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Clay Burell's Library tagged publishing   View Popular

10 Nov 09

Twitter Book and Now Twitter TV Show - Media Decoder Blog - NYTimes.com

This is a great example of how creative people can exploit their strengths online and suddenly be transformed. "The Power of You" and "Amazing Stories of Openness" indeed.

mediadecoder.blogs.nytimes.com/...ter-book-and-now-twitter-movie - Preview

twitter media tv book publishing pbl

03 Jan 09

Timeline of newspaper edition shutdowns | The shutdown list

Good resource for demonstrating the future of publishing (hint: it ain't the past).

timeline.yelvington.com - Preview

publishing media web2.0 timeline

10 Nov 08

Philadelphia Closing 11 Library Branches - Tools of Change for Publishing

  • The financial crisis is having a huge negative impact on many public sector services, including libraries. From Publishers Lunch (subscription required):




    As municipalities across the country face large gaps in their budget, Philadelphia is taking "drastic new steps" to face the "economic storm" that include closing 11 of the 54 branch libraries that comprise the Free Library of Philadelphia. Three other branches will have Sunday hours eliminated. Mayor Michael Nutter said the branches were chosen "after careful review of building
    conditions, utilization and distance to other libraries in the Free Library system." Cutting 220 jobs throughout the city government, approximately one third of those layoffs will come from the library staff.

04 Nov 08

The Incredible Vanishing Book :: Inside Higher Ed :: Higher Education's Source for News, Views and Jobs

Interesting for the ambivalent tone of a book-lover who both regrets and respects the decline of the physical book. Excerpts follow:

insidehighered.com/...conway - Preview

textbooks publishing

  • We don’t know how soon it will happen, but it is happening and it will be consummated soon. The commodity of the book, as we have known it for the last few decades, is vanishing and being replaced by new electronic media. Paper-and-binding books have irrevocably begun to fade away as products of mass consumption and will soon transform themselves into curios like vinyl records. The age of the massive emporium bookstore is coming to an end under the crushing, virtual weight of the Internet. Amazon’s Kindle e-book reader is doing well and it promises to get better and cheaper in the future. Textbook companies have developed publishing platforms, like www.ichapters.com, for textbooks to be digitally delivered to students through a price-per-chapter system. And worst of all, if you’re a paper-and-binding book lover such as myself, people are reading less paper than before.
  • The fate of the book in the university classroom is impacted by many factors: the use of instructional technology, the economics of textbook publishing and the pedagogical idiosyncrasies of professors, who either promote the disappearance of the paper-and-binding book or try to reinforce its value in the classroom. Let’s look at each one of these factors for a moment. Naturally, in some contexts and disciplines, it is relatively easy to teach a class without books thanks to the wealth of realia and sources on the Web, whether they be freely available, or available through institutionally subscribed databases. In fact, I find great material online and value its role in my courses. I think that we can agree that some material may be best taught off of the Internet.
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Kim Harrison from HarperCollins Publishers

HarperCollins trying to go 21st c to fight off declining book sales.

www.harpercollins.com/...index.aspx - Preview

publishing web2.0

18 Oct 08

Baby, It’s Going to Be Cold Outside in Book Publishing | The New York Observer

  • Soon, though, people may find themselves compelled to be more wary. Only the most established agents will be able to convince publishers to take a chance on an unknown novelist or a historian whose chosen topic does not have the backing of a news peg. The swollen advances that have come to represent all that is reckless and sinful about the way the business is run will grow, not shrink. Authors without “platforms” will have a more difficult time finding agents willing to represent them. The biggest publishing house in the world, meanwhile, will be overhauled by a 40-year-old man who worked in printing until he was appointed to his post as CEO of Random House Inc. last spring.


    “Think of it like a supply chain,” said one publishing executive who would not speak for attribution. “If the newspapers have fewer ads, they’re running fewer book reviews, so therefore, for those books that don’t have a pre-established audience, there are fewer opportunities to appeal to the consumer. Therefore, there are fewer of those consumers going into the bookstore. The bookstore recognizes this, and they tell you your mid-list books aren’t doing shit, so they’re not gonna order them, or they’re just gonna order 100 copies. They can cut off those books, and then the publisher is faced with a tough decision—how am I gonna buy those books that I know I can only ship 100 copies of? What am I gonna do? Am I gonna keep doing it? Or am I gonna spend more [money] chasing established authors?”

Radiohead Publishers Reveal “In Rainbows” Numbers : Rolling Stone : Rock and Roll Daily

Give it away in order to increase its sales?

www.rollingstone.com/...ers-reveal-in-rainbows-numbers - Preview

publishing web2.0

  • A year after its release sent shock waves through the music industry, the publisher of Radiohead’s In Rainbows has finally revealed some details about the success of the “pay-what-you-want” experiment. While exact figures have not yet been released, Warner Chappell confirmed that “Radiohead made more money before In Rainbows was physically released than they made in total on the previous album Hail To the Thief,” Music Ally reports. In all, there have been three million purchases of In Rainbows (including CDs, vinyls, box sets and digital sales) since the band began selling the album officially on New Year’s Day 2008. Warner Chappell didn’t reveal how much the band actually made total in the “pay-what-you-want” facet, but admitted more people downloaded the album for free than paid for it. Still, the three million in total sales — 100,000 of which came from the $80 box sets — is a hugely-successful number considering the album was both given away for free and that it was actually downloaded more times via Bit Torrent than free and legally through Radiohead’s own site.

Free! Why $0.00 Is the Future of Business

A good overview of how web-based "free" is changing business dogma.

www.wired.com/...ff_free - Preview

economics web2.0 publishing

15 Oct 08

What does the Pirate Bay want with a Kindle? | TeleRead: Bring the E-Books Home

  • One Kindle blog wonders if this could be the “start of a wave of e-book piracy.” (Only the start? I wonder where they’ve been for the last ten years.) Nonetheless, they may have a point. Sunde and the Pirate Bay in general seem to be consummate attention-hounds, continually staging new publicity stunts and merrily tweaking the noses of the publishing industry groups who try to shut them down.

The divided book | booktwo.org

A useful graphic for self-publishers looking to get market royalties on their work.

booktwo.org/...the-divided-book - Preview

publishing

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    21/08/08: The divided book




    I’ve wanted for some time to create a simple infographic of where a book’s cover price goes, and the Observer published a nice one in their Book of Books a few months ago. The figures made sense, so I’ve created a similar one here, in colour.



    The Observer’s figures were based on a notional £20 hardback book, from which I’ve extracted the percentages, which in my experience hold fairly true across standard formats for traditionally produced books in the major bookshops. So for a £10 paperback, the retailers will take anything between a 40% to a 60% discount (and guess who’s trying for more), and the author can expect to see about a quid, depending on their terms.

thedigitalist.net » A book publisher’s manifesto for the 21st century

Yet more on the future of publishing.

thedigitalist.net/?p=137 - Preview

publishing

  • Over the next few days I am going to blog a piece I have written for a US-based library journal, Library Trends, on how traditional publishers need to position themselves in the changing media flows of a networked era. It’s a very long article so I’m gonna serialise it and blog it in six ‘bite-sized’ chunks over six days. Here’s the introduction, which aims to set the picture. Scary.
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