Claude Almansi's Library tagged creative_commons →  View Popular

"We, a broad coalition from over 20 countries, of hundreds of thousands of citizens, users, consumers, organizations, artists, hackers, members of the free culture movement, economists, lawyers, teachers, students, researchers, scientists, activists, workers, unemployed, entrepreneurs, creators…
We invite all citizens to make this Charter theirs, share it and put it into practice.
We invite all governments, multinationals and institutions urgently to listen to it, understand it and enforce it."

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"Table of Contents
Cinéma tous écrans
Droits d'auteur et internet
Licences CC
Diaporama synchronisé
Liens directs
Discussion
Liens"

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Gemein-Freiheit - Vorboten einer freien digitalen Kultur\nVon Sebastian M. Krämer. \nSWR2 Wissen vom 02.11.2009. (27:42 min).\nWith useful links, and links for downloading the audio and the manuscript of the broadcast\n\n"Die Wissenschaft bietet mit "Open Access" einen offenen Zugang zu ihrer Forschung. Und der Lizenzbaukasten "Creative Commons" soll bisherige rechtliche nationale Schranken überbrücken und den Ideenaustausch im Netz rechtlich absichern und fördern. Denn die Vision einer freien digitalen Kultur rüttelt am Wertesystem, das sich auf den Buchdruck gründet und aus geistigen Werken besteht, die oft nur Einzelne besitzen. Sie verweist auf eine überlieferte Metapher: Die jeweils lebende Generation steht auf den "Schultern von Riesen". Das heißt, alle Menschen schöpfen unentwegt aus dem kulturellen Erbe und arbeiten mit ihren Ideen und Werken daran weiter."

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SWR Süddeutsche Rundfunk Krämer OpenAccess a2k creativecommons Creative_Commons CC DICE cinematousecrans CTE

Langsam bewegen sich gewisse Kollektivverwertungsgesellschaften in Richtung modernem Rechtemanagement à la Creative Commons. Pressetext hat im Januar 2008 in einem interessanten Artikel darüber berichtet. Auszugsweise seien folgende Passagen zitiert, hervorgehoben und mit Anmerkungen kommentiert:

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This is the home of the CC-Monitor online platform, which contains automatically collected data, graphs, research and collectively written commentary on the global adoption of Creative Commons licenses.

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Creative Commons est l'un des acteurs les plus visibles du mouvement copyleft. L'appréhension de ces licences libres nécessite une relecture des paradigmes classiques de la propriété littéraire. La présente étude propose une mise en contexte des licences Creative Commons sur le plan de la théorie du droit.

Nous proposons en annexe n nouveau dossier, consacré à la licence Creative Commons, qui est sans nul doute l'un des acteurs les plus visibles du mouvement dit du copyleft. L'appréhension de ces licences libres nécessite une relecture des paradigmes classiques de la propriété littéraire. La présente étude propose une mise en contexte des licences Creative Commons sur le plan de la théorie du droit.

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Wojcicki is a journalism and English teacher at Palo Alto High School, where she leads one of the largest high school journalism programs in the nation. She leads a variety of award-winning journalism projects, including a newspaper, a magazine, a website, a television program, and a sports publication. Over the past 20 years, these projects have won Gold and Silver Crowns from Columbia Scholastic Press Association, the PaceMaker Award and Hall of Fame Award from National Scholastic Press, and best in nation from Time Magazine in 2003. In February 2009, she was awarded the Columbia Scholastic Press Association Gold Key Award in a special ceremony at Columbia University for “outstanding devotion to the cause of the school press … and service above and beyond the call of delegated duty.” She is the president of the Friends of the Lurdes Mutola Foundation to support girls’ education in Mozambique and is a consultant for the Silicon Valley Education Foundation and Carnegie Foundation for the Advancement of Teaching.

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GOOD COPY BAD COPY - a documentary about the current state of copyright and culture

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Much of the download club content is exclusive and currently unavailable in any other format. Artists retain control over revenues collected and also set the number of credits for downloading their material. More artists and material to be added soon!

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Check out the digital copyright slider. The tool itself is pretty simple. You basically slide the arrow up and down the years starting from "Before 1923″. The boxes on the left (Permission Needed? and Copyright Status/Term) tell you whether a work is still copyrighted or whether it's now in the public domain, free for you to use and repurpose any way you like. Unfortunately, actually figuring out the copyright status of a work isn't so simple as dragging your mouse-most of the years seem to be marked by a fuzzy period of "Maybe".

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Wide-ranging public discussion of Creative Commons and related items. Creative Commons runs several lists with more specific charters (e.g., license development, metadata, international porting). See http://creativecommons.org/discuss for a catalog of all public Creative Commons mailing lists.

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So, you build on a BY-NC work and register your copyright. You license your new work also BY-NC. Someone violates the copyright on your work. You sue. You are entitled to statutory damages right? You collect. Are you now guiilty of violating the NC licneses of the works yours built upon?

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The project will create open content electronic textbooks that will be freely available from a website. Distribution will also be possible via paper, CD, or DVD. ...The goal is to make textbooks available to the many who cannot afford them. ... The Global Text Project is funded by the Jacobs Foundation.

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CC licences (and the relevant metadata) attach to a work and authorise everyone who comes into contact with it to use it in the way that has been described. So for example if user Y has a copy of creator X's CC licensed work, Y can give a copy to Z and Z will also be authorised to use the work consistent with the licence. Creator X then has a licence agreement with both Y and Z. From a curation perspective this has great advantages for widened participation in and access to digital materials.

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The family of Alison Chang says Virgin Mobile grabbed the picture from Flickr,... [They] filed a lawsuit ...against Virgin Mobile USA LLC, its Australian counterpart, and Creative Commons Corp., a Massachusetts nonprofit that licenses sharing of Flickr ph

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Digitale Allmend ha fatto alcune domande a Gilberto Gil durante il suo tour europeo. Gilberto Gil è Ministro della Cultura del Brasile e musicista. Dal punto di vista di un artista, quali vantaggi si possono trarre dalla pubblicazione di opere sotto una

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Allmend Creative_Commons Gil creativecommons delicious DICE CTE cinematousecrans

a vj set from the pixelpunx live-video collective. made for the switzerland CC-launch event in zurich. may 2007. Producer: pixelpunx Audio/Visual: sound, color

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Das Interview fand anlässlich des Launches von Creative Commons Switzerland statt. ...Pixelpunx.ch veröffentlicht ihre Werke unter Creative Commons. Für den Launch hat Pixelpunx.ch ihr Set zum Remixen zur Verfügung gestellt.

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Arnold Boos Creative_Commons Pixelpunx VJ creativecommons creativecommons.ch delicious video DICE CTE cinematousecrans

26. Mai 2007. S... Anlässlich der Lancierung am TweakFest im Technopark, Zürich haben wir einige Gespräche geführt. Hier das erste mit Pascal Arnold von www.pixelpunx.ch. Das Gespräch führt Daniel von der Digitalen Allmend

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Arnold Boos Creative_Commons creativecommons creativecommons.ch delicious pixelpunx tweakfest DICE CTE cinematousecrans

26. Mai 2007. Im zweiten Teil des Gesprächs mit Dr. Volker Grassmuck, dass Daniel von der Digitalen Allmend in Zürich geführt hat, geht es um die Kompatibilität von Creative Commons und den Verwertungsgesellschaften.

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