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To begin with, it is purportedly about how sex shapes the world’s politics. But with the exception of one article that urges US foreign policy makers to understand women as a foreign policy issue and a target of their “smart-power arsenal,” its focus is almost exclusively on Iran, the Arab world, and China. Thus “the world” is reduced for the most part to Arabs, Iranians, and Chinese—not a coincidental conglomeration of the “enemy.” The current war on women in the United States is erased.
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A naked and beautiful woman’s flawless body unfolds a niqab of black paint. She stares at us afraid and alluring. We are invited to sexualize and rescue her at once. The images reproduce what Gayatri Spivak critiqued as the masculine and imperial urge to save sexualized (and racialized) others. The photo spread is reminiscent of Theo van Gogh's film Submission, based on Ayyan Hirsli Ali’s writings, in which a woman with verses of the Quran painted on her naked body and wearing a transparent chador writhes around a dimly lit room. Foreign Policy’s “Sex Issue” montage is inspired by the same logic that fuels Submission: we selectively highlight the plight of women in Islam using the naked female body as currency. The female body is to be consumed, not covered!
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Its nerves showed in July 2010, when King Hamad bin Isa Al Khalifa split his Ministry of Culture and Information into two unequal parts. The incumbent minister, an Al Khalifa woman, kept responsibility for culture and tourism. The more telling and urgent action concerned the information portfolio. In a public statement, King Hamad declared that Bahrain had become the target of "planned media provocations, particularly from Iran, to which the Bahraini media has not been able to respond as it must." He then decreed the creation of an Information Affairs Authority (IAA) to meet the Kingdom's "immense" political challenges.
The man the king picked to lead the new authority is Sheikh Fawaz bin Mohammed Al Khalifa. As IAA chief, Sheikh Fawaz enjoys ministerial rank and is effectively Bahrain's Minister of Information, although only unofficial media use that Orwellian title. -
Sheikh Fawaz is courteous, unquestionably loyal, and, at base, unimaginative. He is also relentlessly competitive
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“In order to defend ourselves in the future against other totalitarian regimes, we have to understand how they worked in the past, like a vaccine,” said Lukasz Kaminski, the president of Poland’s Institute of National Remembrance.
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Reconciling with the past is an issue that has hovered over post-Communist Europe for decades. But today that experience has broader global resonance, serving as a point of discussion across the Arab world where popular revolts have cast off long-serving dictators, raising similarly uncomfortable questions about individual complicity in autocratic regimes.
Arab nations are forced to grapple with the same issues of guilt and responsibility that Poland and the rest of Eastern Europe are once again beginning to seriously mine. Time makes the past easier to confront, less threatening, but no less urgent to resolve. The experience here, however, suggests that it may be years, decades perhaps, before the Arab world can be expected to look inward.
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In their ambition at least, the Arab revolts and revolutions were about a positive sort of legitimacy: democracy, freedom, social justice and individual rights. They remain an unfulfilled promise, but no one in Egypt, Tunisia or Libya is really afraid to speak anymore. The cacophony that has ensued is the most liberating feature of rejuvenated societies. It already echoes in parts of Syria. When I was in Hama this summer, a city still scarred by memory and for a brief moment freed from security forces, youths embraced their new space by protesting every couple of hours in streets made kinetic by the allure of self-determination. They demonstrated simply because they could. In Homs, a city whose uprising could prove Syria’s demise or salvation, youths drawn from an eclectic array of leftists, liberals, nationalists, Islamists and the simply pissed-off articulated the essence of courage: They had come too far to go back.
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I’m a person now
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Erdogan the most powerful Turkish leader in more than half a century to win three consecutive terms. He now enjoys more power than any Turkish leader since Kemal Atatürk, who founded the Republic in 1923
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Turks are uneasy. Some worry that the economy, which grew at a spectacular 8.9 percent last year, may be overheating. Others fear that Erdogan’s renewed power will lead him to antidemocratic excesses. A boycott of parliament by dozens of Kurdish deputies cast doubt on his willingness to resolve the long-festering Kurdish conflict. There is also a new source of uncertainty, emerging from uprisings in Arab countries. For the last several years, Turks have pursued the foreign policy goal of “zero problems with neighbors.” In recent months they have been forced to realize that they cannot, after all, be friends with everyone in the neighborhood.
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A detailed examination of Bahrain's arrest and treatment of the dissidents shows widespread and systematic abuse that raises questions about whether the country's Sunni Muslim government has crossed a line beyond which it can't restore social peace in the predominantly Shiite Muslim country.
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dramatic and humiliating middle-of-the-night raids by 30 to 40 masked gunmen, followed by weeks of beatings and abuse in custody. None of the men has been charged with a crime.
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with allies like these, who needs enemies?
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After severely curbing news coverage of its crackdown on opposition groups by foreign reporters, Bahraini authorities have begun an assault on local journalists working for international news agencies — with arrests, beatings and, apparently in one instance, electric shock.
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Besides ousting the editors of the only independent daily newspaper, Al Wasat, the authorities have arrested local reporters and photographers and expelled the only resident foreign reporter, who worked for the Reuters news agency. Most foreign news reporters, including this one, have been prevented from entering Bahrain.
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If this were play'd upon a stage now, I could condemn it as animprobable fiction
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