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"Most of the people who come to Tahrir already know what is going on there. We need to reach the people who don't know, and are getting their information from Scaf-controlled state media."
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With no co-ordinators or hierarchy to the Kazeboon campaign, it is difficult to keep track of the number of screenings now taking place, but an online calendar of events used by Egyptian activists suggests dozens are happening across the country every day.
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Court cases against directors, actors, artists and intellectuals for failing to respect religious authority are common in Egypt. But the case against Imam is likely to draw attention due to his high profile and the timing of the verdict.
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That approach, of course, explains why the first “Harry Potter” film was handed to “Home Alone” director Chris Columbus even though J.K. Rowling’s first choice was Gilliam. There is more fantasy and sci-fi on the screen today than ever before, but almost all of it is defined by rules, tethered to logic and presented in three acts with Blu-ray level clarity. The most damning appraisal in Hollywood today is “It doesn’t make sense,” but for Gilliam that’s practically his mission statement.
“The thing is, some really good scripts come my way, but there’s nothing in them for me to come to grips with, they are complete in themselves,” Gilliam said. “There’s no uncertainty. I don’t look for answers; I look for questions. I like when people leave the cinema and feel like the world has been altered for them somewhat. On ‘Brazil,’ I know a woman who said she saw the film, went home and later that night she just started weeping. I also heard about an attorney who saw the film and then locked himself in his office for three days. Fantastic. On ‘Fisher King,’ I know specifically of a woman in New York who saw it and then walked 20 blocks on her way home and realized she was walking in the wrong direction. Movies used to do that to me, but they don’t do that to me anymore.”
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“You just sit there and watch the explosions,” Gilliam said. “I couldn’t tell you what the movie was about. The movie hammers the audience into submission. They are influenced by video games, but in video games at least you are immersed; in these movies you’re left out. In films, there’s so much overt fantasy now that I don’t watch a lot because everything is possible now. There’s no tension there. People can slide down the side of a building that’s falling and they don’t get ripped to shreds? The shots are amazing, but if there is no consequence, no gravity, what’s the point? I can’t watch Hollywood movies anymore. There’s no room for me.”
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"a very small group of people who scream very loud, have a disproportionate share of the public discourse when it comes to culture."
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