA Retrospective - NYTimes.com

  • If his movies have a common denominator, it’s probably their intelligence and, though Mr. Nichols doesn’t think of himself as a writer, their writerly attention to detail. They’re almost invariably based on good scripts, from which he extracts extra layers of nuance.
  • “It’s painful and hard to remember now how long and how carefully we worked. I really do think it’s important to sit with a text for as long as you can afford to, reading and talking and doing what I call ‘naming things,’ which is just explaining what happens in every scene. Now you have to do it all in your head, and you have to do it pretty damn fast, because nobody’s going to pay you to do prep. You’re going to have to do it on your own time. It can be done, of course, but it’s just much harder
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13 Apr 09

Film - For Mike Nichols, a MoMA Retrospective - NYTimes.com

MIKE NICHOLS, the subject of a two-week retrospective starting Tuesday at the Museum of Modern Art, is not an obvious choice for a place as artsy and highbrow as the MoMA film department. MoMA retrospectives tend to be awarded to brooding European auteurs — Bernardo Bertolucci and Milos Forman were the last two — and not to commercial Hollywood directors who include on their résumé pop hits like “Working Girl,” “The Birdcage” and, just recently, “Charlie Wilson’s War.”
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Tony Cenicola/The New York Times

The director Mike Nichols is the focus of a retrospective at the Museum of Modern Art.
Related
Video Mike Nichols Trailers Charlie Wilson's War (2007) Closer (2004) Primary Colors (1998) The Birdcage (1996) Postcards From the Edge (1990) Working Girl (1988) Filmography: Mike Nichols MoMA Schedule: Mike Nichols
From top: Courtesy MoMA Film Stills Archive, Universal Pictures/Photofest via MoMA, MoMA Film Stills Archive, Photofest via MoMA

A Mike Nichols sampler, from top: Candice Bergen and Jack Nicholson in “Carnal Knowledge” (1971), Tom Hanks and Philip Seymour Hoffman in “Charlie Wilson’s War” (2007), Anne Bancroft and Dustin Hoffman in “The Graduate” (1967) and Al Pacino and Meryl Streep in “Angels in America” (2003).

Except for a puzzling string of duds in the mid-’70s, almost all of Mr. Nichols’s movies have made money, and a few, like “The Graduate” and “Carnal Knowledge,” have been recognized as cultural landmarks. But because of their commercial shimmer, their way of eliciting exceptional performances by top-of-the-line stars, it’s sometimes hard to say what makes a Nichols movie a Nichols movie. They seem like vehicles for actors, not the director, whose stamp is in leaving almost no trace of himself.

“If you want to be a legend, God help you, it’s so easy,” Mr. Nichols said the other day over coffee in his Times Square office. “You just do one thing. You can be the master of suspense, say. But if you want to be as invisible as is practical, then it’s fun to do a

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15 Aug 08

SnagFilms - View Documentaries

At SnagFilms.com, you can watch full-length documentary films for free, but we also make it easy for you to take our films with you and put them anywhere on the web. When you embed a widget on your web site, you open a virtual movie theater and become a “Filmanthropist.” Donate your pixels and support independent film! And click on “info” on any widget to learn more about that film and a related charity you can also support.
With a library of 225 documentaries, and rapidly growing — browse by topic or go through the alphabet from A-Z — you’re bound to find films that resonate with your interests. There is a widget for EVERY film, so any film you like can be snagged. To learn more about snagging go here. Enjoy your visit, snag a film, and keep checking back because we’re adding great news titles daily.

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